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Editors' Choice 2024 New Basic Library Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
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JAZZ
ENSEMBLE
BALLADS
A L L L E V E LS
After Sunset—Larry Neeck. This tasty rock
ballad will feature your budding alto saxophone
or trumpet star in the best possible way. The
fully scored ensemble sections compliment the
gorgeous theme, and provide a solid foundation
for your soloist. The solo part requires no
improvisation and the chart is playable with
optional reduced instrumentation. A perfect
concert or contest choice to showcase the lyrical
side of your jazz ensemble!
10280821 Jazz Ensemble . . . . . . . . . ME 45.00
Angel Eyes—Matt Dennis/arr. Carl Strommen.
Oh, yes! This is a superb setting of the iconic jazz
ballad that features the alto sax star in your band.
The alto solo is mostly written with opportunities to
improvise around the melody, and the ensemble
gets their chance in the spotlight with some fine
full-band passages. The trumpet 1 range is to
written E top space with some optional octave-up
sections if desired. At 76 bpm, this chart will allow
your alto soloist to shine!
10513881 Jazz Ensemble . . . . . . . . . ME 48.00
Angel Eyes—Matt Dennis/arr. Dave Wolpe.
Here is a natural pairing of ballad style with an
exceptional standard as a tenor saxophone
feature. Beautifully arranged, this chart features
lush harmonies, a double-time swing section,
and a nice sax section soli with tenor lead. The
tenor solo is completely notated and does not
require improvisation, although it could be added.
The lead trumpet range is to B above the staff,
and optional parts are included for expanded
instrumentations. Simply gorgeous!
10303786 Jazz Ensemble . . . . . . . . . . M 52.00
As Always—Tom Molter. This nostalgic and
smooth, easy ballad provides an excellent
opportunity to showcase your alto sax soloist,
and the lush ensemble writing allows your winds
to shine. Whether you're gearing up for a concert,
festival, or just need a heartwarming warm-up,
this chart fits seamlessly into any setting. Its
timeless charm makes it a versatile choice for
practically any ensemble.
11582776 Jazz Ensemble . . . . . . . . . . E 52.25
Back in Time—Pat Metheny/arr. Bob Curnow.
Pat Metheny is known for his beautiful melodies,
and Back in Time is no exception. Featuring
a flugelhorn or trumpet soloist throughout on
a written-out solo with chords included for
improvisation, this arrangement is very playable
by the ensemble with its moderate ranges.
Originally recorded on the reissued Secret Story
CD, this arrangement is a great addition to Bob
Curnow's continuing reflection on Metheny's
music. Beautiful melody, beautiful chart!
10368493 Jazz Ensemble . . . . . . . . . . M 55.00
Georgia on My Mind—Hoagy Carmichael/arr.
Michael Sweeney. This enduring standard by
Hoagy Carmichael continues to sound fresh year
after year. This easy setting hints at the great
Ray Charles' recording, with its lush harmonies
and bluesy ballad style. Short solos for trumpet,
sax and trombone can also be played as
section tuttis. Great for developing balance and
ensemble playing.
2392454 Jazz Ensemble . . . . . . . . . . E 45.00
God Bless the Child—Herzog & Holiday/arr.
Sammy Nestico. Here's the trombone solo/section
feature you've been looking for! This great jazz
standard, first popularized by co-writer and singer
Billie Holiday, is an ideal solo/soli vehicle for
trombones. Sammy's chart is not only lush and
beautiful, but it makes perfect sense!
2261535 Jazz Ensemble . . . . . . . . . . M 55.00
Here's That Rainy Day—Jimmy Van Heusen/arr.
Rick Stitzel. This beautiful and iconic jazz ballad
from the 1940s is a study in flowing phrases and
lush harmonies. Rick Stitzel's setting for younger
players focuses on the full ensemble along with
brief written or improvised solos for alto sax and
trumpet. Additional features include suggested
solos, chord/scale sheets in all keys, and written-
out bass lines and piano voicings. Plus, it's
playable with optional reduced or augmented
instrumentations. Highly recommended!
10759352 Jazz Ensemble . . . . . . . . . . E 45.00
In a Sentimental Mood—Duke Ellington/arr. Mike
Tomaro. Here's a chart that everyone should get
to know! Duke Ellington's classic ballad is the perfect
opportunity to feature your star tenor sax player.
With flowing melodies and a lush orchestration,
this is the perfect ballad for contests or festivals.
2406312 Jazz Ensemble . . . . . . . . . . M 55.00
Li'l Darlin'—Neal Hefti/arr. Roy Phillippe. This
chart should be in every young band's library!
Neal Hefti's famous tune is the quintessential slow
swing ballad in the Basie style, and every jazzer
should be familiar with it. In this superb edition, the
arranger has changed the key and reorchestrated
the parts so it is playable by ensembles at any
ability level, and with reduced instrumentation as
well. The notes are easy, but there's more music
here than in many more difficult charts. If your
students play only a handful of jazz tunes in their
life, this should be one of them.
2403087 Jazz Ensemble . . . . . . . . . VE 42.00
Lil' Hefty—Zachary Smith. Ideal for young jazz
bands, this moderately slow swinger is a tribute
to legendary composer Neal Hefti. Lil' Hefty is a
melodic chart with well-noted articulations, written-
out rhythm section parts, and written melody
solos for trumpet and piano, all at about 80-92
bpm. The trumpet 1 range is to G top of staff and
is playable with optional reduced or expanded
instrumentation. Here's a great little chart for
change-of-pace programming and teaching an
important jazz style!
