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Armistice, 1918 (Everyone Sang)—Craig
Carnahan. Featuring the poem Everyone
Sang by Siegfried Sassoon, written shortly
after the end of World War I, Armistice 1918
is a celebratory work stemming from themes
of victory and revolution. Challenging yet
singable, with a virtuosic piano part, this
setting will make a good addition to honor
and festival choir repertoire.
10513288 SATB. . . . . . . . . . . . MA 3.40
11592981 SSAA. . . . . . . . . . . . MA 3.50
10746394 TTBB . . . . . . . . . . . . MA 3.10
Autumn—Ola Gjeilo. Inspired by the
tranquility of nature in Norway's fall
season, this choral work based on the
composer's solo piano piece by the same
name is a peaceful meditation on the
wonder of the earth's changing seasons.
Lush divisi a cappella harmonies with
a rich bass line transport the listener to
a serenely placid pastoral scene with
falling leaves and the change of seasons.
Stunning!
11539367 SATB divisi . . . . . . . . .M 3.15
The Autumn Moon—Mary Donnelly &
George L.O. Strid. Gentle and serene, this
original work captures the quiet beauty of an
autumn night. With a moderate tempo and
optional flute accompaniment, this reflective
selection vividly portrays the imagery of a
glowing moon and invites a connection to
nature's stillness.
11616670 Two-Part . . . . . . . . . ME 2.30
11616673E Instrumental Parts . . . . 5.95
Awake!—Ayrian Norman. A powerful call
to inner awakening, this selection invites
listeners to find the strength to do what's
right and the transformative power of song
to carry them through dark times. With
stirring lyrics, empowering vocal writing,
and an exciting piano accompaniment,
this work is sure to inspire all who sing
and hear it.
11616574 TB . . . . . . . . . . . . . . ME 2.30
Awakening—Christi Jones. Based on the
inspirational poem by civil rights advocate
James Weldon Johnson, this selection
features beautiful cluster chords over a
driving syncopation that your choirs will
love. With a mature quality that is not too
difficult to achieve, this piece will certainly
empower your singers!
11559838 SATB. . . . . . . . . . . . ME 2.30
11370896 SSA . . . . . . . . . . . . . ME 2.50
An Awful Tempest—Jeffrey Cobb. Perfect
for Halloween, this exciting setting of
Emily Dickinson's text will thrill and delight
singers and audiences alike. Complete
with cackles, spooky whispers, and chilling
chromatic lines, this thrilling treble work is
boiling with excitement!
11617147 SA . . . . . . . . . . . . . . . .M 3.30
Ballade to the Moon—Daniel Elder. "...
Come sing with me! The twinkling sky
casts forth its tune: O must I leave thy
charms so soon? I weep with joy beneath
the moon." Marked Adagio Misterioso,
this evocative work has been appearing
on festival lists all over the country,
and for good reason - it is an important
contribution to the choral repertoire.
10283255 SATB. . . . . . . . . . . . . .M 3.10
10527161 TTBB . . . . . . . . . . . . . .M 3.00
Balloon Flower (Doraji kkot)—Jihoon
Park. With a Korean text about the
blooming of a lovely mountain flower, this
gentle original work will help your choir
display lyricism and musical sensitivity.
Divisi occurs only in the soprano line, and
many unison lines and two-part textures will
help to unify your tone and blend. The text
is written as a transliteration in the score for
ease of singing.
11615661 SATB or SSATB . . . ME 2.80
The Bat—Andy Beck. This creative
original piece written especially for two-part
choirs features quick-changing dynamics,
textures, and articulations that will both
challenge and reward young singers.
Consider programming in the fall for
Halloween, or as a song cycle with Firefly
and The Moon, pieces on a similar theme
by the same composer.
11503298 Two-Part . . . . . . . . . ME 2.05
11503274 P/A CD-Pianotrax 15 . . .44.99
Be Like the Bird—Sarah Quartel. Lyric
melodies and rising sequences reflect
the uplifting message of this text by Victor
Hugo. While mostly set in English, a
passage from the original French text is
set to the same lyric melody before being
interwoven with the English text.
11536286 SA . . . . . . . . . . . . . . ME 3.95
Be the Bridge—Kyle Pederson. Accessible
and engaging, this contemporary pop-style
work has socially responsive themes of
reconciliation, grace, empathy, and unity
for our world. The piano part sets an
irresistible groove while the choral parts
are syncopated and lively. The alto 2 part is
optional throughout, making this achievable
by treble choirs of all ages.
11592983 SSA opt. SSAA. . . . ME 3.60
Be the Change—Laura Farnell. With a
multicultural flair, this energetic and
rhythmic
work conveys a singular force for
change. Combining texts from Mahatma
Gandhi, Dr. Martin Luther King, Jr., and
Matthew 5:15 with original lyrics, the piece
also incorporates This Little Light of Mine. An
optional divisi descant will challenge younger
choirs while remaining accessible. Optional
djembe and shaker parts are included.
11203571 SATB divisi . . . . . . . ME 2.50
11397402 Two-Part divisi. . . . . ME 2.35
Be Who You Are—Ryan Main. Framed
as a letter from a teacher to her young
students, this text is brimming with
descriptive phrases and inspirational
thoughts. The musical setting partners the
youthful exuberance of the text with creative
rhythms and a contemporary pop feel that
young choirs will really like. "The world
needs your light, this place needs your
song. Never be sorry to be who you are."
