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Sacred Concert & Spirituals
Sacred Concert
& Spirituals
A Cappella Songs for SSA Chorus—arr.
Emily Crocker. This collection of original
songs and arrangements provides a
wide variety of a cappella literature for
the developing treble choir. Quality texts,
careful attention to range and tessitura, and
thoughtful limits on melodic and harmonic
complexity make these settings ideal
choices at a great value.
11620610 SSA . . . . . . . . . . . . . . .M 3.25
Agnus Dei—Ruth Morris Gray. Using the
traditional Agnus Dei text, this expressive
setting provides an opportunity to work on
choral tone, rubato, and legato singing. A
rich melody ebbs and flows over the colorful
harmonic palette while a captivating piano
theme winds its way throughout. For
added flexibility, a few optional notes in
the two-part voicing offer moments of SSA
harmony. Perfect for church and school
choirs of all ages.
11564445 SAB . . . . . . . . . . . . . . . E 2.20
11564446 Two-Part or SA . . . . . . E 2.20
Ain'-a That Good News—arr. William
Dawson. Long considered "the" original
version of this timeless spiritual. The
true authenticity of the African-American
musical heritage is captured in this Dawson
rendition.
564039 SATB. . . . . . . . . . . . . .M 2.65
976563 SSAA. . . . . . . . . . . . . .M 2.40
563940 TTBB . . . . . . . . . . . . . .M 2.40
Ain't Gonna Let Nobody Turn Me
Around—arr. Rollo Dilworth. Rollo Dilworth
has combined this traditional freedom song -
sung as an anthem of protest during the civil
rights movement to spread the message of
faith, determination and perseverance - with
the words of the Langston Hughes poem
Words Like Freedom to create a wonderful
showcase for treble or mixed choirs.
10905965 SATB. . . . . . . . . . . . ME 2.50
10356613 SSA . . . . . . . . . . . . . ME 2.80
Ain't Got Time to Die—Hall Johnson. A
fun, syncopated spiritual for a cappella
choir. There's also a part for a soprano solo.
Requires a full group, as all parts divide at
times. A rousing handclapper!
388264 SATB. . . . . . . . . . . . . .M 2.50
Ain't No Grave Can Hold My Body
Down—arr. Paul Caldwell & Sean Ivory.
This spiritual setting is a popular choice
with festival choirs, as are many of the
outstanding arrangements by Paul Caldwell
and Sean Ivory.
10020549 SSATB . . . . . . . . . . . .M 3.00
10008059 SSA . . . . . . . . . . . . . . .M 3.00
All My Trials—arr. Norman Luboff. A
true classic, Luboff's lush and distinctive
a cappella arrangement of the traditional
Bahamian spiritual is a standard in the
choral performance repertoire. The treble
version has been adapted by James E.
Green and offers an optional flute obbligato
that can be used with either voicing.
959908 SATB. . . . . . . . . . . . ME 2.50
11567934 SSAA opt. Flute . . . ME 2.75
All My Trials—arr. Ruth Elaine Schram.
Contemplative and moving, this sensitive
arrangement breathes new life into the
beloved Bahamian spiritual. Rich vocal
harmonies are supported by a gently
flowing piano accompaniment, allowing the
powerful and haunting text to shine through
brilliantly.
11620398 SATB. . . . . . . . . . . . ME 2.75
11620399 SSA . . . . . . . . . . . . . ME 2.75
All Night, All Day—arr. Paul Jennings.
Set in a laid-back gospel rock style, this
arrangement of the traditional spiritual is
flexible in voicing and can be sung with
three-part mixed, two-part, or unison voices.
The voices move together rhythmically, with
carefully written voice leading making it
easily learned by young singers.
11597296 Unison/Two-Part . . . . . E 2.30
11597297 P/A CD . . . . . . . . . . . . 21.95
All Things Bright and Beautiful—John
Rutter. The delicate melody befitting this
familiar text gains gentle momentum by
a continual movement in the keyboard.
A quintessential piece for spring from
renowned composer John Rutter.
1673078 SATB. . . . . . . . . . . . ME 3.95
10648587 SSA . . . . . . . . . . . . . ME 3.95
1484310 Unison/Two-Part. . . ME 3.95
10648586 Full Score . . . . . . . . . . 34.50
4535720 Instrumental Parts . . . 79.25
All Things New—Elaine Hagenberg.
Known for her exquisite lyricism and
soaring melodies, Hagenberg delivers
an exceptional original setting of Frances
Havergal's text that provides a message
of hope that is so needed. A shimmering
accompaniment and easily learned vocal
lines open this up to choirs of all sizes for
concert or service use.
11375949 SATB. . . . . . . . . . . . ME 2.75
11594021 SSA . . . . . . . . . . . . . . .M 2.75
Alleluia—Elaine Hagenberg. This joyous
and rhythmic a cappella setting of St.
Augustine's text in a buoyant 7/8 meter
is brimming with vitality and energy. The
contrasting middle section offers expansive
lines and lush harmonies which propel
the music into exciting key changes and
a climactic ending. A wonderful opening
selection for more advanced mixed choirs!
