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2025-26 Editors' Choice New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
Secular Concert
Actus—Ryan Main. With a cinematic
accompaniment and compelling rhythmic
energy, this intense work that brings Marcus
Aurelius' timeless wisdom to life strikes a
perfect balance between accessibility and
sophistication. The Latin text reminds us
that "the obstacle is the way," while the
vocal lines are carefully constructed with
limited ranges and exciting tension.
11617209 SATB. . . . . . . . . . . . ME 2.95
11617211 TB . . . . . . . . . . . . . . ME 2.95
Ad Astra (To the Stars...)—Jacob
Narverud. Highly rhythmic in both
accompaniment and voices with
independent vocal lines, this work simply
radiates energy with a message of hope
and empowerment: "To the stars through
difficulties, look upward, move forward,
leave all cares behind." Impressive and
accessible!
11162004 SATB. . . . . . . . . . . . . .M 3.00
11559612 SATB Extended
Edition . . . . . . . . . . . . .M 2.50
10846403 Three-Part Mixed . . . .M 3.00
11501685 Two-Part Mixed/
Opt. Alto . . . . . . . . . . .M 2.50
11501674 SA . . . . . . . . . . . . . . . .M 2.50
10990329 SSA . . . . . . . . . . . . . . .M 3.00
11370919 TBB . . . . . . . . . . . . . . .M 2.75
11559613 Full Score & Parts -
Extended Edition ONLY -
Brass Quintet
& Percussion. . . . . . . . 48.00
After the Rain—Sarah Quartel. Setting
words by Chief Dan George, this optimistic
work reminds us that there is still beauty to
be found in times of trouble and that difficult
days will not last forever. This sensitive
setting uses triplets against duplets to give
a sense of fluidity to the melodic phrasing.
11592360 SAB . . . . . . . . . . . . . . .M 3.95
11415038 SSA . . . . . . . . . . . . . . .M 3.95
After the Wind—Nicholas Ryan Kelly. With
long, sweeping phrases and exaggerated
dynamic contrast, this setting of a Marjorie
Pickthall poem will transport singers and
listeners alike to a dream world. The journey
of a bird from flight to rest is brought to life
with modal and impressionistic influences.
At times passionate and full, and at others
gentle and intimate, sensitivity is required
of singers to draw out the most of each
musical phrase.
11593421 SATB. . . . . . . . . . . . ME 2.25
Afternoon on a Hill—David Scott Gantz.
Edna St. Vincent Millay's poetry is set
for unison or two-part choirs in this piece
that features a memorable melody and
a supportive piano accompaniment.
Pairing traditional choral techniques with
contemporary musical elements, this is a
delightfully fresh take on the classic text.
11593345 Unison/Two-Part. . . ME 2.75
Alea Iacta Est—Ehan Hartung. Weaving
together Latin quotes from Julius Caesar,
Plutarch, and Marcus Aurelius into a story
of overcoming fate and taking control
of one's life, this modern original work
takes the listener on an epic journey.
With a stirring cello, piano, and djembe
accompaniment, the driving rhythms,
whispered chants, and layered melodies
will help inspire a powerful performance.
11589491 SATB. . . . . . . . . . . . . .M 2.95
Alive and Free—Kirsten Oberoi. Designed
to be flexibly sung by any three- or four-part
ensemble, this modern work is composed
in a singer-songwriter style with a simple
accompaniment for guitar and percussion.
Mantra-like melodies can be layered and
shaped in a way that best suits your choir,
while the inspiring text offers "In my own voice
I sing, I am free, we sing ourselves alive."
11617225 Four-Part. . . . . . . . . ME 2.95
11617227 Three-Part. . . . . . . . ME 2.95
All Is Miracle—Kyle Pederson. A chant-
like musical setting is paired seamlessly
with Charles Anthony Silvestri's text that
calls us to find the miracle in the beauty
of our surroundings. These luminous
choral harmonies are complemented
by ethereal solos and an optional piano
accompaniment.
11620714 SATB opt. Piano . . . . .M 2.65
All Is Thus but Starlight Here—Thomas
LaVoy. Perfect for programs themed around
nature, the night sky, or the heavens, this
mid-tempo work evokes feelings of unity
and togetherness. With an artistic piano
accompaniment and lyrical vocal lines, this
piece is a musical gem for high school and
community choirs alike.
