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WINTER & HOLIDAY
Mary, Mother—Bob Chilcott. Able to be
performedas separate stand-alone pieces or as
a unified set, this sequence of six original carols
explores the role of Mary in the Christmas story,
focusing on her human experience within a story
of the divine. The lyricist, Georgia Way, places the
sycamore tree as a central image. From reflecting
instability in Mary's emerging adulthood to
symbolizing the regenerative power of the human
spirit in the work's closing movement, the music
perfectly depicts the narrative, musically charting
Mary's emotional journey through poignant
melodies, rich harmonies, and descriptive
instrumental textures. Pieces are A Child in
Galilee; Carpentry Carol; After the Angel; Walking
Carol; Dear Heart; Hymn.
11559978 SATB Choral Score w/ Piano or
Organ, opt. Harp . . . . . . . . . . . . 14.99
O Christmas Tree—arr. Jimmy Baas. Traditionally
written in 3/4, this fresh arrangement of a well-
known Christmas carol is given an uplifting twist
in 9/8 compound meter. The piano part gently
propels the piece forward, and an original melody
in the second verse adds variety and interest.
It's just the right balance of something old and
something new for your holiday concert.
11559609 TB . . . . . . . . . . . . . . . . . . . . . . . . 2.55
O Come, Emmanuel—Elaine Hagenberg.
"Haunting" is the best word to describe this original
setting of the traditional Advent text, scored for
choir, piano and cello. Marked "mysterioso" in
triple meter, it is such a creative interpretation, the
effect in performance is truly extraordinary!
11514051 TTBB . . . . . . . . . . . . . . . . . . . . . . 2.75
O Holy Night!—Toby Young. This beloved text
finds a fresh new presentation in this modern a
cappella carol setting. Using effective textural
changes and syncopation, it has the feel of a
contemporary worship song with the structure and
scoring of a traditional carol. It is a lovely choice
for smaller ensembles or full choirs for Christmas
concerts and services.
11563797 SATB . . . . . . . . . . . . . . . . . . . . . . 3.65
The Savior's Birth—Marques L. A. Garrett.
Effectively combining an ancient Latin text and
three traditional Christmas spirituals (Rise Up,
Shepherd, and Follow; Mary Had a Baby; What
You Gonna Call Your Pretty Little Baby?), this a
cappella setting sparkles with rhythmic intensity
and joy for the Christmas season. From Carols for
Choirs 6.
11563686 SSAA. . . . . . . . . . . . . . . . . . . . . . 3.25
11563687 TTBB . . . . . . . . . . . . . . . . . . . . . . 3.25
Season of Light—Jacob Narverud. "Come sit
by the fire and share stories of old, bright visions
of time and of wonders we're told." Written to
evoke the feeling of a simple, old-fashioned
carol, this brief two-verse tune invites all people
to bring to mind remembrances of the season
at this meaningful time of year. It is available in
the original SATB a cappella version as well
as three versions with piano accompaniment.
11514871 SATB with Piano Accomp. . . . . . 2.50
11514872 SAB with Piano Accomp. . . . . . . . 2.50
11514873 SSAA with Piano Accomp. . . . . . 2.50
The Shepherd's Spiritual—arr. Donald Moore.
Here's a swingin' gospel treatment of Rise
Up, Shepherd, And Follow that your ensemble
will enjoy singing year after year! It's a great
confidence-builder, an exciting audience-pleaser,
and just plain fun for all involved, especially when
you use the tambourine part!
11559597 TTBB . . . . . . . . . . . . . . . . . . . . . . 2.15
Stille Nacht! Heilige Nacht! (Silent Night!
Holy Night!)—Matthew Culloton. This delicate,
soothing a cappella setting of the Christmas
favorite is sung in German with English text also
available. The first and third verses have the
melody in the soprano, while the second verse has
the melody in the tenor voice. Countermelodies
in the moving parts create harmonic interest
throughout the verses.
11538048 SATB . . . . . . . . . . . . . . . . . . . . . . 2.65
Sweet Silent Night—Andy Beck.
