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At The Spring Dawn—Andrea Ramsey. Poet
Angelina Weld Grimke was an important figure
in the Harlem Renaissance of the 1920s. Here
she describes the dawning of a new day, a
text captured by the composer in colorful and
descriptive writing. Scored for marimba, optional
piano, and treble voices, this is a beautiful
example of word painting as the choir sings, "It is
good to love, it is good to be alive."
11513469 SSAA. . . . . . . . . . . . . . . . . . . . . . 2.30
Be Like the Bird—Sarah Quartel. Lyric melodies
and rising sequences reflect the uplifting message
of this text by Victor Hugo. While mostly set in
English, a passage from the original French
text is set to the same lyric melody before being
interwoven with the English text.
11536286 SA . . . . . . . . . . . . . . . . . . . . . . . . 3.25
Be the Sunlight—Debra E. Stempien & Gregory
H. Turner. A lovely lyrical melody and inspirational
text grace this original work with many teaching
moments. Ample unison writing and opportunities
for all parts to sing the melody as well as
creative harmonic lines and a supportive piano
accompaniment make this a strong choice for
spring concerts.
11535640 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.60
Becoming You—Bethany Main. "Adventure
awaits. A journey to becoming you. Leaving
behind who you know, see how much you grow."
This joy-filled song is overflowing with positive
rhythmic energy and uplifting lyrics, perfect for
year-end concerts, graduation and moving-up
ceremonies, or any occasion. The soaring lines,
empowering text, and pop-style harmonies are so
fun to sing!
11560378 Two-Part . . . . . . . . . . . . . . . . . . . 2.95
Blow the Wind Southerly—arr. Douglas E.
Wagner. Peace and tranquility are truly
experienced in this beautiful arrangement of the
traditional Northumbrian folk song. Warm choral
sonorities and an accompaniment that ebbs and
flows are hallmarks of this setting for treble voices.
This is certain to become a favorite of singers for
many seasons to come.
11514634 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.45
Carry the Music—Sarah Quartel. This uplifting
and affirmatory piece sets a text by the composer
inspired by the reflections of the Northwest
Girlchoir on what their choir means to them. A
gradual building of choral texture creates an
atmosphere of heartfelt celebration of choral
singing that culminates with the profound closing
words "I hear you. I see you too."
11536289 Unison . . . . . . . . . . . . . . . . . . . . . 3.25
Celebrate This Life—Sherry Blevins. This piece
provides accessible harmony singing through
ostinati and partner songs. With two contrasting
sections - one driving and one lyrical - singers
will enjoy the added body percussion along with
the opportunity in the lyrical section for self-
expression in the form of statements about what
they celebrate. The score includes options for
staging as well as examples of how to make
the piece more meaningful for both singers and
audiences. If you are looking for a fun and unique
opener that also has heart, this is it!
11540970 SSA . . . . . . . . . . . . . . . . . . . . . . . 3.35
Circle of Seasons—Gary E. Parks. Students will
reinforce their sense of rhythm and meter changes
in this engaging, celebratory, highly enjoyable
piece. With or without the optional percussion, this
festive number is the perfect closer for concerts of
all seasons!
11559620 Two-Part w/ opt. Percussion . . . 2.30
Connected—Brian Tate. "I am you are me...."
This innovative original uses a clever text and
text and pop-style music to create an environment
of togetherness among members of the choir.
Community - that's what it's all about. Each vocal
part gets its own statement, and all are sequenced
together into a rollicking chorus, all fun! Complete
with finger snaps and handclaps, this will be a hit
with your singers!
11564495 Two-Part or SA, with Piano . . . . 3.50
11395883 Octavo-Conectados . . . . . . . . . . 2.95
Dawn—Jacob Narverud. Francis Ledwidge's
poem brings a sweetly sentimental tone that is
so well complemented by the lyrical lines and
gorgeous harmonies in this original work. At once
both musically satisfying and accessible, it offers
a chance to help choirs bring maturity and lyricism
to their tone without increasing the difficulty.
11559608 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.15
Day After Day—Mark Henry. Aldous Huxley's
tongue-in-cheek poem Flowers is set to a folk-
like tune that employs jaunty rhythms, an optional
violin obbligato, and simple body percussion. This
delightful two-part treble piece is fun to sing and
perfect for spring!
11559621 Two-Part w/ opt. Violin . . . . . . . . 2.30
Earth and Sky—Alec Roth. Commissioned by the
BBC for the 2000 Proms music festival, this work
presents a vision for the future. No matter how
technologically developed the world may become,
the big questions will always remain the same:
"How shall I know where I should go? How may
I see the I that's me?" This work explores these
life questions while simultaneously exploring
the mysteries of music. A mystical piano part
and poignant percussion pair with treble voices
singing the poetry of Vikram Seth, culminating in a
paradoxical musical experience that explores the
certainty of death and the search for life's purpose.
11528405 SSAA with Piano
& Optional Percussion . . . . . . . . 5.95
El Humo (The Smoke)—Eduardo Cota. Everyday
imagery comes to life; pictures of smoke trailing
from chimneys up to the sky weave through a
charming melody and accompaniment. This is a
great selection for choirs learning how to sing in
two parts, but its poetry and sonority also work
well for older treble groups.
11514298 Two-Part or SA/SSA. . . . . . . . . . 2.60
Endless Song—David L. Brunner. This new
melody for the How Can I Keep from Singing?
text is gentle and thoughtful. The easy lyricism in
these phrases will assist your singers in hearing
the familiar words in a new way.
11514299 SA or Two-Part . . . . . . . . . . . . . . 2.80
Every Given Light—Dominick DiOrio. "This is
the day when every given light bears forth like
a star." A hopeful and inspirational message is
set to a rhythmic melody with an energetic piano
accompaniment. Ranging from unison to four
parts, this is an optimistic statement for children's
choirs and treble ensembles.
11535648 SSA divisi, or SSAA . . . . . . . . . . 2.70
Exsultate Justi in Domino—Noah Reese.
Grandiose and exciting, this festive piece has
rhythmic energy in the vocal lines coupled with
an active yet supportive piano accompaniment.
With a variety of accessible voicings, this piece
is fitting for choirs of all ages and ability levels in
schools, churches, and communities alike. A word
of caution, though: this melody will get stuck in
your head!
11559626 SA . . . . . . . . . . . . . . . . . . . . . . . . 2.15
11559624 TT . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Fly!—Tracy Wong. This upbeat work sets a
text by Malaysian singer Bihzhu celebrating the
collective excitement of exploring the unknown.
The supportive piano accompaniment brings
a hint of the Malaysian soundscape in its use
of fourths, and minimal divisi in the vocal parts
makes the piece accessible to a broad range of
upper-voice choirs.
11536292 SA . . . . . . . . . . . . . . . . . . . . . . . . 3.25
Galop (from "Solfege Suite")—Ken Berg. Your
singers will have a blast as they negotiate
their way through this quickly-paced song with
only solfege syllables for text! Full of fun and
teaching opportunities, this creative original is the
quintessential concert closer or encore piece.
11513221 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.95
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