STRING
ORCHESTRA
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LIGHT CONCERT SELECTIONS medium & medium-advanced /
FOLK & MULTICULTURAL very easy
Light Concert
Selections
Medium &
Medium-Advanced
221B Baker Street—Jeffrey Bishop. The title
of this exciting musical depiction is, of course,
the residence of Sherlock Holmes. The three
musical motifs depict Sherlock Holmes, Dr.
Watson and the arch-villain Professor Moriarity.
The music moves from thoughtful to intense
and is fun to play!
10069432 String Orchestra . . . . . .M 70.00
7th Street Beat—Lauren Bernofsky. A beatbox
piece for orchestra! Beatbox percussion
sounds imitate effects normally made by a
drum set, and these vocal syllables are woven
into the parts of each section of the orchestra.
The same parts are also written out separately
for a guest "soloist" or two. A section for
optional improvisation - either instrumental or
vocal - makes this piece extra-fun and creative!
10997954 String Orchestra . . . . . .M 60.00
Alley Cats—Doug Spata. A fresh new
opportunity for orchestra musicians to step
outside the normal styles and explore swing
and bluesy harmonies. Each instrument also
has the opportunity to work slides as well as
more advanced fingering patterns.
11393535 String Orchestra . . . . . .M 60.00
Basses Loaded—Carrie Lane Gruselle.
Let your bass section shine and groove in
this upbeat medley of funk, swing and good
ol' fashioned rock n' roll! Opportunities for
improvisation are included (with written parts as
well) and an optional drumset part really adds
to the flair. While the basses show off, the other
sections of the orchestra also experience the
contagious rhythms and melodies as they get
down and rock out. An absolute showstopper!
10066376 String Orchestra . . . . . .M 55.00
Blackberry Blossom—Gary Gackstatter.
Feature your top player on this famous
American tune! The first time through, the
soloist takes the lead accompanied by some
pizzicato and the occasional foot stomp. The
second time through, first violins play most of
the tune along with the soloist. The third and
final time through the soloist gets some nice
variations on the tune. And, oh yes, the faster
the better!
2702541 String Orchestra . . . . . .M 48.00
Bossa Rojo—Bert Ligon. Beginning with
a dramatic familiar Latin figure, everyone
will recognize the rhythm and groove with
enthusiasm! Melodic material appears in all
parts and is designed for fun and successful
performances. An improvisation section is
included where soloists can improvise over the
familiar progression or play the provided solos.
Piano and drum set parts are included. The
change of pace will be appreciated by players
of any level.
10310635 String Orchestra,
Percussion Required . .M 55.00
A Boy and a Girl—Eric Whitacre. An
orchestration of the popular choral work.
Inspired by the tender, delicate poem "A Boy
and a Girl" by Octavio Paz. Score and parts.
11176458 String Orchestra . . . . . .M 70.00
El Relicario: Paso Doble—arr. Robert
Longfield. One of the most famous and best-
loved paso dobles ever written in a setting
for string orchestra! Fiery rhythms and
sweeping Spanish melodies make this an
outstanding change of pace for concert or
festival performance.
10756566 String Orchestra,
Percussion Optional . . .M 40.00
The Entertainer—Scott Joplin/arr. Steve
Olson. Get your audience's toes tapping! This
Grade 3 arrangement of Scott Joplin's famous
ragtime tune is perfect for introducing your
orchestra to syncopated rhythms and exploring
easy double stops. Originally composed for
piano in 1902, this piece gained international
popularity as the theme music for the 1973
Oscar-winning film "The Sting."
11522083 String Orchestra . . . . . .M 60.00
Frost on the Plow—Samuel Gelfer. An
energetic composition perfect for introducing
some fiddlin' fun to your concert! The relentless
pace and syncopated bass accompaniment
depict a stormy winter season, melting into
spring. Players will encounter fiddle techniques
such as shuffle-bowing, chops, and double-
stops at a brisk tempo. Each section is given
interesting melodic lines, and optional guitar
adds an authentic folk music feel.
