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Adult General Liturgical Anthems
General Liturgical
Anthems
Abide with Me—arr. Stacey V. Gibbs.
Blending the traditional spiritual Abide
with Me with Martin Luther's stalwart
hymn A Mighty Fortress Is Our God, this a
cappella arrangement is a striking addition
to concerts or services for more advanced
choirs. Known for his signature style in
spiritual settings, Gibbs brings a fresh
perspective to these well-known songs in
this dynamic work.
11592979 SATB divisi . . . . . . . . . . .3.50
Alleluia—John Bickerton. Flanked by
"Alleluia, Hosanna in excelsis" at the
opening and ending, the familiar doxology
text receives new treatment with this
beautiful melody attached.
11596478 SATB . . . . . . . . . . . . . . . .3.25
Alleluia! Sing to Jesus—arr. Michael
John Trotta. With a rousing brass and
organ introduction, this majestic setting
of
HYFRYDOL allows for expressive
choral singing as well as congregational
participation. An optional a cappella verse
precedes the climatic final verse with
soaring descant. Congregational lyrics are
available separately and included with the
optional score and parts for brass quintet,
organ, and timpani.
11593219 SATB with Organ,
opt. Brass . . . . . . . . . . . .3.40
11593223 Singer's Edition PDF
Congregational Lyrics. . .1.99
11593221 Full Score
Organ & Brass . . . . . . .49.99
11593222 Instrumental Parts
Organ & Brass . . . . . . .49.99
Almighty, Eternal God—Luke D. Rosen.
Suitable as a processional for services with
themes of Christian life, discipleship and
mission. Syncopation, modal inflection, and
a spirited 3/4 melody offer contemporary
characteristics within a traditional harmonic
structure, appealing to a variety of worship
styles. Scores for guitar, solo instruments
1 and 2 in C or B-flat, and two piano
arrangements to accommodate varying
skill levels are included. Additional parts for
brass quintet are available online.
11594345 SATB . . . . . . . . . . . . . . . .3.65
Antiphonal Kyrie—Susan Thrift. Here
is the perfect way to introduce a cappella
singing to your young choir! The chant-
like melody is stated in echo style, then
all voices join in harmony. The excellent
performance notes include a pronunciation
guide for the simple Kyrie text. At just over
one minute in duration, this is a little gem!
10352309 Three-Part Mixed . . . . . .2.25
10086489 Two-Part . . . . . . . . . . . . .2.25
11501644 TB . . . . . . . . . . . . . . . . . .1.75
At the River—arr. Michael McCarthy.
Written for the state funeral of Senator
Bob Dole, this moving setting features
a soprano solo and choir with an organ
accompaniment that supports and
enhances the familiar melody.
11593469 SATB w/ Soprano Solo,
Organ . . . . . . . . . . . . . . .2.65
Ave Maria—Onggo Lukito. This lovely
arrangement begins with a gently rocking
instrumental introduction followed by
the tenor section or a solo singing the
soothing melody. Women's voices join the
intercessory prayer in the second half. The
undulating accompaniment creates drive
while the fluid vocal line portrays serenity.
11621095 SATB . . . . . . . . . . . . . . . .2.60
Ave Verum Corpus—Michael John
Trotta. Opening with a section of
plainchant, this setting of the traditional
Latin text most known in the Mozart or
Byrd versions shimmers with modern a
cappella harmonies. Cluster cadences and
expressive vocal lines pair wonderfully with
this text in an original work that effectively
combines tradition with innovation. It is
equally suitable for concert and service use.
11556297 SATB divisi . . . . . . . . . . .2.95
Before the Ancient One, Christ Stands—
Robert Buckley Farlee. This hymn setting
features a powerful text that reflects on the
paradox of Christ. The noble tune pairs well
with the poetry; the hymn is set for voices with
optional assembly. It is a wonderful path for
introducing a new hymn to your congregation.
Useful for Reign of Christ themes.
11620008 SATB . . . . . . . . . . . . . . . .2.75
Cantate Domino—Nancy Hill Cobb.
Fresh, singable melodic lines and a logical
ABA-Coda form make this original work
a perfect choice for any two-part choir. A
pronunciation guide for the Latin is written
in the vocal parts, and performance notes
are also included. The melodies have
no difficult leaps or accidentals, which
simplifies teaching, sight-reading and
memorization. Educationally, musically and
compositionally solid. An excellent choice!
11592521 SATB or Two-Part Mixed
Divisi . . . . . . . . . . . . . . . .2.60
3192275 Two-Part or SA or TB . . .2.60
Canticle of Praise—Reginal Wright.
Psalm 95 is the basis for this beautiful and
impactful work. Opening with a fanfare
introduction, the choir continues to develop
the theme of praise throughout. The full
piano accompaniment drives the rhythm
of the piece, creating movement. This is
appropriate throughout the church year.
