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ADULT
COMMUNITY
CHOIR
7
MULTICULTURAL
Eloyi—arr. Mbuso Ndlovu & Sydney Masetlhe.
This traditional South African spiritual is taken from
the biblical text uttered on the cross, "My God,
my God, why have you forsaken me," but set in
isiXhosa, a language spoken by the Xhosa people
in South Africa. Two South African arrangers
collaborated for this prayerful setting for mixed
choir with soprano soloist. Improvised percussion
may be added if desired.
11592985 SATB . . . . . . . . . . . . . . . . . . . . . 3.15
I'll Tell Me Ma—arr. Eoin Conway. A familiar Irish
folk song, this rousing arrangement brings energy
and character that will provide your mixed choir
with plenty of opportunity to play up the humor.
Beginning with a slow a cappella introduction, it
opens up with a dancing piano accompaniment
that sets up the rest of the piece. It will surely bring
a smile to every face!
11519779 SATB . . . . . . . . . . . . . . . . . . . . . 2.75
Im Ein Ani Li—Ross Fishman. With an
introspective text from Hillel the Elder, this
original work builds with layers and intensity as it
progresses. Beginning with a chant-like repetition,
it echoes and emphasizes the importance of
examining our own sense of self and balancing
self-care with caring for others. Translation of the
Hebrew and a pronunciation guide are included in
the octavo.
11535658 TBB. . . . . . . . . . . . . . . . . . . . . . . 2.40
Khutso—Mokale Koapeng & Roderick Williams.
This collaborative work expresses ideas of
peace and grief. It is characterized by a simple
harmonic structure and text, with opportunities for
improvisation within the structure of the piece, the
accompaniment, and individual voices.
11536905 SATB divisi. . . . . . . . . . . . . . . . . 3.40
Kuimba Nafsi Yangu—Jacob Narverud. Derived
from common Swahili phrases of joy, this
celebratory song declares: "Sing my soul, sing
my heart. Sing for peace, sing for joy. There is
so much love here, yes!" Intended as a concert
opener or closer, this spirited piece is pure energy
from start to finish as the piano and djembes drive
the momentum forward while the choir sings in call
and response!
11559600 SSAA opt. Percussion . . . . . . . . 2.50
Mari Rayakan (Let's Celebrate)—Ken Steven.
With a Bahasa Indonesian text that invites us to
embrace the new day with jubilation, this exuberant
selection is rhythmic, upbeat, and uplifting. A
chant-like call opens to a rhythmic ostinato
and memorable melody, making this a fun and
engaging choice for more advanced treble choirs.
11592995 SSAA . . . . . . . . . . . . . . . . . . . . . 3.50
Mi Lugar—Carlos Cordero. Where do you
find home? Through Jacob Garcia's poem, we
discover that home is beyond a physical place. An
accessible piece for your choir to explore Spanish
culture and connect with the Latin American
community.
11574535 SATB . . . . . . . . . . . . . . . . . . . . . 4.50
11574537 SSAA . . . . . . . . . . . . . . . . . . . . . 4.50
11574538 TTBB . . . . . . . . . . . . . . . . . . . . . 4.50
Muhona—Cedrick Howoseb/ed. Ryan Main.
Sung in the Otjiherero language of southwest
Africa, this joyful and upbeat original a cappella
work by Nambian composer Howoseb features
claps, easy-to-learn movements, and djembe
accompaniment. You can also showcase
soloists or small groups of singers on the
descants that soar over the rhythmic choral
lines. A pronunciation guide and translation are
provided along with a notated djembe part.
11589488 SATB w/ Djembe . . . . . . . . . . . . 2.95
11606108 SAB w/ Djembe . . . . . . . . . . . . . 2.95
11589489 SSAA w/ Djembe . . . . . . . . . . . . 2.95
11589490 TTBB w/ Djembe . . . . . . . . . . . . 2.95
Natsu Kusa (Summer Grass)—Luke Flynn.