11426744 SATB. . . . . . . . . . . . . .M 2.95
11539420 SSAB. . . . . . . . . . . . . .M 2.95
11347707 Three-Part Mixed . . . .M 2.95
11347705 Two-Part . . . . . . . . . . .M 2.95
11539421 SSA . . . . . . . . . . . . . . .M 2.95
Because You Sang—Arianne Abela. With
a melody that is easy to recognize and
evocative of a protest march along
with harmonies that carry a hymn-like
quality, this selection speaks to the
power of singing. The first verse begins
with a solitary voice, gradually joined by
increasing forces to create a texture of
interwoven vocal parts.
11618207 SATB divisi . . . . . . . . .M 3.00
Becoming You—Bethany Main.
"Adventure awaits. A journey to becoming
you. Leaving behind who you know, see
how much you grow." This joy-filled song
is overflowing with positive rhythmic energy
and uplifting lyrics, perfect for year-end
concerts, graduation and moving-up
ceremonies, or any occasion. The soaring
lines, empowering text, and pop-style
harmonies are so fun to sing!
11560376 SATB. . . . . . . . . . . . ME 2.95
11560377 SAB . . . . . . . . . . . . . ME 2.95
11560378 Two-Part . . . . . . . . . ME 2.95
11560379 SSA . . . . . . . . . . . . . ME 2.95
11574227 Instrumental Parts . . . 25.00
Before the World Was Made—Enrique
Lacarcel B.. The search for inner beauty
is at the heart of this contemplative
text by William Butler Yeats. A colorful
harmonic palette and soaring vocal
lines give this opulent concert setting a
contemporary flair, while the decorative
piano part makes it an ideal feature for
your collaborative accompanist.
11611101 SSA . . . . . . . . . . . . . ME 2.40
Begin Again—Daniel Brinsmead.
Relatable to choirs of all ages, this
composition features an encouraging text
of renewal and hope. A brilliant blend of
gently flowing and rhythmic, introspective
and empowering, this heartwarming treble
feature offers singers and listeners a time to
pause, reflect, and embrace the opportunity
to begin anew.
11618460 SA or SSA. . . . . . . . . .M 3.40
A Better World—Earlene Rentz. Heartfelt
and inspiring, this two-part treble choir
original conveys a powerful message of
hope, unity, and the desire to create a
brighter future together. Flowing melodies
are complemented by warm harmonies,
making it a touching selection for concerts
or special events.
11609562 Two-Part . . . . . . . . . ME 2.15
Black Riders Came from the Sea (Dum
Digga-Digga Dum)—Paul David Thomas.
Beginning with an ominous ostinato from
the choir, "dum digga digga dum," this
piece sets Stephen Crane's short but vivid
poem describing the invasion of a fast-
approaching enemy army. An engaging
concert work for developing tenor-bass or
treble choirs that they're sure to like!
11559607 SA . . . . . . . . . . . . . . . .M 2.75
11501648 TB . . . . . . . . . . . . . . . .M 3.00
BEST
SELLERS
SATB/Divisi Concert &
Festival Selections
These bestsellers are chosen most
often by directors! Look online for the
most current information on recordings,
instrumental parts, large print, and
digital edition availability.
Time—Jennifer Lucy Cook.
11513832 SATB. . . . . . . . . . . . . . . . . . M 2.95
I Sing Because I'm Happy—arr.
Kenneth Padden/adapt. Rollo Dilworth.
10451977 SATB. . . . . . . . . . . . . . . . . . M 2.65
Measure Me, Sky!—Elaine Hagenberg.
11416229 SATB. . . . . . . . . . . . . . . . .MA 3.25
O Love—Elaine Hagenberg.
10667410 SATB. . . . . . . . . . . . . . . . . . M 2.50
Ad Astra (To the Stars...)—
Jacob Narverud.
11162004 SATB. . . . . . . . . . . . . . . . . . M 3.00
TaReKiTa—Reena Esmail.
11338537 SATB. . . . . . . . . . . . . . . . . . M 3.95
Does the World Say?—Kyle Pederson.
11502629 SATB. . . . . . . . . . . . . . . . .ME 3.20
All Things New—Elaine Hagenberg.
11375949 SATB. . . . . . . . . . . . . . . . .ME 2.75
We Are the Music Makers—
Reginal Wright.
11408300 SATB. . . . . . . . . . . . . . . . . . M 3.95
Yonder Come Day—
arr. Adam Podd & Matt Podd.
11545132 SATB opt. A Cappella . . .ME 2.50
Sing Gently—Eric Whitacre.
11219607 SATB. . . . . . . . . . . . . . . . .ME 2.75
You Do Not Walk Alone—
Elaine Hagenberg.
11166201 SATB. . . . . . . . . . . . . . . . . . M 2.75
Where the Light Begins—
Susan LaBarr.
11392537 SATB. . . . . . . . . . . . . . . . .ME 3.20
Earth Song—Frank Ticheli.
10027720 SATB. . . . . . . . . . . . . . . . . . M 2.75
In Meeting We Are Blessed—
Troy Robertson.
10589968 SATB. . . . . . . . . . . . . . . . .ME 2.95
Secular Concert
