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New Large Print Edition A Cappella Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
POP, JAZZ, STAGE & SCREEN
Both Sides Now—Joni Mitchell/arr. Roger
Emerson. Joni Mitchell's lyrical ballad is given
new light in these arrangements for choirs of all
voicings. Opening with a solo, building with tender
harmonies, and hitting a climax with rhythm
band, this song takes listeners and singers on a
reflective journey and provides clarity as they look
back on life.
11524586 SATB divisi . . . . . . . . . . . . . . . . . 2.50
11524587 SAB divisi . . . . . . . . . . . . . . . . . . 2.50
11530523 Two-Part . . . . . . . . . . . . . . . . . . . 2.50
11524588 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.50
Children Will Listen (from "Into the Woods")—
arr. Jacob Narverud. This powerful and
passionate ballad the Witch sings to her daughter
in Sondheim's masterpiece "Into the Woods"
is set here for the concert stage. It is a tour de
force when performed with piano, but when using
the optional instrumentation for two violins, viola,
cello, celesta, and percussion, this will be a most
memorable addition to a concert. The SATB
version includes a part for optional children's
chorus or descant.
11504095 SATB . . . . . . . . . . . . . . . . . . . . . . 2.35
Closer to Fine (from "Barbie")—Emily Saliers
& Amy Ray/arr. Roger Emerson. Join Barbie
on her road trip with this classic folk-rock hit
covered by Brandi and Catherine Carlile in the
hit film "Barbie." Originally written by Indigo
Girls, this song still resonates with young
people seeking answers to life's big questions.
Fun but slightly enigmatic lyrics are paired with
an upbeat melody and catchy chorus. The
arrangement keeps the harmonies fresh and
simple, with syncopation and countermelodies
hearkening back to the original version.
11539744 SATB . . . . . . . . . . . . . . . . . . . . . . 2.75
11539745 SAB . . . . . . . . . . . . . . . . . . . . . . . 2.75
11539746 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.75
Dreamers—arr. Jack Zaino. Premiering at the
FIFA World Cup, this chart-topper recorded
by BTS frontman Jung Kook and Qatari singer
Fahad Al Kubaisi features driving rhythms and a
memorable chorus that delivers the message of
teamwork and striving for a common goal. Sing
the full version including a solo in Arabic, or take
the optional cut for a shorter version without
the solo. A pronunciation guide and translation
are included.
11539379 SATB . . . . . . . . . . . . . . . . . . . . . . 2.45
11539380 Three-Part Mixed . . . . . . . . . . . . 2.45
11539381 TTB . . . . . . . . . . . . . . . . . . . . . . . 2.45
Fly Me to the Moon (In Other Words)—arr.
Roger Emerson. Written back in 1954, this
famous song has become a part of the Great
American Songbook, with Frank Sinatra's 1964
version becoming the standard. This accessible
arrangement brings plenty of unison, well-placed
harmonies, and a section of choral scat that your
singers will really enjoy learning and performing.
11500441 TB . . . . . . . . . . . . . . . . . . . . . . . . 2.75
Higher Ground—Stevie Wonder/arr. Adam &
Matt Podd. This reimagining of Stevie Wonder's
hit song brings a completely fresh take to a
familiar tune. Inspired by the power of Wonder's
poetry and spiritual message, the arrangement
takes a stirring and creative approach to the
tempo, harmonies, and accompaniment, bringing
together a fusion of styles that draw from concert
spirituals, jazz, and gospel music.
11513605 SSATBB . . . . . . . . . . . . . . . . . . . 2.75
If Ever I Would Leave You (from "Camelot")—
Frederick Loewe/arr. Kirby Shaw. The cherished
love song from "Camelot" receives a classic choral
treatment in this lush a cappella setting. The end
of this arrangement features a solo or small group
over choral backing and is equally suitable for
large ensembles or small vocal jazz groups.
11502967 SATB . . . . . . . . . . . . . . . . . . . . . . 2.10
Keep on the Sunny Side—J. Howard Entwisele/
arr. John Maclane Schirard. This jazzy reimagining
of a classic Americana tune is guaranteed to
bring some extra light into your concert with its
cheerful, optimistic message. Rich ballad sections
are contrasted by an up-tempo swing refrain,
complete with a walking bass line. With exciting
harmonies and easy-to-sing vocal lines, this song
is a great introduction to tight harmonies with a
wonderful payoff!
11510881 SATB . . . . . . . . . . . . . . . . . . . . . . 2.75
8
ADULT
COMMUNITY
CHOIR
Selections by Women Composers
Find more at jwpepper.com/women-composers
Aer Enim
Linda Kachelmeier
11540640 SSA with Percussion .............. 2.25
Sigue
Ivette Herryman Rodriguez
10513282 SSAA ....................................... 3.10
Hear My Voice
Karen Marrolli
11537971 SATB ........................................ 2.25
Ogo Ni Fun Oluwa!
(Glory to God in the Highest!)
Rosephanye Powell
10278879 SATB ....................................... 2.50
Time
Jennifer Lucy Cook
11513832 SATB ........................................ 2.85
Halcyon Days
Melissa Dunphy
11337567 SATB ........................................ 4.00
Hark, I Hear the Harps Eternal
arr. Alice Parker
3147212 SSAA ......................................... 2.05
That Is Solemn, We Have Ended
Meredith Tompkins
11501692 SSATBB ................................... 2.75
Grow
Ayrian Norman
11510566 SATB divisi ............................. 3.20
Rise, My Soul
arr. Susan LaBarr
10849143 SSAA ....................................... 3.00
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The Staff of J.W. Pepper