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Editors' Choice 2024 New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
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CHRISTMAS SACRED & SPIRITUALS
Mary, Did You Know?—Mark Lowry &
Buddy Greene/arr. Victor C. Johnson.
Melodic vocal lines flow effortlessly above
a gently rhythmic, supportive piano part in
this stunning new arrangement of one of
the most recorded contemporary Christmas
standards of all time. The air of mystery
and wonder will have audiences in rapt
attention. Appropriate for school or church.
10882875 Three-Part Mixed . . . .ME 2.95
10882876 Two-Part . . . . . . . . . . .ME 2.95
10882877 P/A CD . . . . . . . . . . . . . . . 29.95
Masters in This Hall—arr. Mark Hayes.
This interpretation of the wonderful French
carol is even more exciting than the original!
Unexpected harmonies, call-and-response
vocals, and the fabulous accompaniment
build this setting to new heights. Challenging
and so gloriously festive, this is a tour-de-
force for larger groups, community choirs,
and adult church choirs.
3298801 SATB. . . . . . . . . . . . . . . M 2.50
11199181 SSA . . . . . . . . . . . . . . . . M 2.50
Mixolydian Gloria—Remel Derrick.
Using the Mixolydian scale rather than a
conventional major scale, this rhythmically
charged original setting of the Gloria text is
written for the developing choir and expands
into three parts. With the option to sing with
or without the piano accompaniment, it is
the perfect choice for beginning choirs that
want to sound mature and polished!
11501638 SSA opt. a Cappella . .ME 2.25
11397045 TBB opt. a Cappella . .ME 2.25
Nativity Carol—John Rutter. This tranquil,
serene carol has been a staple in choral
libraries since it was first released in 1967.
A lovely selection for today's choirs in
schools and churches.
622894 SATB. . . . . . . . . . . . . .ME 2.85
1480607 Unison . . . . . . . . . . . . .ME 3.25
622985 SSA . . . . . . . . . . . . . . .ME 3.25
11412095 Instrumental Parts (all) . . . 43.25
7541618 Full Score . . . . . . . . . . . . . 25.50
A New Noel—Travis L. Boyd. This truly
mindful setting of The First Noel is inspiring
and touching, with a lovely original melody.
The piano accompaniment gently flows
in a fairly constant eighth-note pulse that
gracefully propels the anthem forward. The
well-crafted vocal writing is accessible to
ensembles of any size, providing a lovely
choice for Christmas services or concerts.
11512279 SATB. . . . . . . . . . . . . .ME 2.35
Night of Silence—Daniel Kantor/arr.
John Ferguson. A popular choice year
after year, this simple song is a partner
song with Silent Night. Accompanied by
both piano and organ, it is so easy to
prepare and fits so well with the traditional
carol that you will want to sing it every
year at Christmas time.
3185287 SATB . . . . . . . . . . . . . E 2.50
1556786 Unison . . . . . . . . . . . . E 2.00
9543458 Full Score . . . . . . . . . . . . 10.00
9505947 Orchestration . . . . . . . . . 50.00
No Room, No Room—Ruth Morris Gray.
Here's an exciting, rhythmic original
Christmas spiritual that your choir will
want to sing again and again. The
story of the manger in Bethlehem is
told through a percussive text motive of
"no room" and easy three or four-part
a cappella writing. It's a terrific hook
that will have your audience asking for
an encore!
10509018 SATB . . . . . . . . . . . ME 2.50
10679578 SAB . . . . . . . . . . . . ME 2.10
Noche de Paz (Silent Night)—Franz
Gruber/arr. Ruth Morris Gray. This arrange-
ment alternates between Spanish and
English verses, incorporating intuitive
phrasing, appropriate tessitura, sensitive
part-writing, and an optional flute obbligato.
11503264 SATB . . . . . . . . . . . ME 2.05
11503265 SAB . . . . . . . . . . . . ME 2.05
11503266 Two-Part. . . . . . . . . ME 2.05
11503274 Multi-Song P/A CD . . . . . 44.99
Noel, Noel—Vijay Singh. Welcome the
Christmas season with this festive original
work for two-part treble or tenor-bass
voices! Accented and vigorous, this a
cappella setting in compound meter is the
perfect way to open a concert or service in
impressive fashion.
