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POP, JAZZ, STAGE & SCREEN
Little Bitty Pretty One—Robert Byrd/arr. Kirby
Shaw. You'll love singing this upbeat, swing-
style choral arrangement of one of the best-loved
songs of the '50s. Perfect for show choirs or pop
concerts, this is sure to be a hit for mixed or tenor-
bass choirs alike. Add the combo parts or use the
track for a more authentic sound!
11560302 TTB . . . . . . . . . . . . . . . . . . . . . . . 2.50
Look for the Light (from "Only Murders in the
Building")—Sara Bareilles, Benj Pasek & Justin
Paul/arr. Mac Huff. First appearing in the Hulu
show "Only Murders in the Building," this lullaby
sung by Meryl Streep and Ashley Park is now
a sweet and encouraging choral arrangement
for treble voices. Written by Sara Bareilles,
Benj Pasek, and Justin Paul, this piece is a nod
to musical theatre writing and is sure to be an
emotional and inspirational song for your choir!
11539756 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.50
Lovely Day—arr. Robert T. Gibson. Grammy
Award winner Bill Withers recorded this happy
song in 1977, and this groovin' arrangement
stays true to the R&B style of the original while
employing some gospel harmonies designed to
show off your singers. Optional electric bass and
drum set parts fill out the sound or perform with
the super-charged accompaniment track.
11564437 TTB . . . . . . . . . . . . . . . . . . . . . . . 2.45
A Million Dreams (from "The Greatest Show-
man")—Benj
Pasek & Justin Paul/arr. Mac
Huff. Perhaps the most memorable song from
the blockbuster movie, this inspirational text and
captivating melody combine to create a song that
is beloved by young and old. Dreams are the fuel
that motivate our young people, and it is wonderful
to be able to encourage their creativity, passion and
individuality with a stellar song like this. A fantastic
arrangement with all the power of the original!
11513695 TBB . . . . . . . . . . . . . . . . . . . . . . . 2.25
Never Gonna Give You Up—arr. Roger
Emerson. He won't give you up. He won't let you
down. He won't run around and desert you. He
won't make you cry. He won't say goodbye. And
he won't tell a lie and hurt you. And now, Rick
Astley's #1 hit of the summer of 1987 can rick-roll
itself right into your concert... just make sure you
call it something else on the program!
11510471 SATB . . . . . . . . . . . . . . . . . . . . . . 2.50
11510472 SAB . . . . . . . . . . . . . . . . . . . . . . . 2.50
11510473 Two-Part . . . . . . . . . . . . . . . . . . . 2.50
Over the Rainbow (from "The Wizard of
Oz")—Harold Arlen/arr. Jacob Narverud. Here is
a spectacular concert arrangement of this classic
song from "The Wizard of Oz." With a grand piano
opening which captures the orchestration from the
full score followed by the tender vocal introduction
with optional violin accompaniment, this is perfect
for an advanced concert choir.
11504102 SATB divisi, or SSAATTBB . . . . 2.65
Remember Me (from "Coco")—Robert Lopez
& Kristen Anderson-Lopez/arr. Jim Clements.
From the hit animated movie "Coco," this song
is described by the writers as "the tie that binds
multiple generations in the shared love of music."
Featured on the King's Singers recording of
Disney songs, this beautiful lullaby sung in both
Spanish and English is breathtaking.
11513733 SATB . . . . . . . . . . . . . . . . . . . . . . 2.30
Someone to Watch over Me—George Gershwin/
arr. Bruce W. Tippette. Originally written for
the musical "Oh, Kay" as an up-tempo vocal
solo, this treble arrangement keeps the slow,
ballad-like style that has been adopted as the
preferred way to perform the piece. While the
melody remains untouched for the most part, the
piano accompaniment and vocal harmonies are
completely fresh and pay homage to the overall aura
that was originally captured almost 100 years ago.
11510876 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.50
Songbird—arr. Paul Langford. Singer-songwriter
Eva Cassidy left us too soon. The title song of
her posthumous album has become iconic at
weddings and celebrations of life and is now
beautifully arranged in a way that will become
equally iconic and popular.
11513787 SATB divisi . . . . . . . . . . . . . . . . . 2.30
Songs of a Disney Sidekick (Choral Medley)—
arr. Alan Billingsley. There are Disney heroes
and there are Disney villains, but this rip-roaring
choral number belongs to those fringe characters
that are just as critical to the story: the sidekicks.
They make us chuckle, cry, and swoon, and now
their timeless songs are expertly crafted together
in this medley. Titles include Under the Sea; The
Bare Necessities; Friend Like Me; Hakuna Matata
and Be Our Guest.
