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Handbell Music
Everlasting Elation—Kurt Meyer. This
upbeat original can be used in school,
community, festival, or worship. The main
theme appears and reappears in an almost
rondo form, while a middle section filled
with stopped sounds provides contrast.
The theme then comes back around to
finish with a final flourish. All ringers have a
chance to shine, making this one fun for the
whole choir.
11620261 3-5 Octave . . . . . . . L3 5.95
Faithfulness—William Runyan/arr.
Bradley Anderson. This beloved hymn
is celebrated for its powerful message of
God's unwavering faithfulness. Combining
the resonant tones of handbells with the
rich harmonies of the piano, you'll find
this beautiful setting perfect for worship
services, concerts, and special events.
11622008 3-6 Octave . . . . . L2+ 6.25
11622009 Full Score &
Organ/Piano . . . . L2+ 15.95
Fantasy On All Creatures Of Our God
And King—arr. Sandra Eithun. This
impressive free-form variation of the
hallowed German hymn uses chimes with
bells presented in an engaging musical
fantasy. Low chimes resonate as the
melody is displayed in various forms in the
treble. Accessible yet intricate, both ringers
and listeners will be enriched.
11515535 3-5 Octave . . . . . . L2+ 5.50
For The Joy Set Before Us—Tammy
Waldrop. This original composition written
in memory of a beloved handbell director
reflects joy in a life well lived through
good times and bad. Contrasting sections
of march-like textures and hymn-like
passages played with handchimes (3-5
octaves) give depth and meaning, while an
optional trumpet part (included) adds to the
overall feeling of victory and triumph.
11595819 3-5 Octave . . . . . . L3- 5.95
Gather For Thanksgiving—arr. Brian
Childers. The perennial Thanksgiving
favorite
KREMSER arranged for handbells
with optional keyboard. The complete set is
reproducible and includes both 3 and 4-5
octave handbell parts, 3 and 4-5 octave
full scores, and the piano part which is the
same for both voicings.
11623777 3 Octave . . . . . . . . L2+ 6.00
11623779 4-5 Octave . . . . . . L2+ 6.00
11623778 Full Score
for 3 Octaves. . . . L2+ 10.00
11623780 Full Score
for 4-5 Octaves . . L2+ 10.00
11623781 Instrumental Parts
Piano . . . . . . . . . . L2+ 10.00
11623782 3-5 Octave Handbell
Collection- Complete Set,
Reproducible. . . . L2+ 50.00
A Gentle Presence—Jason W. Krug.
This lovely original is lush, flowing, and
emotional. Set in E minor, the thoughtful
melody is supported by harmonies that
satisfy as the piece ebbs and flows. LV
sections plus a few suspended malleted
notes add poignancy. This wonderful
creation will move and inspire - it will be
lovely for concert or worship.
11583291 3-6 Octave . . . L2+-L3 4.95
God Faithful Will Remain (Be Still My
Soul)—arr. Jason W. Krug. This lush
setting of the hymn tune
FINLANDIA uses a
flowing accompaniment that underscores
the well-known tune. Unexpected
harmonies appear throughout, giving a
fresh take on an old favorite.
11591650 2-3 Octave . . . . . . . L2 4.95
11591660 3-6 Octave . . . . . . . L2 4.95
Gratitude—Alex Guebert. It is rare to
find an achingly beautiful piece filled with
sophistication and musical nuance that
is technically very straightforward and
mastered quickly. This is that piece. For
worship or concert, this is an excellent
choice for both less and more experienced
groups to show their musicality.
11167872 3-5 Octave . . . . . . L2- 4.95
Guide Me, O Thou Great Jehovah (CWM
RHONDDA)—arr. Brian Childers. The
opening tempo of this solid and creative
arrangement is marked is 'Boldly' and
indeed it is! Filled with joy and energy,
rhythmic elements, contrasting dynamics,
and percussive techniques add to the
excitement. The tempo is maintained
through the more introspective and quieter
mid-section that features handchimes
with bells ringing the melody. A malleted
accompaniment leads to a "Grandioso"
section before returning to the original
tempo and a wonderful, dynamic ending.
Well crafted, this is a great addition to any
worship service.
11583302 4-6 Octave Handbells 4-5
Oct. Handchimes . . L3 4.95
Guide Me, O Thou Great Jehovah—arr.
Mitchell Eithun. The classic hymn tune
CWM RHONDDA is given a fresh, fun,
and accessible setting. Rhythmic table
malleting, a lyric contrasting B section with
optional handchimes (3-6 octaves) and
alternate harmonies set this arrangement
apart and make it uniquely appealing.
11596182 3-5 Octave . . . L2-L2+ 6.50
He's Got the Whole World in His
Hands—arr. Benjamin A. Tucker. Enjoy this
swing setting of the cherished spiritual - the
stopped techniques make it sing! A walking
bass, an ethereal B section for "He's got the
wind and the rain," and some jazz chords
along the way make this a fun piece for
worship or concert.
11594401 3-5 Octave . . . L3-L3+ 5.95
Hiding In Thee—arr. Mary Lou Fast.
