10,000 Reasons (Bless the Lord)—
Jonas Myrin & Matt Redman/
arr. Lloyd Larson.
This superb contemporary praise song is
arranged here as a sensitive choral ballad.
The words of Psalm 103 combine with the idea
that we could never begin to count the reasons
for which we come before God with praise. In
the final verse, the number 10,000 is further
connected to our endless praise in eternity,
forevermore.
11596418 SSA. . . . . . . . . . . . . . . . . . . . . 3.25
All My Trials—arr. Norman Luboff.
Beautiful harmonies, lush-sounding chords
and lots of expression combine for this
arrangement of the familiar Bahamian spiritual.
It's a cappella with some divisi as well.
11567934 SSAA opt. Flute (or Violin) . . . 2.75
All Things New—Elaine Hagenberg.
Known for her exquisite lyricism and soaring
melodies, Hagenberg delivers an exceptional
original setting of Frances Havergal's text that
provides a message of hope that is so needed.
A shimmering accompaniment and easily
learned vocal lines open this up to choirs of all
sizes for concert or service use.
11594021 SSA. . . . . . . . . . . . . . . . . . . . . 2.75
Arise, My Soul, Arise—Dan Forrest.
Offering a fresh perspective on a Charles
Wesley text, Dan Forrest has fashioned a
new hymn tune, Chodan, that is a tender yet
emphatic statement of faith from the believer.
Scored for SATB, SSA or TTBB with piano and
optional violin, this anthem is suitable for Lent,
communion or general worship during a time of
confession and assurance of pardon. A must
for your Holy Week services.
10341890 SSA with Violin . . . . . . . . . . . . 2.35
Be Thou My Vision—arr. Dan Forrest.
This masterfully crafted essay on the timeless
Irish hymn balances melody, the singers, and
the accompanist. Liquid vocals appear over
understated piano lines, followed by judicious
a cappella phrases and a sweeping crescendo
to the phrase "Heart of my own heart,
whatever befall." A worshipful treatment of a
timeless melody.
10515946 SSA. . . . . . . . . . . . . . . . . . . . . 2.20
Blessing—Katie Moran Bart.
Your congregation will immediately recognize
the familiar old Irish verse in this setting that is
appropriate as a benediction or when saying
farewell to a beloved member. "...And until we
meet again, May God hold you in the palm of
His hand." Now choirs from adult to children
may enjoy this delicate and expressive work,
and you might think of combining choirs for a
particularly effective musical offering.
1537968 SSA. . . . . . . . . . . . . . . . . . . . . 2.25
Deep River—arr. Victor C. Johnson.
The artistically crafted piano accompaniment
creates a gentle, wave-like motion to support
the warm, lush choral textures and harmonies
in this superb arrangement of the beloved
spiritual. This elegant setting is a perfect
opportunity to expand your choir's harmonic
language and cultural understanding. A
valuable Learning Resource Page is included
for even more educational value.
11395972 SSA. . . . . . . . . . . . . . . . . . . . . 2.65
Down in the River to Pray—
arr. Jace Wittig. In the SSAA voicing, this
piece went viral when the Colorado All-State
Treble Choir sang from the balconies in a hotel
lobby! This a cappella arrangement of the folk
hymn made popular in the movie "O Brother,
Where Art Thou?" utilizes body percussion,
compelling harmonies, and an authentic vocal
style to create an unforgettable choral piece.
Great to open or close a concert!
10999983 SSAA divisi . . . . . . . . . . . . . . . 3.25
Festival Sanctus—John Leavitt.
A long-time favorite on the festival circuit,
this dynamic, exciting, joyous selection
surpasses the ordinary! Syncopated rhythms
and changing meters, combined with a
sizzling piano part, make this a uniquely
rewarding work. Very accessible for school and
church choirs, it is a first-rate choice for any
performance situation!
10047612 SSA. . . . . . . . . . . . . . . . . . . . . 2.05
Fly Away Medley—arr. Mark Hayes.
A real gospel tapestry! The arranging genius
of Mark Hayes shines in this stellar medley of
gospel favorites, including Albert Brumley's I'll
Fly Away, featured in the movie "O Brother,
Where Art Thou?," We'll Understand It Better
By and By; When the Roll Is Called Up Yonder;
On Jordan's Stormy Banks and When the
Saints Go Marching In. Arranged in a "down-
home" country style with fresh, playful choral
harmonies, this will be as much fun to sing as
it is to listen to. The SATB and SAB editions
open with a stylized vocal trio feature that really
gets things going. The terrific orchestration
hits the mark and will guarantee a spectacular
performance!
