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Repertoire and supplies for church,
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Essential
Handbell
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jwpepper.com/handbell
Every Time I Feel the Spirit—
arr. Benjamin A. Tucker. This stellar arrangement
of the popular spiritual contrasts a syncopated
mallet accompaniment with lyrical arpeggios to
create lovely contrasts between the chorus and
verses. This is a great piece for festivals!
11540604 3-5 Octave . . . . . . . . . . . . . . L3 5.95
I Got Shoes! —arr. Mark Arnold.
This compelling and fun spiritual arrangement uses
mallet clicks, table hits, and optional percussion
(provided) to enhance the joy of the song.
11540605 3-5 Octave . . . . . . . . . . . . . . L2 5.95
I Want to Be Ready (Walk in Jerusalem
Just like John)—arr. David E Lupo.
A peppy swing-like tempo and the inclusion of
optional handchimes (2-3 octaves) add spice to
this spiritual. Great for a light moment in worship
or concert.
11542488 2-3 Octave . . . . . . . . . . . . . L2+ 5.25
I've Got the Joy (Down In My Heart)—
arr. Bruce Maegly. This lively, upbeat
arrangement is complemented with an optional
flute or C instrument. The bass staccato notes
may be performed with mallets or plucked. Careful
attention should be given to the eighth note rests
allowing for a crisp, enthusiastic presentation. The
C instrument part is included in the handbell score
but is also available separately.
11560197 3 Octave . . . . . . . . . . . . . . . L3+ 5.25
11560198 Instrumental Parts Flute . . . . . . . . 4.95
Somebody's Knocking at Your Door—
arr. Brenda E. Austin. Feel the pulse of
excitement as vibrant handbells come alive,
creating an electrifying rhythm that's impossible
to resist! A touch of blues, a walking bass line,
and optional percussion (wood block or mallet
clicks) all contribute to the energy. Cue notes are
used to show voice leading when the line moves
between staves.
11568002 3-5 Octave . . . . . . . . . . . . . L2+ 6.25
Sometimes I Feel Like a Motherless
Child —arr. Mitchell Eithun. Handbells are the
background for a haunting alto saxophone solo.
The combination of handbells with sax creates a
reflective atmosphere that will bring this spiritual to
life. The spiritual Steal Away is also heard as the
piece progresses. The alto (E-flat) saxophone part
is included.
11542485 3-5 Octave w/Alto Sax Solo . . L3 5.95
Swing Low, Sweet Chariot—
arr. Kevin McChesney. This bright setting of the
beloved spiritual is short and sweet, pulsing with
energy and includes many interesting moments
to keep ringers and audience fully engaged. This
versatile arrangement is a great choice for church
or school.
11569830 3-5 Octave . . . . . . . . . . . . . . L3 5.95
This Little Light of Mine—arr. Kurt Meyer.
Enjoy this toe-tapping setting of the beloved
spiritual. The melody is given a variety of stylistic
treatments with plenty of techniques that add a
special flair. Optional handchimes (two octaves)
highlight the melody while optional percussion
parts (tambourine and chime tree) make for a truly
unforgettable performance.
11533935 2-3 Octave . . . . . . . . . . . . . . L3 4.95
11533937 3-5 Octave . . . . . . . . . . . . . . L3 4.95
11533938 Instrumental Parts . . . . . . . . . . . . 4.95
When the Saints Go Marching In—
arr. Joel Raney. Start tapping your toes with
this challenging yet rousing arrangement of the
old gospel hymn. The optional clarinet is a fun
addition and gives it a New Orleans feel. A verse
of For All the Saints appears in the middle before
returning to the opening material using a strut
tempo to conclude.
11568006 3-5 Octave . . . . . . . . . . . . L2+ 6.25
11568007 Instrumental Parts . . . . . . L2+ 15.95
SPIRITUALS FOR HANDBELLS
More available at jwpepper.com/handbells
