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Vocal Jazz
Vocal Jazz
After You've Gone—Turner Layton/arr.
Nathan Farrell. Written in a laid-back
swing, this a cappella arrangement
features rich harmonies and a playful feel.
With a nostalgic yet contemporary sound,
this is the perfect selection for vocal jazz
ensembles or concert choirs of all ages.
11611266 SATB . . . . . . . . . . . . .M 2.25
Ain't We Got Fun? (from "By the Light of
the Silvery Moon")—Richard A. Whiting/
arr. Roger Emerson. Developing choirs
will love singing this standard from "By
the Light of the Silvery Moon" set in an
accessible and authentic jazz style. The
piano accompaniment supports the voices
well on its own, or add the optional bass and
drum parts to complete the swingin' feel!
11607560 SAB . . . . . . . . . . . . ME 2.50
11607559 Two-Part. . . . . . . . . ME 2.50
11607568E Instrumental Parts . . . . .16.10
Always—Irving Berlin/arr. Blake R. Mitchell.
This timeless Irving Berlin hit is given new
life in this nostalgic, heartfelt arrangement
for a cappella mixed voices. With
sentimental unisons, rich, jazz-influenced
divisi harmonies, and a featured treble solo,
this is a guaranteed crowd pleaser for any
concert program.
11566908 SATB divisi. . . . . . . . .M 2.50
Always—Irving Berlin/arr. Kirby Shaw.
Recorded by many major artists over the
years, this Irving Berlin standard becomes
the ultimate ballad feature for a cappella
treble and mixed choirs in this sumptuous
setting. Lush and expressive in every
measure, it will create a magical moment
in performance!
11620617 SATB . . . . . . . . . . . . .M 2.50
10048530 SSAA . . . . . . . . . . . . .M 2.10
April Showers—Louis Silvers/arr. Karl
Hitzemann. Written in 1921 by Louis
Silvers and B.G. DeSylva, this wonderfully
delightful song is accessibly arranged for
young voices. Sing the song a cappella, with
piano, or with the track (sold separately); in
three-part or two-part harmony, or in unison.
11619888 Unison/
Two or Three-Part . ME 2.30
11619889 P/A CD . . . . . . . . . . . . . .21.95
A Beautiful Friendship—Donald Kahn &
Stanley Styne/arr. Kirby Shaw. Performed
by icons like Ella Fitzgerald, Nat King Cole,
and Tony Bennett, this jazz standard has
stood the test of time! This upbeat swing
arrangement features tight harmonies that
will satisfy vocal jazz groups of all ages
and experience levels. A fully harmonized
notated scat section in the middle adds a
flourish before the final verse.
11614484 SATB . . . . . . . . . . . . .M 2.35
11614485 SAB . . . . . . . . . . . . . .M 2.35
11614486 P/A CD . . . . . . . . . . . . . .29.99
11614488 Instrumental Parts . . . . .15.00
Beethoven's Fifth (Symphony No. 5 in
C Minor)—Ludwig van Beethoven/arr.
Tom Anderson. Beethoven's "greatest
hit" is reimagined with a funky twist that
your singers will love! Its iconic hook
springboards into a rhythmic groove,
complete with clapping, snapping, and
vocal syllables that imitate a rock band.
The performance track is a must-use for
this novelty nod to one of the greatest
composers of all time!
11564447 Three-Part Mixed . . ME 2.30
11564448 P/A CD . . . . . . . . . . . . . .29.99
Black Is the Color of My True Love's
Hair—arr. Derric Johnson. As performed
by the Voices of Liberty at the America
Pavilion at Disney's Epcot theme park,
this hauntingly beautiful arrangement
of the classic folk song showcases rich
harmonies, emotional depth, and a
standout tenor soloist. Ideal for concerts
and festivals, this piece highlights both
individual artistry and ensemble blend.
11611287 SATB divisi. . . . . . . . .M 2.75
Blue Skies—Irving Berlin/arr. F. Dale
Bengtson & Lloyd Larson. This vocal jazz
standard tune arrangement comes with a
whimsical vibe and fresh perspective while
remaining true to the classic style. It's an
uplifting concert setting that singers and
audiences will enjoy.