11572447 SATB. . . . . . . . . . . . . .M 2.75
All My Life—John Florio. Light and breezy,
this heartfelt anthem is a reflection on living
with purpose, integrity, and a commitment
to helping others. The inspiring melody is
complemented by a laid-back groove in the
piano accompaniment and optional two-part
harmony.
11611279 Unison/Two-Part. . . ME 2.15
All of Me (from "A Vision Unfolding")—
Kyle Pederson. Extracted from the five-
movement work "A Vision Unfolding," this
third movement stands alone as a strong,
socially responsive statement of identity
and unity. Optional solos and a lyrical violin
part add to the emotional intensity of this
beautiful contemporary ballad that asks the
listener to look at people as more than their
individual characteristics.
11537958 SATB. . . . . . . . . . . . . .M 2.85
11591309 TTBB . . . . . . . . . . . . . .M 2.85
11537959 Violin Part SATB . . . . . . 5.00
11591310 Violin Part TTBB . . . . . . 5.00
All You Need—Jim Papoulis. Empower
your young singers with the universal truth
that love, respect and common ground are
all we need to turn the world around! Written
in collaboration with songwriting workshop
participants, this youthful call to action with
a funky groove that doesn't stop can be
sung in unison throughout or with a few
sections of optional harmony added.
11595085 Unison/Two-Part. . . ME 2.50
Allegro (A Wedding Serenade)—Antonio
Vivaldi/arr. Z. Randall Stroope. Originally
a duet from a larger work, this edition of
Vivaldi's wedding serenade invites treble
singers to showcase their musicality and
enthusiasm. Lively and engaging, the
exuberance of the Baroque style and the
joy of the Italian text can be enhanced by
piano or harpsichord and string quartet
accompaniment.
11618459 SA . . . . . . . . . . . . . . . .M 2.60
Always Keep This Close—Zachary J.
Moore. A strong unifying text from Colleen
Carhuff states "No notes are as connected
as the souls that sing them, and no soul
is happier than when surrounded by their
friends. We are one!" A wonderful choice
for graduation or spring concerts, this
is a beautiful original work with a flowing
piano accompaniment, optional strings,
and a soaring melody that will resonate
powerfully.
11391213 SATB. . . . . . . . . . . . . .M 2.30
11592518 SAB . . . . . . . . . . . . . . .M 2.90
10593111 SSAA. . . . . . . . . . . . . .M 2.90
11564407 TTBB . . . . . . . . . . . . . .M 2.70
10795101 String Parts . . . . . . . . . 20.00
Antigonish (I Met a Man Who Wasn't
There)—Douglas E. Wagner. Based on
the poem by William Hughes Mearns, this
mysterious yet playful selection tells the
story of a haunted house in Antigonish,
Nova Scotia. Featuring call and response
and a simple melody, this easy-to-learn
piece is perfect for fall concerts, Halloween
programs, or any program needing a
stylistic contrast.
11616571 Two-Part . . . . . . . . . ME 2.30
Anywhere Is Home—Remel Derrick.
Heartfelt and uplifting, this original work
features expressive melodies, rich
harmonies, and lyrics that explore belonging
and finding home within yourself. Perfect for
two-part treble or tenor-bass choirs, each
voicing is in its own key, keeping ranges
accessible to developing voices.
11609565 SA . . . . . . . . . . . . . . ME 2.15
11609566 TB . . . . . . . . . . . . . . ME 2.15
Arise, My Love—Stephen Dombek.
Opening with madrigal-like lilting choral
harmonies, this original a cappella work
sets the text "Arise my love, my fair one,
and come away!" Gradually descending into
a slower, more tender interpretation, the
flowing melody passes between the voices
in an engaging texture where mixed choirs
will be able to showcase both energetic and
legato singing.
11592520 SATB. . . . . . . . . . . . . .M 2.80
Arise, My Love—Joan Szymko. With
lyrics adapted from the well-known Song of
Solomon text combined with the hymn At
the River, this dramatic piece is a wonderful
choice for mixed or treble choirs. With
minimal divisi, conservative ranges, and a
colorful piano accompaniment, it offers both
accessibility and musical challenge.
11615643 SATB. . . . . . . . . . . . . .M 2.90
3303466 SA . . . . . . . . . . . . . . . .M 2.80
Secular Concert
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