11196226 SATB divisi . . . . . . . MA 3.25
Alleluia—Ralph Manuel. With the text
comprising the single word "Alleluia," this
quiet, reverent a cappella work continues
to be a strong seller in its original SATB
voicing. Now available for male voices,
this is an excellent choice for both school
contest-oriented use and church services!
1629831 SATB. . . . . . . . . . . . . .M 2.55
3111234 TTBB . . . . . . . . . . . . . .M 2.15
Alleluia—Randall Thompson. A true
masterpiece for a cappella chorus. The
name Randall Thompson is as much a
part of choral music as is the voice. Once
you've mastered this, you'll have a truly
stunning performance piece. His masterful
compositions are all standards in the
repertoire. A choral classic!
337147 SATB. . . . . . . . . . . . . .M 2.85
337238 SSAA. . . . . . . . . . . . . .M 2.85
4128682 TTBB . . . . . . . . . . . . . .M 2.85
The Alleluia Canon—W.A. Mozart/arr.
Stephen E. Caldwell. With ideal ranges and
a basic piano accompaniment in Alberti
bass style, Mozart's Alleluia Canon K. 553
is tastefully arranged for developing treble
choir. Perfect for warming up the voice and
developing choral skills, this joyful canon
lends itself to the concurrent teaching
of solfege. An ideal teaching tool and
performance piece!
11592535 SSA . . . . . . . . . . . . . ME 2.60
Antiphonal Kyrie—Susan Thrift. Here
is the perfect way to introduce a cappella
singing to your young choir! The chant-
like melody is stated in echo style, then
all voices join in harmony. The excellent
performance notes include a pronunciation
guide for the simple Kyrie text. At just over
one minute in duration, this is a little gem!
10352309 Three-Part Mixed . . . . E 2.25
10086489 Two-Part . . . . . . . . . . . E 2.25
11501644 TB . . . . . . . . . . . . . . . . E 1.75
Ave Maria—Giulio Caccini/arr. Patrick
Liebergen. This haunting melody from the
Italian Renaissance has been recorded
most recently by Charlotte Church and
Andrea Bocelli. Patrick Liebergen's setting
features straightforward vocal lines, a
supportive piano accompaniment, and an
optional flute part that is never overstated,
but lets the enchanting melody and
harmonies speak for themselves.
3285509 SATB. . . . . . . . . . . . ME 2.05
3285517 SAB . . . . . . . . . . . . . ME 2.25
10501318 SSA . . . . . . . . . . . . . ME 2.05
3285525 Two-Part . . . . . . . . . ME 2.05
3300748 TTBB . . . . . . . . . . . . ME 2.25
Ave Maria—Franz Schubert/arr.
Karl Hitzemann. Schubert's beloved
masterpiece comes to life in this setting
for three-part, two-part, or unison voices.
Featuring original music at the beginning
and end, this arrangement is accessible no
matter which voicing you choose to sing.
Perform it with the recording (featuring a
solo violin), the provided piano part, or as
an a cappella showpiece.
11597294 Unison/Two-Part . . . . .M 2.30
11597295 P/A CD . . . . . . . . . . . . 21.95
BEST
SELLERS
SAB/Three-Part Mixed
Concert & Festival
Selections
These bestsellers are chosen most
often by directors! Look online for the
most current information on recordings,
instrumental parts, large print, and
digital edition availability.
Ad Astra (To the Stars...)—
Jacob Narverud.
10846403 Three-Part Mixed . . . . . . . . M 3.00
Sisi ni moja—Jacob Narverud.
11319152 SAB. . . . . . . . . . . . . . . . . .ME 3.00
Who Has Seen the Wind?—
Bruce Tippette.
11566939 SAB. . . . . . . . . . . . . . . . . .ME 2.25
Storm—James M. DesJardins.
11198028 SAB. . . . . . . . . . . . . . . . . .ME 3.00
Carry the Light—Andy Beck.
11393272 SAB. . . . . . . . . . . . . . . . . .ME 2.05
Yonder Come Day—
arr. Adam Podd & Matt Podd.
11545143 SAB opt. A Cappella . . . .ME 2.50
Music of Life—B.E. Boykin.
11384777 SAB. . . . . . . . . . . . . . . . . .ME 3.95
Lakeside Lullaby—Jacob Narverud.
11415374 SAB. . . . . . . . . . . . . . . . . .ME 2.75
Bonse Aba—arr. Victor C. Johnson.
10089711 Three-Part Mixed . . . . . . .ME 3.20
Fly Away Home—Pinkzebra.
10679521 SAB. . . . . . . . . . . . . . . . . .ME 2.65
Umoja Tunaimba (United We Sing)—
Victor C. Johnson.
11567238 Three-Part Mixed . . . . . . .ME 3.25
Homeward Bound—
Marta Keen/arr. Jay Althouse.
3016219 SAB. . . . . . . . . . . . . . . . . .ME 2.05
Beethoven's Fifth (Symphony No. 5 in
C Minor)—Ludwig van Beethoven/arr.
Tom Anderson.
11564447 Three-Part Mixed . . . . . .ME 2.30
Come Travel with Me—Scott Farthing.
10850205 SAB. . . . . . . . . . . . . . . . . .ME 3.20
Elijah Rock—arr. Tiffany Jackson &
Michael Yannette.
11565982 SAB. . . . . . . . . . . . . . . . . .ME 2.40
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