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Sacred Concert & Spirituals | Multicultural & World Music
Yonder Come Day—arr. Adam Podd
& Matt Podd. With options for bass,
percussion, body percussion, and a
cappella singing, this arrangement of the
traditional spiritual from the Georgia Sea
Islands is easy to learn and an absolute
joy to sing. This rootsy rendition brings
a captivating, rhythmic essence that
intertwines rich vocal harmonies, layered
counterpoint, and an exciting call-and-
response texture.
11545132 SATB . . . . . . . . . . . ME 2.50
11545143 SAB . . . . . . . . . . . . . ME 2.50
11545133 Two-Part . . . . . . . . . ME 2.50
11545134 Unison . . . . . . . . . . . ME 2.50
11545135 TTB . . . . . . . . . . . . . ME 2.50
11539418 TTBB . . . . . . . . . . . ME 2.50
11545139E Instrumental Parts
SATB & SAB. . . . . . . . . 1.00
11545140E Instrumental Parts
Two-Part & Unison . . . . 1.00
11545141E Instrumental Parts
TTB & TTBB . . . . . . . . . 1.00
Yonder Come Day—arr. Judith Cook
Tucker. Based on a traditional Georgia
Sea Islands spiritual, with a rhythmic
speech section, this is very effective in
performance, especially with optional
audience participation!
5234422 SSA . . . . . . . . . . . . . . . E 2.30
You Do Not Walk Alone—Elaine
Hagenberg. "May you always remember
when the shadows fall, you do not
walk alone." This ethereal setting of a
traditional Irish blessing is scored in a
variety of voicings with piano. Deft strokes
of Celtic styling within the melody weaves
throughout the vocal texture. Gradually
building in intensity, it transitions into the
final stanza with a burst of light, aided by
a key change, then slowly draws to a quiet
close.
11166201 SATB. . . . . . . . . . . . . .M 2.75
11210446 SSAA. . . . . . . . . . . . . .M 2.75
11314797 TTBB . . . . . . . . . . . . . .M 2.75
Zion's Walls—Aaron Copland/arr. Glenn
Koponen. The memorable melody from
Copland's "Promise of Living" will be
recognized by all in this revivalist song.
This arrangement takes the masterwork
and makes it attainable by any size and
caliber choir. It has very little divisi, great
vocal ranges and a supportive piano
accompaniment. Impressive in concert or
festival settings. Don't miss it!
1478338 SATB. . . . . . . . . . . . ME 2.35
3274644 Unison . . . . . . . . . . . ME 2.35
1478346 SSAA. . . . . . . . . . . . ME 2.15
1478353 TTBB . . . . . . . . . . . . ME 2.65
Multicultural &
World Music
Adiemus—Karl Jenkins. Although this is
an original work, the words, which simulate
an unknown language, give it a world-
music feeling. The chant-like character of
the piece almost makes it feel like a ritual. A
compelling work that has become popular in
festivals and regional choral activities.
3165875 SATB. . . . . . . . . . . . . .M 2.50
10609878 SA . . . . . . . . . . . . . . . .M 1.95
3118460 SSAA. . . . . . . . . . . . . .M 2.50
Ahlan Wa Sahlan (Welcome)—Kyle
Pederson. Born of a collaborative effort
by area International Schools for a Middle
Eastern (Omani) choral festival, this original
work combines the Arabic language and
style with some short English phrases to
welcome and make all feel included like
family. An opening section presents a lyrical
unison or solo melody before opening up to
a syncopated choral texture that includes
choreography suggestions.
11592517 SATB. . . . . . . . . . . . . .M 3.00
Ai Hai Yo—arr. Tyler Arcari. This traditional
Chinese folk song is used as a blessing
for a bountiful harvest and a good year.
The pentatonic melody line and simple
repeated harmonies preserve the Eastern
feel of the arrangement, and the phonetic
spellings of the Mandarin text interspersed
with English phrases make this accessible
to young choirs.
11611269 SATB. . . . . . . . . . . . ME 2.25
11198809 Three-Part Mixed . . ME 2.15
11001257 Two-Part or SA . . . . ME 2.15
Aki to Fuyu (Two Songs of the Seasons)
—Andrew Jacobson. Two original songs
under one cover, one for winter and
one for fall, these beautiful songs can
be performed separately or as a set.
Featuring poems by Secretary Shotetsu,
a Japanese poet and monk, these
expressive pieces with a flowing piano
motive and optional violin obbligato give
treble singers a lyrical singing experience
with a Japanese text. A pronunciation
guide and translation are provided.
11566957 SA . . . . . . . . . . . . . . ME 3.25
Al Shlosha D'varim—Allan Naplan. Al
Shlosha D'varim is a lyrical setting of an
essential maxim from Jewish morality laws,
translated to mean: "The world is sustained
by three things: by truth, by justice, and by
peace." Available for SA or mixed voices
and piano, this has become a standard in
the choral repertoire.
10071263 SATB. . . . . . . . . . . . ME 2.15
3012796 SA or Two-Part . . . . ME 2.10
BEST
SELLERS
Unison/Two-Part
Concert & Festival
Selections
These bestsellers are chosen most
often by directors! Look online for the
most current information on recordings,
instrumental parts, large print, and
digital edition availability.
Northern Lights—Andy Beck.
11566020 Two-Part . . . . . . . . . . . . . . . E 2.30
Fly Away Home—Pinkzebra.
10679523 Two-Part . . . . . . . . . . . . . .ME 2.65
Galop (from "Solfege Suite")—
Ken Berg.
10028692 Unison/Two-Part. . . . . . . .ME 2.60
The Moon—Andy Beck.
10047188 Two-Part . . . . . . . . . . . . . . . E 2.05
Vuela—Carlos Cordero.
11561436 Unison/Two-Part . . . . . . . . M 4.00
J'entends le Moulin (I Hear the
Windmill)—arr. Emily Crocker.
10030298 Two-Part . . . . . . . . . . . . . .ME 2.25
Firefly—Andy Beck.
10029937 Two-Part . . . . . . . . . . . . . . . E 2.05
The Dream Keeper (from "Trilogy of
Dreams")—Rollo Dilworth.
10011858 Two-Part . . . . . . . . . . . . . .ME 2.35
Carry the Light—Andy Beck.
11393273 Two-Part or SSA. . . . . . . .ME 2.05
Whisper!—Greg Gilpin.
10190894 Two-Part . . . . . . . . . . . . . .ME 2.95
There Will Be Stars—Andy Beck.
11566044 Two-Part or SA, divisi. . . .ME 2.30
Shine Like Stars—Pinkzebra.
11202350 Two-Part . . . . . . . . . . . . . .ME 2.65
I Sing Because I'm Happy—arr.
Kenneth Padden/adapt. Rollo Dilworth.
10928292 Two-Part or SA. . . . . . . . . . M 2.35
Be Who You Are—Ryan Main.
11347705 Two-Part . . . . . . . . . . . . . . . M 2.95
Yonder Come Day—
arr. Adam Podd & Matt Podd.
11545133 Two-Part . . . . . . . . . . . . . .ME 2.50
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