11539757 SATB . . . . . . . . . . . . . . . . . . . . . . 3.50
11539758 SAB . . . . . . . . . . . . . . . . . . . . . . . 3.50
Sweet—Diane Warren/arr. Alan Billingsley. Jon
Batiste, Pentatonix, and legendary songwriter
Diane Warren teamed up to create this soulful,
groovy song. An R&B-inspired earworm, this
arrangement sends the message that life is sweet
in the company of others. A variety of voicings
ensures that many different choirs can sing and
even dance along!
11539398 SATB divisi, or SSATB . . . . . . . . 2.35
11539399 SSAB. . . . . . . . . . . . . . . . . . . . . . 2.35
Swingin' with the Beatles (Medley)—John
Lennon & Paul McCartney/arr. Mac Huff. Three
Beatles songs are given some swing in this
dynamic medley: Can't Buy Me Love; Love Me
Do and Eight Days a Week. Audiences will love
the jazz settings of these top hits!
11539763 Three-Part Mixed . . . . . . . . . . . . 2.75
Taking a Chance on Love—Vernon Duke/arr.
Kirby Shaw. A classic jazz standard is arranged
in multiple voicings, making this piece accessible
to many different choirs. The snappy rhythms,
tight jazz harmonies, and clever lyrics keep things
interesting but accessible. Perform with piano
accompaniment, an accompaniment track, or
instrumental parts written for two trumpets, tenor
saxophone, trombone, guitar, bass, and drum set.
Your audience will love this toe-tapping number!
11539404 SATB . . . . . . . . . . . . . . . . . . . . . . 2.35
11539405 SAB . . . . . . . . . . . . . . . . . . . . . . . 2.35
The Times They Are A-Changin'—Bob Dylan/
arr. Adam Podd. This reimagined interpretation of
the classic Bob Dylan song is a perfect choice for
choirs looking for socially responsive music. The
reharmonization and contrasting musical style will
bring new attention and poignancy to these well-
known words.
11513834 SSAA. . . . . . . . . . . . . . . . . . . . . . 2.60
What Was I Made For? (from "Barbie")—arr.
Andy Beck. Billie Eilish's melancholy ballad from
the "Barbie" soundtrack has introspective lyrics
that reflect on finding your place in the world. A
poignant opening solo, expressive moving choral
parts, and an ethereal piano accompaniment
make this heartfelt arrangement equally
appropriate for concert and show choirs. In the
end, singers convey the assurance that happiness
is "something I'm made for."
11534020 SATB . . . . . . . . . . . . . . . . . . . . . . 2.35
What'll I Do?—Irving Berlin/arr. John Maclane
Schirard. This sensitive a cappella arrangement
of the classic Irving Berlin song is full of lush divisi
vocal jazz harmonies, contrasted with moments of
stunning simplicity. Singers and audiences alike
will find new depths of emotion and heart in this
fresh rendition.
11510866 SATB divisi, or SSAATTBB . . . . 2.25
When She Loved Me (from "Toy Story 2")—
Randy Newman/arr. Philip Lawson. "Every hour
we spent together lives within my heart, when
she loved me." Performed by Sarah McLachlan,
this tender ballad from Disney/Pixar's "Toy Story
2" tugs on the heart strings of young and old
with its nostalgic lyrics and memorable melody.
Beautifully set with close a cappella harmonies
that evoke the emotion from the film, it will once
again be loved by choirs and audiences alike.
11513869 SATB divisi . . . . . . . . . . . . . . . . . 2.30
9
ADULT
COMMUNITY
CHOIR
Theme:
JAZZ STANDARDS
Ain't Misbehavin—arr. Larry Shackley.
10042040 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
All the Things You Are—Jerome Kern &
Oscar Hammerstein II/arr. Mark Hayes.
10453524 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
At Last—Harry Warren/arr. Mac Huff.
11000925 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
Autumn Leaves—
Joseph Kosma/arr. Ryan O'Connell.
10363356 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.95
Embraceable You—
George & Ira Gershwin/arr. Kirby Shaw.
3301283 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.00
Fly Me to the Moon—
Bart Howard/arr. Robert Page.
10364458 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
I'll Be Seeing You—
Sammy Fain/arr. Darmon Meader.
3301428 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Someone to Watch over Me—
George & Ira Gershwin/arr. Jay Althouse.
10008477 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Stormy Weather—arr. Jay Althouse.
1861566 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
What'll I Do?—
Irving Berlin/arr. John Maclane Schirard.
11510866 SATB divisi, or SSAATTBB . . . . . . . 2.25
