96
2025-26 Editors' Choice New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
Sacred Concert & Spirituals
Swing Low, Sweet Chariot—arr. Glenda
E. Franklin. A lively swingin' arrangement
of the traditional spiritual, this engaging
setting for tenor-bass choir features playful
lines and dynamic energy. Close a cappella
harmonies give it a classic feel, while the
slow buildup in the introduction sets the
stage for the suddenly spirited feel of the
rest of the piece.
11611452 TTB . . . . . . . . . . . . . ME 2.25
Take Me to the Water—arr. Rollo Dilworth.
The traditional spirituals Down by the
Riverside and Wade in the Water are joined
with the original Take Me to the Water to
create a gospel-style choral that packs a
triple punch! This is exceptionally well done!
10010513 SATB. . . . . . . . . . . . . .M 2.35
10070027 SSAA. . . . . . . . . . . . . .M 2.10
This Little Light of Mine—arr. Rollo
Dilworth. The simple yet powerful words
of this traditional spiritual remind us always
to let our lights shine. Complete with rich
harmonies and a captivating gospel styled
piano accompaniment, this accessible
arrangement is perfect for elementary and
middle school choirs alike!
11558105 Three-Part Mixed . . ME 2.50
11558106 Two-Part . . . . . . . . . ME 2.35
This Little Light of Mine—arr. Robert T.
Gibson. This fantastic stylized arrangement
will appeal to choirs at many levels. Singable
and skillfully arranged, this setting is fun,
exciting, and captures the gentle joy of this
spiritual. The piano accompaniment is simple
and supportive, with room for improvisation.
11537034 SATB divisi . . . . . . . . .M 3.50
11316558 Two-Part or SA . . . . . .M 3.20
10873385 SSA . . . . . . . . . . . . . . .M 3.00
This Little Light of Mine—arr. Sonny
Willis. A dynamite closer for treble choirs,
this gospel-style arrangement of a
traditional spiritual is easily learned and can
work effectively for concerts, festivals, or
services. The driving piano accompaniment
and call-and-response sections will make
this piece a favorite among your singers.
Kick it up a notch by adding handclaps,
movement, bass guitar, and drum set.
11614311 SA or Two-Part . . . . . . E 3.25
Three Latin Pieces—Vicki Tucker
Courtney. Perfect for developing tenor-
bass ensembles, this versatile and
accessible collection introduces singers
to three classic Latin texts: Exultate Justi;
Jubilate Deo and Magnificat. With singable
vocal lines and engaging harmonies,
each piece offers opportunities to build
confidence and refine tone. An excellent
choice for concerts or festivals.
11609609 TB . . . . . . . . . . . . . . ME 2.95
Through Love to Light—Elaine Hagen-
berg. With a lively folk music-influenced
piano accompaniment, soaring vocal lines,
and an uplifting hope-filled message, this
piece overflows with exuberance and joy
from start to finish. The text from Richard
Watson Gilder's After-Song from The New
Day is perfectly set to reflect the optimism
that comes with each morning: "Oh,
wonderful the way that leads from darkness
to the perfect day!"
10997815 SATB. . . . . . . . . . . . . .M 3.25
Total Praise—Richard Smallwood/arr.
Patrick Barrett & Doreen Rao. "You are the
source of my strength, You are the strength
of my life..." This was a big contemporary
hit a decade or more ago, and it is still
as meaningful today in this powerful
arrangement. "...I lift my hands in total
praise to you."
10280032 SATB. . . . . . . . . . . . ME 2.15
10439105 SSA . . . . . . . . . . . . . ME 2.15
True Light—Keith Hampton. Opening
phrases of the traditional spiritual This Little
Light of Mine launch this exciting work into
Keith Hampton's original words and music,
which feature a sixteen-measure soprano
solo sung to lines from tenth-century
poet Grigor Narekatzi's Book of Mournful
Chants: "Don't let the light that You've given
me die, And don't desert my mind. But let
the one who serves You Praise You again
and again." The repeated responses "He
lives in us as True Light" and "God gave the
world True Light" give solid impact to every
phrase. School and church choirs will revel
in the spiritual depth and driving rhythmic
feel of this extraordinarily soulful choral!
3700850 SATB. . . . . . . . . . . . . .M 2.70
Tryin' to Get Home—arr. Anthony Trecek-
King. Originally crafted by an enslaved
population over generations and passed
down through oral tradition, this traditional
spiritual is now arranged for a cappella
treble voices and optional violin. This
setting encourages singers to improvise in
a variety of ways to capture the raw style of
the spiritual.