10997186 Jazz Ensemble . . . . . . . . . . E 42.00
Misty—Errol Garner/arr. Mike Lewis. You'll want
to have this timeless standard in your library! A
gentle opening builds to an unforgettable climax,
with your alto and trumpet soloists getting to share
the solo spotlight. Powerful ensemble scoring
makes the big band sound come alive. Great for
working on phrasing and style.
2442994 Jazz Ensemble . . . . . . . . . ME 48.00
Misty—Erroll Garner/arr. Terry White. Perhaps
one of the most familiar jazz standards of all
time, this easy but effective chart has a laid-back
swing feel. The tempo is 90 bpm with written solos
for alto 1 and trumpet 1, and the lead trumpet
range goes up to written E-flat top space. It's
also playable with optional reduced or expanded
instrumentations. This chart delivers!
10355610 Jazz Ensemble . . . . . . . . . . E 42.00
My Funny Valentine—Richard Rodgers/arr. Mike
Smukal. Richard Rodgers and Lorenz Hart gave
the jazz world this beautiful ballad, and arranger
Mike Smukal sets it as a lush trumpet or flugelhorn
solo feature. The entire solo is notated and can
effectively be performed with no improvisation.
It also features a wonderful double-time section
with everything written out, easy ranges, some
nice substitute chords and lush harmonies. This
arrangement includes optional parts for flute, horn
in F, baritone and tuba. This is an exceptional
chart at an accessible level! Highly recommended!
10049705 Jazz Ensemble . . . . . . . . . ME 48.00
October Rain—Vince Gassi. This beautiful ballad
features the ensemble and is truly a gem at this
level. Lush harmony abounds, and all the colors
of the contemporary jazz ensemble are utilized.
There is a short written piano solo that leads into
the subtle modulation.
11503708 Jazz Ensemble . . . . . . . . . ME 55.00
Prayer Meetin'—Matt Harris. Feature a young
pianist with this gospel-style ballad. The solo is
entirely notated except for a short section where
the pianist needs to improvise over an easy
four-bar sequence. The slow, infectious groove
is perpetuated by fully notated rhythm section
parts, trumpets with harmon mutes at times, and
full band passages. There's an open solo section
for soloists of choice that is written or improvised.
This chart can be played with as few as three
saxes, two trumpets, one trombone, piano, bass,
and drums but is scored for full jazz ensemble
instrumentation.
10031755 Jazz Ensemble . . . . . . . . . ME 50.00
Pure Imagination (from "Wille Wonka and
the Chocolate Factory")—Bricusse & Newley/
arr. Craig Skeffington. If you haven't heard this
gorgeous ballad from "Willie Wonka and the
Chocolate Factory," now is the time. A sensational
and easy-to-play alto sax solo feature, this
arrangement is scored with lush harmonies and
backgrounds. The lead trumpet range is to written
A above the staff, the alto sax solo is entirely
written out and optional parts are included for
expanded instrumentation. Newsflash: this will be
your new favorite tune!
10068800 Jazz Ensemble . . . . . . . . . . M 52.00
Somewhere in the Moonlight—Larry Neeck.
Put your young trombone player with lyrical skill
on display with this lush and accessible ballad.
Trombone solo plays a high G.
11517936 Jazz Ensemble . . . . . . . . . ME 52.00
Spring Will Come Again—Tom Molter. Let your
first alto shine on this beautiful contemporary
ballad. After a sensuous opening and first chorus,
the piece opens up for a written solo section that
travels through a light bossa, easy funk feel, and
rock grooves. An excellent feature for a festival.
Enhanced instrumentation includes parts for
clarinets, flute, F horn, baritone TC, and tuba.
11582772 Jazz Ensemble . . . . . . . . . . E 52.25
What a Wonderful World—Douglas & Weiss/arr.
Alan Baylock. Alan Baylock sets this wonderful
tune in a sultry 12/8 groove played at about 72
bpm, making it feel lazy and relaxed. There are
no solos, just sweet ensemble writing all the
way. The lead trumpet range is to A above the
staff and optional parts are included for expanded
instrumentations. This outstanding chart is an
ideal contrasting piece for any performance!
10997206 Jazz Ensemble . . . . . . . . . . M 54.00
What a Wonderful World—Douglas & Weiss/
arr. Rick Stitzel. Giving your beginning band great
tunes like this to play will turn them on to jazz
forever! You just can't beat the appeal of the tune
Louis Armstrong made so famous, and it's surely
stood the test of time. This very playable version
is nicely scored where each section gets a piece
of the melody. Very highly recommended!
2470819 Jazz Ensemble . . . . . . . . . VE 45.00
When I Fall in Love—Victor Young/arr. Craig
Skeffington. Show off the sensitive side of your
band with this ensemble ballad with no featured
soloist. There is a brief four-bar written trumpet
melody; otherwise, it's all ensemble blend with
a lush texture and a double-time section. Lead
trumpet range is to written G on top of the staff.
The drummer plays with brushes and sticks,
the band emotes, and everybody sounds great!
Optional parts for flute, horn in F, baritone horn,
and tuba are included. You'll fall in love with this
excellent chart!
10049716 Jazz Ensemble . . . . . . . . . . M 52.00