Setting a medieval Japanese poem, this original
work captures the introspective nature of the
traditional Japanese view of the changing of
seasons. Unique and cinematic, the lyrical
vocal lines and gorgeous cello part create a
soundscape about discovering newfound love.
IPA and phonetic transcriptions are available
in the score, and the cello part is available to
download from the publisher's website.
11592531 SATB . . . . . . . . . . . . . . . . . . . . . 2.80
Patah tumbuh (Broken - Renewed)—Tracy
Wong. Written for a combination of SA and SATB
choirs with percussion, this energetic piece draws
its thematic material from two Malayan proverbs
about restoration, renewal, and growth. The
music, also from Malay folk tradition, is bold,
energetic, and captivating. A pronunciation guide
is provided within the octavo, and an audio guide
is available through a companion website. Perfect
for collaboration between adult and children's
community choirs.
11592392 SATB & SA w/ Percussion . . . . 4.00
Siman Tov (A Good Omen)—Coreen Duffy.
From the Seder ha-Kunteres - volumes of prayers,
hymns, and poems from the historic Jewish
community in Avignon, France - this Hebrew
text celebrates birth, praise, life, and welcoming
a new member into the community of love and
support. With a lyrical opening, the musical texture
gives way to a dance-like ostinato that echoes a
good omen (siman tov) of abundant love. The
translation and pronunciation guide are provided
in the octavo.
11545305 SATB . . . . . . . . . . . . . . . . . . . . . 2.95
Swilo Yini—arr. Michael Barrett. Linked to the
tragic sinking of a steamship that carried Black
South African troops to fight against the Germans
during World War I, this traditional Tsonga
song from South Africa is arranged for mixed
or tenor-bass choirs. Though the story is from
the perspective of angry passengers, the song
is to be sung in a jovial way, with dancing and
improvised drum.
11593002 TTBB . . . . . . . . . . . . . . . . . . . . . 3.40
Thunkasila Imayaluskin (Grandfather Spirit,
You Make Me Happy)—Linthicum-Blackhorse.
Written to honor the spirit leader (grandfather)
Misum el Mato (Brother to Bears), this Lakota song
embodies the uplifting nature of the Sundance
ceremony and the blessings provided by life.
The arrangement is energetic and accessible
while maintaining the reverence of its purpose. It
features a soloist and a cappella tenor-bass choir
accompanied by a powwow drum or hand drum.
11530876 TTBB divisi, w/ Hand Drum . . . . 3.35
Tokecang—arr. Ken Steven. A lively and authentic
setting of this popular children's song from the Sunda
region of West Java, Indonesia, this a cappella
arrangement features short soprano and tenor solos
and plenty of rhythmic and stylistic excitement for the
choir. The playful text in Sundanese reminds us to
be thankful and not greedy or selfish so that we can
feel happiness together.
11593007 SATB . . . . . . . . . . . . . . . . . . . . . 3.10
Tschitta Saltunza (Butterfly Dance)—Marten
Jansson. Using word painting to express the
joyful dance and solemn wonder of the butterfly's
flight, this exciting work for advanced mixed divisi
choirs offers two text options. The original text by
Swiss poet Arnold Spescha is in the Romansh
language, spoken by people in the Swiss canton
of Grisons. The English version by Charles
Anthony Silvestri, as performed by VOCES8, is
also included in italics.
11593009 SATB divisi, or SSAATTBB. . . . 2.90
Uzaugo liepa (Up Grew the Linden Tree)—
Kestutis Daugirdas. Based on an ancient
Lithuanian part-song, this vibrant Baltic folk tune
is a joy to learn and sing. Repetitive text and
frequent use of vocables make the Lithuanian
language accessible to non-native speakers, and
the intuitive, energetic part-writing and artful piano
accompaniment will make this piece a favorite
with your treble choir. Originally published in an
extended version, this abridged festival edition is
perfect for concerts, contests, and festivals.
11583722 SSAA Abridged Festival Edition 2.95
11516210 Octavo- Uzaugo Liepa Original
Full Edition . . . . . . . . . . . . . . . . . 2.70