11510553 SATB . . . . . . . . . . . ME 2.95
11561603 SSA . . . . . . . . . . . . ME 2.95
Blue Skies—Irving Berlin/arr. Roger
Emerson. Irving Berlin's quintessential
song is a classic of swing style, and this
straightforward, singable arrangement
brings Berlin's standard to vocal jazz
and show choirs of any level. The swing
groove is established in the beginning
with choral voices accompanied by
finger snaps and bass guitar. Later in
the arrangement, written-out scat solos
will encourage younger singers to try this
vocal jazz technique.
1477165 SATB . . . . . . . . . . . ME 2.30
3276862 Three-Part Mixed . . ME 2.15
3276870 Two-Part. . . . . . . . . ME 2.30
3276888 P/A CD . . . . . . . . . . . . . .26.99
Button Up Your Overcoat—arr. Sally K.
Albrecht. Perfect for young singers, this
popular standard has been revamped with
new lyrics, giving a bundle of advice on
keeping warm in the wintertime. A swinging
accompaniment track is available as well
as a free choreography video! Warm your
audience's hearts with this winter novelty!
11611107 Two-Part. . . . . . . . . ME 2.30
11611108 P/A CD . . . . . . . . . . . . . .29.99
Bye Bye Blackbird—Ray Henderson/arr.
Brandon Martell. A beloved jazz standard,
this nostalgic song encourages us to
leave the bad times in the past and
welcome the good times that lie ahead!
Arranged for divisi mixed choir, the jazz
harmonies ring out with an energetic
swing statement of the melody, two short
vocalese-inspired solos that give way to a
tender and gorgeous ballad section, and a
big build to a bold conclusion: "I'm packin'
my bags and singin' bye bye!"
11566912 SATB divisi. . . . . . . MA 2.50
Can't Help Lovin' That Man of Mine—
Jerome Kern/arr. Jamey Ray. Here's a
stunning showcase for treble vocal jazz
ensembles! From Voctave's arranger, this
setting of the standard from "Showboat"
unfolds with rich divisi a cappella
harmonies, a timeless and nostalgic beauty,
and a poignant exploration of deep and
enduring love.
11566913 SSAA divisi. . . . . . . MA 2.25
Don't Blame It on Me—Michael Buble et
al./arr. Jack Zaino. A bright New Orleans
shuffle and playful lyrics about falling in
love make this cheerful Michael Bublé gem
a surefire winner! This kickin' arrangement
includes a tenor-bass feature, call and
response, and stacked harmonies. Don't
miss the lively horns and thumping bass on
the big-band-style track!
11614489 SATB . . . . . . . . . . . ME 2.45
11614490 SAB . . . . . . . . . . . . ME 2.45
11614491 P/A CD . . . . . . . . . . . . . .29.99
11614493 Instrumental Parts . . . . .29.99
Ella Sings (with "Blue Skies")—Kirstina
Rasmussen Collins & Irving Berlin.
Celebrating Ella Fitzgerald, "The First
Lady of Song," this jazzy piece is inspired
by the famous singer's immeasurable
talent and her utter humility. Creatively
combining her words with a song she's
famous for singing, it is a showcase
worthy of study on all fronts, especially for
Black History Month or Women's History
Month. With optional solos and a section
incorporating scat syllables, it's a winner
for treble choirs! Consider programming
with the other two pieces in the cycle:
Amelia Flies; Louisa Dreams.
11561756 SA . . . . . . . . . . . . . . . .M 2.95
Feeling Good (from "The Roar of
the Greasepaint - The Smell of the
Crowd")—Leslie Bricusse & Anthony
Newley/arr. Roger Emerson. With its iconic
bluesy groove, this jazzy arrangement
of the Nina Simone classic retains the
authentic feel and harmonies. The ostinato
is present in the harmony line and is so fun
to sing while it highlights the warm melody.
Finger snaps add to the rhythmic feel of this
guaranteed crowd pleaser.
11583519 Three-Part Mixed . . ME 2.75
11583520 Two-Part. . . . . . . . . ME 2.75
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