11396486 SA . . . . . . . . . . . . . . . .ME 1.75
3186699 TB . . . . . . . . . . . . . . . .ME 2.25
O Come, All Ye Faithful—arr. Dan Forrest.
This powerful setting of a Christmas classic is
sure to become a favorite. Scored for chorus,
piano duet and optional string quartet,
the strong, legato chorus is driven by the
marcato accompaniment to a magnificent
conclusion that will leave you breathless. A
musical announcement of the arrival of the
Christmas season!
10312016 SATB. . . . . . . . . . . . . . . M 2.95
10535936 SSAA. . . . . . . . . . . . . . . M 2.95
10513806 TTBB . . . . . . . . . . . . . . . M 2.25
O Come, All Ye Faithful—arr. Jacob
Narverud. Exciting and fresh, this a cappella
setting of the timeless carol is adapted from
the hit Pentatonix version and will provide a
challenge your choir is sure to enjoy. The
arrangement includes an optional piano
accompaniment and percussion parts as
well as plenty of opportunities to showcase
your singers with solos and descants.
Quality writing!
10801084 SATB. . . . . . . . . . . . . . . M 3.25
10843205 P/A CD . . . . . . . . . . . . . . . 26.99
10801094E Instr. Parts ePrint . . . . . 17.30
O Come, All Ye Faithful—John Francis
Wade/arr. Taylor Scott Davis. Your
congregation will appreciate being
part of this gorgeous arrangement of a
Christmas classic. Traditional harmonies
and orchestral interludes make this
unforgettable. One of the featured carols in
the VOCES8 album A Choral Christmas.
11566254 SATB. . . . . . . . . . . . . . . M 2.85
11566255 Full Score . . . . . . . . . . . . . 25.00
O Come, All Ye Faithful—arr. Derric
Johnson. Beginning in a simple unison
texture, this a cappella setting grows to
glorious eight-part harmony in the final
refrain, "O come, let us adore Him, Christ
the Lord!" As performed by Disney's Voices
of Liberty, this rendition marries tenderness
with epic resonance, making it the ultimate
finale for any Christmas concert or service.
11566928 SATB divisi . . . . . . . . . . M 2.75
O Come, Emmanuel—arr. Elaine Hagen-
berg. "Haunting" is the best word to describe
this original setting of the traditional Advent
text, scored for choir, piano and cello.
Marked "mysterioso" in triple meter, it is
such a creative interpretation, the effect in
performance is truly extraordinary!
10607049 SATB. . . . . . . . . . . . . .ME 2.75
11568344 SSA . . . . . . . . . . . . . . .ME 2.75
11514051 TTBB . . . . . . . . . . . . . .ME 2.75
10647583 Cello Part . . . . . . . . . . . . . . 4.95
O Come, O Come, Emmanuel—arr.
Taylor Scott Davis. A stately setting of
VENI
EMMANUEL
weaves the chant melody with
an echo effect for a perfectly ancient and
modern representation of the carol. One of
the featured carols in the VOCES8 album A
Choral Christmas.
11566256 SATB. . . . . . . . . . . . . . . M 2.25
11566257 Full Score . . . . . . . . . . . . . 10.00
O Come, O Come, Emmanuel—arr.
Matthew Culloton. This rhythmic and
energetic setting of the Advent classic
expresses longing and the promise
of Christmas. The music captures the
excitement of the text. Your choir will enjoy
singing this unusual and effective treatment
of the plainsong melody.
11566258 SSAATTBB. . . . . . . . . . M 3.15
O Come, O Come, Emmanuel—arr.
Timothy Kile/ed. Dan Forrest. An original
stirring refrain unifies the stanzas of the
traditional chant melody in this highly
accessible and easily learned arrangement.
It is worth a look as a fresh framing for a
familiar selection during your Advent and
Christmas season. An optional cello part is
included in the choral score.
11568358 SATB. . . . . . . . . . . . . .ME 2.75
O Come, O Come, Emmanuel—arr. Noah
Reese. A beautiful way to prepare for the
season, this medieval carol is arranged
with lyrical lines that bring both freshness
and familiarity. The piano accompaniment
provides exciting movement with driving
rhythms that complement the chantlike
choral lines.
11559605 SAB . . . . . . . . . . . . . . .ME 2.30
11397046 TB . . . . . . . . . . . . . . . .ME 2.50
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