11578357 SATB divisi . . . . . . . . . . .2.85
Caritas (from "Illuminare")—Elaine
Hagenberg. Hildegard of Bingen's text on
the virtues of love shimmers in this serene
setting that serves as the second movement
from "Illuminare." Opening with a section
of treble divisi, the lower voices enter as
the harmonic texture expands, framed
beautifully here with piano accompaniment
and optional solo violin. Stunning!
11539414 SATB divisi . . . . . . . . . . .3.25
11577557 Instrumental Parts
Score & Parts . . . . . . . .45.00
Come, Walk with Me—Z. Randall Stroope.
A dramatic poetic text inspired by a third-
century Egyptian hermit is the inspiration
for this choral setting that displays flowing
melodies, luscious harmonies, and vibrant
piano accompaniment. With a stirring
message of hope and light, it is appropriate
for school, college, community, and more
advanced church choirs.
11512100 SATB . . . . . . . . . . . . . . . .2.65
11593384 TTBB . . . . . . . . . . . . . . . .2.65
11512101 Full Score . . . . . . . . . . .20.00
11512102 Instrumental Parts. . . . .15.00
Confitemini Domino—Hyun Kook. A
stunning anthem for the sanctuary or
concert hall. The Latin text reminds us
to celebrate the spirit of gratitude in our
song of life. The music has an ancient
soul, calling cathedral scenes to mind as
it moves through wondrous episodes of
graceful modal melody. A subtle snare
drum provides momentum as the voices
dance with vibrant vocal colors. This will
make a dramatic opening processional for
a concert or worship gathering.
11620749 SSAA. . . . . . . . . . . . . . . .2.65
Do Not Be Afraid—Philip W.J. Stopford.
This anthem of comfort and assurance is
built around the words "do not be afraid."
The repetition of these words evokes a
sense of calm that permeates the piece.
Beautifully crafted.
10514475 SATB . . . . . . . . . . . . . . . .2.65
Eja Mater (adapted from "Stabat
Mater")—Kim André Arnesen. Adapted
from the larger work "Stabat Mater," this
ethereal setting of the 13th-century Latin
text is available in two versions for mixed
choirs, either a cappella or with harp or
piano accompaniment and cello obbligato.
Soaring melodic lines and lush divisi
harmonies embrace the tender text with a
steady flowing feel throughout. The cello
part is available as a free download from
the publisher.
11621796 SSAATTBB w/ Harp or Piano
and Cello . . . . . . . . . . . . .3.25
11621797 SSAATTBB
A Cappella Version. . . . .3.25
Even When He Is Silent—Kim Andre
Arnesen. Commissioned by the St. Olaf
Festival in Trondheim, Norway, Even
When He Is Silent masterfully expresses
the sentiment of the text - hope in times
of despair. Beautifully melodic, with rich
harmonic texture, this is a stunning work for
better a cappella choirs! "I believe in the sun
even when it is not shining..."
10543959 SSAATTBB . . . . . . . . . . .3.00
10499591 SSAA. . . . . . . . . . . . . . . .3.40
10882573 TTBB . . . . . . . . . . . . . . . .3.40
BEST
SELLERS
General Liturgical
Anthems
These bestsellers are chosen most
often by directors! Look online for the
most current information on recordings,
instrumental parts, large print and digital
edition availability.
A New Jerusalem Arise—
Kyle Pederson/ed. Dan Forrest.
11395414 SATB . . . . . . . . . . . . . . . . 2.75
11594020 SSAA. . . . . . . . . . . . . . . . 2.75
Do Not Be Afraid—Philip W.J. Stopford.
10514475 SATB . . . . . . . . . . . . . . . . 2.65
When Memory Fades—arr. Eric Nelson.
10735114 SATB . . . . . . . . . . . . . . . . 2.65
O God Beyond All Praising—
Gustav Holst/arr. Mack Wilberg.
11592375 SATB divisi w/ Organ . . . 4.95
A Mighty Fortress Is Our God—
arr. Kyle Pederson.
10998324 SATB . . . . . . . . . . . . . . . . 2.85
God Be in My Head—
arr. Howard Helvey.
11568356 SATB . . . . . . . . . . . . . . . . 2.35
I Will Sing with All My Soul—
Tom Trenney.
11594027 SATB . . . . . . . . . . . . . . . . 2.50
Come, Walk with Me—
Z. Randall Stroope.
11512100 SATB . . . . . . . . . . . . . . . . 2.65
11593384 TTBB . . . . . . . . . . . . . . . . 2.65
Love, Come Down—Ralph Vaughan
Williams, Karen Marrolli.
11512112 SATB . . . . . . . . . . . . . . . . 2.65
11593419 SSA . . . . . . . . . . . . . . . . . 2.65
Look at the Birds (from "Trinity")—
Marianne Forman.
11594032 SATB . . . . . . . . . . . . . . . . 2.75