8059563 Two-Part . . . . . . . . . . . . . . . . . 3.15
For the Beauty of the Earth—
John Rutter. This masterful anthem has
connected with singers and congregations
all over the globe. It is a timeless hymn
you'll come back to each and every year.
Full instrumentation includes strings, winds,
harp (playable on keyboard), and drums.
Reduced orchestration includes flute,
oboe, harp, and organ. Instrumental lines
soar as beautifully as the vocal melody.
A multigenerational favorite, this is a tasteful
blend of text and musical expression.
1363399 SA . . . . . . . . . . . . . . . . . . . . . . 3.95
Hallelujah—William Walker/
arr. Jean S. Applonie. Arranged in the
standard Sacred Harp texture but for treble
choir, this strophic folk hymn presents the
opportunity for solid four-part a cappella singing
with a focus on placement and blend. Charles
Wesley's lyrics ring out strong and clear in this
arrangement that features the second sopranos
on the melody line throughout. Appropriate for
both concerts and services.
11397168 SSAA . . . . . . . . . . . . . . . . . . . 2.95
He Never Failed Me Yet—Robert Ray.
Driving rhythms and classic gospel sound
have made this selection a favorite of an entire
generation. Highlight one or two soloists in a
pull-out-the-stops ending that is sure to have
everyone on their feet clapping along! Who
says you can't have fun in church? The SSA
edition is one step higher, in the key of C. SSA
arr. Drew Collins. TTBB arr. Keith Christopher.
8070839 SSA. . . . . . . . . . . . . . . . . . . . . 2.10
How Can I Keep from Singing?—
Robert Lowry/arr. Sarah Quartel.
This lively reimagining of the 19th-century
American folk hymn opens with a solo
verse, then proceeds with a soaring top
melody supported by the rhythmic vocal
accompaniment of the lower voices with
occasional alternation between 4/4 and 7/8
meter. Together, these elements capture
both the gentle hope and the profound joy of
the text.
10817931 SSAA . . . . . . . . . . . . . . . . . . . 3.95
How Can I Keep from Singing?—
Robert Lowry/arr. Matt & Adam Podd.
In what has become a viral YouTube virtual
choir sensation, the Podd brothers have
carefully crafted an exceptionally artistic
arrangement of this classic song that has
a contemporary vibe. A flowing piano
accompaniment anchors the setting, and
the traditional choral harmonies float above
as they effortlessly shift between triple and
quadruple meter. A stirring testament to the
power of singing!
11427468 SSA. . . . . . . . . . . . . . . . . . . . . 2.95
I Am His Child—Moses Hogan.
"I may not be all that you are, I may not be a
shining star, but what I am I thank the Lord
for making me his child." A deeply moving
and profound text, Hogan has such a way of
conveying hope and aspiration through music
that it reaches us all.
3045515 SATB . . . . . . . . . . . . . . . . . . . 2.30
10026540 Unison/Two-Part. . . . . . . . . . . 1.90
3219094 SSA. . . . . . . . . . . . . . . . . . . . . 1.90
I Will Be a Child of Peace—
Elaine Hagenberg. "For well I know Thy hand
will bless the seeker after righteousness."
This sensitive, worshipful prayer is arranged
from a Shaker hymn and superbly expresses
the deepest longing of the redeemed soul.
Breathtaking with luscious piano writing.
10805750 SSAA . . . . . . . . . . . . . . . . . . . 2.35
I Will Rise—Chris Tomlin, Jesse
Reeves, Louie Giglio & Matt Maher/
arr. Craig Courtney & Lynda Hasseler.
Here is a concert-ready arrangement of the
contemporary classic, with the flexibility to
be performed with or without piano. The
string accompaniment provides another
option, either as strings alone with choir or as
solo instruments to add texture to the piano
accompaniment. The choral parts are scored
so that sections of the vocal "accompaniment"
can be omitted when using piano. The
possibilities are endless. A unique setting!
10667330 SSAA . . . . . . . . . . . . . . . . . . . 2.95
GENERAL ANTHEMS
FOR TREBLE CHOIRS
2025-26 Editors' Choice New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
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