11593008 SSA w/ opt. Violin . . . .M 2.95
Two-part A Cappella Canons for Treble
Choir—arr. Mary Jane Phillips. Variety,
versatility, and accessibility abound in
this set of six canons from German,
Australian, British, and American folk
songs and composers. Perfect for
teaching part independence and vocal
skills, these rounds include Latin and
Italian texts, tips for teaching, and the
option to transpose as needed.
11609610 Two-Part . . . . . . . . . . . E 3.50
Ubi Caritas—Ola Gjeilo. Originally
published for mixed voices, this stunning
work has reached a large audience in a
very short time and has been published
in SSAA and TTBB voicings to meet the
growing demand. The reviews are in - it
is an exceptionally strong choice for every
a cappella choir!
10025943 SATB. . . . . . . . . . . . . .M 3.15
10046201 SSAA. . . . . . . . . . . . . .M 3.15
10067366 TTBB . . . . . . . . . . . . . .M 3.15
Ubi Caritas—Jonathan Reid. Tenor-bass
and treble choirs of all ages will relish
singing these gorgeous harmonies with
the traditional Latin text. With the option to
sing a cappella or with a supportive piano
accompaniment, the conservative ranges
and succinct and lyrical setting make this
easy to learn and highly successful to
perform. Simple, elegant, and beautiful.
11559603 SSA . . . . . . . . . . . . . ME 2.15
11370899 TTB . . . . . . . . . . . . . ME 2.50
Ubi Caritas—Michael John Trotta. The
beloved Latin text is set in an elegantly
simple texture with conservative ranges.
Straightforward rhythms and moments
of release create a tapestry of sound
that surrounds the chant line. In a
variety of voicings with or without piano
accompaniment, the beautiful modern
harmonies and cluster chords create an
artistic setting that is equally appropriate for
service use or the concert stage.
10949727 SATB A Cappella . . ME 2.90
11317924 SATB with Piano. . . ME 2.90
11192846 SAB with Piano. . . . ME 2.90
11192850 Three-Part Mixed
with Piano . . . . . . . . ME 2.90
11344332 Unison/Two-Part
with Piano . . . . . . . . ME 2.90
11315436 SA with Piano . . . . . ME 2.90
11372329 SSAA A Cappella . . ME 2.90
11393184 TTBB A Cappella . . ME 2.90
11415262 TB with Piano.. . . . . ME 2.90
Unclouded Day (from "Heavenly
Home")—J.K. Alwood/arr. Shawn Kirchner.
First written as the bright, opening movement
of Heavenly Home: Three American Songs,
this enduring gospel favorite is set with
a straightforward first verse and chorus.
The next two verses combine traditional
bluegrass vocal style with counterpoint and
fugue, resulting in a crescendo of excitement
in roof-raising fashion as the choir sings "in
the city that is made of gold."
10309004 SSAATTBB. . . . . . . . .M 2.50
10910968 TTBB divisi . . . . . . . . .M 2.50
Until I Reach My Home—arr. Brandon A.
Boyd. Based on primary source material,
this dynamic arrangement of the traditional
spiritual brings great gospel flavor in the
chosen harmonies and excellent piano
accompaniment. Upbeat and powerful,
you can add bass and percussion or the
full orchestration for an even greater effect.
Historical research including a guide to
hidden messages as well as pronunciation
considerations is also included.
A tremendous closer!
10945755 SATB. . . . . . . . . . . . . .M 2.95
11202068 SSA . . . . . . . . . . . . . . .M 2.75
11535638 TTBB . . . . . . . . . . . . . .M 2.95
11565003 Full Score . . . . . . . . . . 35.00
10955284 Instrumental Parts . . . 25.00
11202070 Rhythm Parts . . . . . . . 35.00
11202069 Full Orchestration . . . . 75.00
Vidi Aquam—Kevin T. Padworski.
Upbeat and exciting, including a brilliant
piano accompaniment for four hands, this
contemporary setting features rhythmic
syncopation that accents the sparkling
choral parts like rushing water. The brief
Latin text is given festive treatment, ending
in a glorious "Alleluia."
10874648 SSATB . . . . . . . . . . . .M 2.20
10570448 SSA . . . . . . . . . . . . . . .M 2.20
11592538 TTB . . . . . . . . . . . . . . .M 2.70
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