11202203 String Orchestra
with optional guitar . . . .M 60.00
The Haunted Ballroom—Chris Thomas. The
stately spirits of soirees past appear, dancing the
midnight waltz in The Haunted Ballroom. Dazzle
your audience with this chilling yet lighthearted
tune, perfect for fall and Halloween concerts.
The piece offers a variety of fun chromatics,
quirky col legno effects, and harmonic glissandi.
Certain to be a "spooktacular" addition to your
next concert program!
10877069 String Orchestra . . . . . .M 55.00
Imminent Danger—Jennifer E. Rose.
Alert! Alert! This work for wind band and
electroacoustic accompaniment combines
rhythmic interest and dramatic dynamic
changes with textures provided by an electronic
backing track. Your students are sure to be
intrigued and invigorated by the sense of
danger and daring that this piece evokes!
11574017 String Orchestra . . . . . .M 65.00
Jazz Sebastian Bach—J.S. Bach/arr. Caryn
Wiegand Neidhold. Bach never sounded
more cool or hip! This classic masterpiece
is transformed into a swinging chart with a
walking bass line, including a written solo
for all instruments and suggested notes for
improvised solos. This arrangement transports
students to a world where jazz and Baroque
styles unite in perfect harmony.
11570789 String Orchestra . . . . MA 55.00
Milonga del Angel—Astor Piazzolla/arr.
Jim Palmer. This lyrical arrangement of an
Argentinian tango is a wonderful introduction
to the music of Astor Piazzolla. The melody
is first introduced by the violas and then
passed smoothly to the first violins. Along with
beautiful harmonies, interesting rhythms, and
the variety of dynamics, the piece includes
many opportunities to teach shifting, glissando,
balance, and phrasing. A perfect choice for
festival or any concert performance.
10997712 String Orchestra . . . . . .M 60.00
Play That Swing—Katie O'Hara LaBrie. Wait -
strings don't swing, do they? Yes, they do! This
cool swinging original is just what the string
orchestra has been waiting for - and there is
no shortage of features and teaching moments.
With a hip, swinging melody, a cello solo, a
violin duet, and great jazz harmony, this will
expand your orchestra to new worlds. Optional
piano and drums are highly recommended.
11392964 String Orchestra . . . . . .M 65.00
Plink, Plank, Plunk!—Leroy Anderson.
Pizzicato playing is fascinating to play and to
watch, but coming from the skilled pen of Leroy
Anderson, it becomes an event! Let your kids
put down their bows and dazzle the audience
with this one! (All sections get to make the
"squeak" special effect!) If you're going to
program a novelty piece for strings, your
students and audience deserve one from this
American master.
4533071 String Orchestra . . . . . .M 65.00
Power Shift—Kathryn Griesinger. Work on
shifting technique with a powerhouse rock
performance! Driving, accented bass lines and
syncopated melodies energize this original
piece that follows the form and style of pop
song standards. Carefully written melodies
give every instrument the chance to practice
shifting to third position and beyond, as well as
harmonics, extended C-sharp finger patterns,
and pizzicato riffs. Add a rocking drumset for a
dynamite presentation.
10846068 String Orchestra,
Percussion Optional . . .M 65.00
Swamp Thang—Richard Meyer. Hotter than
a Cajun barbecue, this tour de force for the
advanced string orchestra is a workout for all of
your students (and their conductor!) Conjuring
up images of the Deep South, this jazzy rondo
never lets up from start to finish, featuring the
most sumptuous syncopations and intriguing
instrumentation to hit the student stage in a
long time. A great closer or encore!
10738930 String Orchestra . . . . MA 60.00
Themes from Rhapsody in Blue—George
Gershwin/arr. Carrie Lane Gruselle. This
landmark arrangement showcases Gershwin's
beloved piece that validated the merging of
classical music and jazz during the Roaring '20s.