Based on the hymn tune HIDING IN THEE,
passing eighth notes and lovely harmony all
work to enhance the melody of this setting,
making it appropriate for any church service
or concert.
11595820 3-6 Octave . . . . . . . L2 5.25
Holy Is The Lord—Franz Schubert/arr.
Cathy Derousse. Taken from Schubert's
Deutsche Messe (German Mass), this
arrangement includes words (in English) for
ringers or congregation to sing with handbell
accompaniment. An introduction, interlude,
and gentle ending round out the piece.
11569819 3-4 Octave . . . . . . . L2 5.25
Holy Manna—arr. Jefferey Hall. This
well-known early American hymn tune is
used for many different texts, including
Brethren We Have Met to Worship; God
Who Stretched the Spangled Heavens and
several more. In this arrangement, a variety
of styles and ringing techniques showcase
your ringers while still remaining true to the
nature of the music.
11620250 3-5 Octave . . . . . . L2+ 5.95
How Can I Keep from Singing—arr.
Judy Phillips. Opening with a melodic
introduction, the first verse is presented in
a gentle, flowing style. The motif presented
at the opening is reintroduced in the bass to
set tone for the second verse. Bass chimes
take over the melody, providing a rich timbre
as the treble bells accompany with mallets
on suspended bells. The introductory motif
is again used as a smooth modulation into
the final, more majestic third verse. This is
a very musical and satisfying arrangement.
11576910 3-5 Octave . . . . . . . L2 3.95
How Can I Keep from Singing?—arr. Joe
Galyon. This programmatic setting of the
revival hymn was born out of the pandemic
crisis. The hymn incorporates some discord
that builds to a sustained cluster chord,
which is then followed by singing bells in
traditional harmonies underscoring the
peaceful return of the melody.
11594402 3-5 Octave . . . . . . . L3 5.95
How Can I Keep from Singing?—arr.
Sandra Eithun. This arrangement of
the beloved hymn captures its uplifting
and enduring spirit. The rhythm of the
melody is smoothed out to create a
simple setting rich in harmonies and
expressive dynamics, taking advantage
of the full range of the bells with the
melody appearing in both treble and
battery sections. This accessible setting
beautifully conveys the hymn's sense
of joy and gratitude, making it a perfect
choice for worship services or concerts.
11595307 2-3 Octave . . . . . . . L1 4.95
11595308 3-5 Octave . . . . . . . L1 4.95
How Firm a Foundation—arr. Patricia
Hurlbutt. Sturdy and robust, this
straightforward arrangement depicts a "firm
foundation" and includes a verse where an
ostinato pattern using marts accompanies
the melody shared by bass and treble bells.
This accessible setting will be rewarding for
both listeners and ringers.
11595309 2-3 Octave . . . . . . L1+ 4.95
11595310 3-5 Octave . . . . . . L1+ 4.95
How Firm a Foundation—arr. Jason W.
Krug. A fun malleted accompaniment figure
starts this joyous setting of the hymn tune
FOUNDATION. The tune is given a variety
of stylistic treatments throughout before
building to a final, powerful conclusion!
Optional 2 or 4 octaves of handchimes.
11567477 2-3 Octave . . . . . . L2+ 4.95
11567480 3-6 Octave . . . . . . L2+ 4.95
BEST
SELLERS
Sacred Handbell Music
These bestsellers are chosen most
often by directors! Look online for the
most current information on recordings,
instrumental parts, large print and digital
edition availability.
All Hail the Power of Jesus' Name
(CORONATION)—arr. Lloyd Larson.
11540258
3-5 Octave & Piano L2 6.25
The Lord Now Sends Us Forth
(Enviado soy de Dios)—
arr. Cathy Moklebust.
11568531 2-3 Octave. . . . . . L2+ 6.50
11568532 3-5 Octave. . . . . . L2+ 6.50
Rejoice, the Lord Is King—
arr. Ron Mallory.
11570450 3-5 Octave. . . . . . . .L3 5.95
Peals of Praise—Karen L. Buckwalter.
11568522 2-3 Octave. . . . . . . .L2 4.95
11568523 3-5 Octave. . . . . . . .L3 4.95
In the Shadow of Your Wings—
Karen L. Buckwalter.
11514163 3-6 Octave w/ 3 Oct.
Handchimes . . . . . .L3 5.95
The King of Love My Shepherd Is—
arr. Jantz A. Black.
11568004 3-5 Octave. . . . . . . .L2 6.25
Suite for Handbells—Michael Helman.
11514159 2-3 Octave. . . . . . . .L2 5.95
Let All Things Now Living
(Sent Forth by God's Blessing)—
arr. Jason W. Krug.
11568514 2-3 Octave. . . . . . . .L2 4.95
11568515 3-5 Octave. . . . . . . .L2 4.95
You Raise Me Up—arr. Joel Raney.
11416854
3-5 Octave w/ Piano L2 7.00
The Timeless Canon—
Johann Pachelbel/arr. Sandra Eithun.
11568535 2-3 Octave. . . . . . . .L1 4.50
11568536 3-5 Octave. . . . . . . .L1 4.50