11564479 SATB . . . . . . . . . . . . . . . . . . . . . . 2.20
Wexford Carol—arr. Stephen Dombek. A lovely
and straightforward setting of the Irish carol, this
arrangement is written with beautiful technique
and integrity. While lovely for church use, it
is also well suited for community choirs and
collegiate groups.
11514319 SATB . . . . . . . . . . . . . . . . . . . . . . 2.80
What Child Is This?—arr. David Wise. The
traditional carol has been set in an epic, driving
modern style. Driven by choral voices throughout,
this arrangement is a spectacular choice to open
a Christmas service or concert as well as a
choir feature for church services throughout the
Christmas season. The orchestration brilliantly
builds the intensity of this inventive arrangement.
11514777 SATB . . . . . . . . . . . . . . . . . . . . . . 3.20
Winter Lullaby (Little Dear-My-Soul)—Luke
Flynn. Sweeping, emotive choral lines envelop
Eugene Field's well-known poem Christmas Eve
in this beautiful lullaby setting from a Hollywood
film score composer. Lush harmonies allow choirs
to express their musical sensitivity, while the parts
themselves remain accessible to a variety of mixed
choirs. A stunning choice for winter concerts!
11535645 SATB . . . . . . . . . . . . . . . . . . . . . . 2.60
Winter Snow's Falling Tonight—Brad Nix. A
frosted windowpane, large snowflakes, and a
crackling fireplace may come to mind with these
winter-themed lyrics by Rose Aspinall. The gentle
and expressive text breathes imagery that pairs
beautifully alongside the tender melody and
timelessly sentimental harmonies. A wonderfully
crafted piano accompaniment ties it all with a bow.
11510603 SATB . . . . . . . . . . . . . . . . . . . . . . . 2.95
A Winter Wish—MaryAnne Muglia. Warm lyrics
and a festive, happy a cappella texture make this
stylish original song for winter or the holidays an
engaging programming choice. The jazzy swing
rhythms and nostalgic doo-wop feel are fun to
sing and will certainly be a favorite with show and
concert choirs.
11564444 SATB . . . . . . . . . . . . . . . . . . . . . . . 2.40
Yuletide Collage —arr. Gary E. Parks. Ding Dong
Merrily on High; Jolly Old Saint Nicholas; Deck the
Halls and We Wish You a Merry Christmas are
woven together in this sprightly medley containing
unexpected twists and great fun in the piano
accompaniment. Add the optional percussion
to make this an even more festive addition to a
holiday concert!
11559664 SATB w/ opt. Percussion . . . . . . . 2.30
11
ADULT
COMMUNITY
CHOIR
MUSIC FOR
HANUKKAH
The Chanukah Song (We Are Lights)—
Steve Young & Stephen Schwartz/arr. Ryan Nowlin.
10760993 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Eight Days of Lights—
Judith Clurman & David Chase.
11001143 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.80
11203938 Two-Part or SA . . . . . . . . . . . . . . . . . . 2.60
11203939 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
11416717 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.60
Five-Sided S'vivon—arr. Robert Applebaum.
3302084 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.85
10843689 Full Score SATB Full Score . . . . . . . 19.00
8068940 Two-Part or SA . . . . . . . . . . . . . . . . . . 2.65
10843691 Full Score Two-part/SA Full Score. . 30.00
Light—Lisa Loeb & Cliff Goldmacher/
arr. Andy Beck.
10993682 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10993683 Three-Part Mixed . . . . . . . . . . . . . . . . 2.10
10993684 Two-Part . . . . . . . . . . . . . . . . . . . . . . . 2.10
Maoz Tsur (Rock of Ages)—arr. Ross Fishman.
11001766 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Season of Light—Jacob Narverud.
10674490 SATB divisi A Cappella. . . . . . . . . . . . 2.50
11514871 SATB with Piano Accompaniment . . . 2.50
11514872 SAB with Piano Accompaniment . . . . 2.50
11514873 SSAA with Piano Accompaniment . . . 2.50
Y'Mei HaChanukah (O Chanukah, O Chanukah)
Mordkha Rivesman/arr. Ethan Nash.
11516207 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
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