This setting for strings presents a sampling of
the most memorable themes in a dynamic and
well-constructed arrangement. Ideal to work on
bow distribution, weight, and speed as well as
chromatics and some basic position work with
ample fingerings provided. Exceptional!
11399692 String Orchestra . . . . . .M 65.00
Folk & Multicultural
Very Easy
Angeline the Baker—arr. Jim Palmer. This
well-known American fiddle tune is great for
young string ensembles. Students will enjoy
an introduction to easy shuffle technique, the
interesting bass line, and melodies passed to
every section of the orchestra.
11200418 String Orchestra . . . . . . . . .45.00
An Appalachian Carol—arr. Janelle Zook
Cunalata. Based on the traditional spiritual
Rise Up, Shepherd, and Follow, this lively
carol combines Appalachian folk style with
the joy of the season. Students will learn call-
and-response form and alternating melody and
accompaniment. Syncopated rhythms, steady
bass line, and old-time fiddle riffs will transport
players and audiences to the snowy Smoky
Mountains for a winter celebration. Includes
violin 3 (viola in treble clef) and alternate viola
(violin 2 in alto clef) parts for flexible ensembles.
10846050 String Orchestra . . . . . . . . .50.00
Ash Grove—Michael Hopkins. Your students
will love playing this arrangement of the
traditional Welsh folk song! Written at the very
easy level, all the parts have an interesting
variety of material. This is an excellent piece to
teach bow distribution and control. An optional
piano part is included.
10023956 String Orchestra . . . . . . . . .48.00
Celtic Dance—Mark Williams. Young string
players will love getting a hold of this playable
original dance in the Celtic style. Written in E
dorian mode, the work uses only the notes of
a one-octave D major scale, and makes a fine
introduction to modal harmonies.
2442465 String Orchestra . . . . . . . . .46.00
De Colores—Traditional/arr. Douglas E.
Wagner. Offering variety and multicultural
flavor, this upbeat, joyous folk song will be
at home on any concert program. Though
scored for less-experienced players, there is
a remarkable fullness and sophistication to the
overall ensemble texture.
10453848 String Orchestra,
Percussion Optional . . . . . .46.00
Jasmine Flower—arr. Douglas Wagner. Here
is a very beautiful setting of the traditional
Chinese folk song Molihua. This tune is a vital
part of Chinese New Year celebrations and
was featured at the 2004 Summer Olympics.
The soothing pentatonic melody is reminiscent
of the simple beauty of the lovely white jasmine
blossom and its delightful scent. Players
will encounter no technical impediments
in performance. The independent piano
accompaniment and optional percussion
create the perfect musical landscape for this
multicultural offering. Very nice!
10014643 String Orchestra,
Percussion Optional . . . . . .46.00
Lakota Courting Song—arr. Devon Morales.
Based on a traditional Lakota melody originally
written for flute, this unique arrangement has
a haunting melody based on the D pentatonic
scale which is passed to all sections. Players
will practice simple rhythms, dynamics, easy
independent parts, and pizzicato. Basses briefly
shift into fourth position. Optional piano part.
11355504 String Orchestra . . . . . . . . .35.00
BEST
SELLERS
String Orchestra
Lighter Selections
Medium to Advanced
Buy with confidence! These works, listed in
order of their popularity, are chosen most
often by directors.
Swamp Thang—Richard Meyer.
10738930 String Orchestra . . . . . . . . . .MA 60.00
Alley Cats—Doug Spata.
11393535 String Orchestra . . . . . . . . . . . M 60.00
Bossa Rojo—Bert Ligon.
10310635 String Orchestra,
Percussion Required . . . . . . . M 55.00
El Relicario: Paso Doble—
arr. Robert Longfield.
10756566 String Orchestra,
Percussion Optional. . . . . . . . M 40.00
Power Shift—Kathryn Griesinger.
10846068 String Orchestra,
Percussion Optional. . . . . . . . M 52.00
