84
2025-26 Editors' Choice New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
Sacred Concert & Spirituals
Ave Verum Corpus—Michael John
Trotta. Opening with a section of
plainchant, this setting of the traditional
Latin text most known in the Mozart or
Byrd versions shimmers with modern a
cappella harmonies. Cluster cadences and
expressive vocal lines pair wonderfully with
this text in an original work that effectively
combines tradition with innovation.
11556297 SATB divisi . . . . . . . . .M 2.95
The Awakening—Joseph Martin. If you
are looking for a dramatic concert/
festival work, be sure to look at this one!
The glory of music is treated with great
depth and musical-textual imagery in this
deeply moving selection, which offers a
rare opportunity to showcase your choir's
musicianship. "Let Music Live!" This will
make a lasting impression on your singers
and audiences. Stunning!
3027786 SATB. . . . . . . . . . . . . .M 2.75
10299072 SSAA. . . . . . . . . . . . . .M 2.50
1995612 TTBB . . . . . . . . . . . . . .M 2.60
10049275 P/A CD . . . . . . . . . . . . 26.99
3066867 Instrumental Parts . . . 70.00
The Battle of Jericho—arr. Moses Hogan.
This setting of the traditional spiritual is a
showpiece for more advanced choirs and
a superlative example of the compositional
skills of Moses Hogan. From the opening
ostinato rhythms to the thrilling conclusion,
the drama and intensity of this work are truly
extraordinary.
3017027 SATB. . . . . . . . . . . . . .M 2.35
10456273 SSAA. . . . . . . . . . . . . .M 1.90
10456286 TTBB . . . . . . . . . . . . . .M 2.65
The Battle of Jericho—arr. Noah Reese.
Capturing the spirit and excitement of
the traditional spiritual, this arrangement
features lively unison sections, contrasting
dynamics, and a driving rhythmic pulse.
An optional second tenor part and a
supportive piano accompaniment make
this a quick learn accessible to choirs of
all experience levels!
11609605 TT or Unison . . . . . . . . E 2.30
Blessing (A Hebrew Prayer)—Ari Fraser/
arr. Michael John Trotta. Beginning with
a solo or small group of singers, this
contemporary choral setting of an ancient
Hebrew prayer from the Shabbat morning
service provides ample opportunity for
expressive singing and melodic artistry for
mixed choirs. The translation, transliteration,
and pronunciation guide are included for the
Hebrew text.
11566461 SATB. . . . . . . . . . . . ME 3.25
Bright Morning Stars—arr. Alice Parker.
Alice Parker has created a setting of this
beautiful American song that is simple,
authentic, and warm. A good chance to
feature a soloist, with accompanimental
choral parts beneath.
10994189 SATB. . . . . . . . . . . . ME 2.80
Byem' Bye—arr. Maya Cooper. Calm and
serene, this arrangement of the traditional
African American spiritual reveals the
mystery of the stars coming out one
by one in the night sky. The text follows
a repetitive pattern as it counts stars,
while an ethereal piano accompaniment
highlights a feeling of illumination and
wonder.
11620696 Two-Part or SA . . . . ME 2.50
Cantate Domino—Mark Hayes. Pure
energy from start to finish, this dynamic
original incorporates both Latin and
English lyrics, which are brought to life by
the toccata-like piano accompaniment.
Vocal layering is a key sectional
element and facilitates teaching. Mixed
meter enhances text declamation, and
driving syncopations propel it towards a
dramatic ending.
10089736 SATB. . . . . . . . . . . . ME 2.95
11195622 SSA . . . . . . . . . . . . . ME 2.95
10089738 P/A CD . . . . . . . . . . . . 26.95
Cantate Domino—Nancy Hill Cobb.
Fresh, singable melodic lines and a logical
ABA-Coda form make this original work
a perfect choice for any two-part choir. A
pronunciation guide for the Latin is written
in the vocal parts, and performance notes
are also included. The melodies have
no difficult leaps or accidentals, which
simplifies teaching, sight-reading and
memorization. Educationally, musically and
compositionally solid. An excellent choice!
11592521 SATB. . . . . . . . . . . . ME 2.60
3192275 Two-Part . . . . . . . . . ME 2.60
Cantate Domino—Laura Sheils. Driving
rhythms, syncopation, and layered
entrances give this exciting a cappella
setting of the traditional Latin text a bold
and energetic feel from start to finish.
With a short contrasting middle section,
it's a strong choice for mixed divisi choirs
looking for an exciting opener with an
accessible text and a rhythmic edge.
11626071 SSATB divisi . . . . . . . .M 3.20
Cantate Domino—Michael John Trotta.
Energetic and rhythmic, this setting of
the traditional Latin text is the perfect
concert opener. Stepwise voice leading,
prepared dissonances, and moderate
ranges make this work accessible, while
lush a cappella harmonies and exciting
tempo changes make it engaging to all
who sing and hear it. Alternate English
lyrics are also included.
11616221 SSATB . . . . . . . . . . . .M 3.25
Cantate Domino Omnis Terra—Andrew
Parr. Bursting with joy and energy, this
original work blends Latin and English
text in a lively celebration of song. With its
upbeat tempo and festive feel, this piece is
perfect as a concert opener. The accessible
vocal writing makes it an ideal choice for
developing choirs.
11626889 SAB . . . . . . . . . . . . . ME 2.25
11611290 Three-Part Mixed . . ME 2.25
Caritas Abundat (The Great and Fiery
Force)—Michael John Trotta. This work
is an energetic reimagining of timeless
text and tune from the 12th-century poet,
composer, and philosopher Hildegard
of Bingen. The marriage of the Caritas
Abunda chant with a text taken from Liber
Divinorum Operum (The Book of Divine
Works) creates an entirely new work
that expresses themes of empowerment,
especially the power of belonging to
a group united for a purpose greater
than oneself.
11162396 SATB divisi . . . . . . . . .M 3.50
10944946 SSAA. . . . . . . . . . . . . .M 3.95
Celtic Jubilate—Daniel Brinsmead.
Weaving together traditional Celtic
melodies and harmonies, this rhythmic
work features bodhran or djembe,
vocal layering, and handclaps. Joyful
and exciting, it is the perfect opener to
concerts at any time of year!
11618461 SAB . . . . . . . . . . . . . . .M 3.40
11618462 SSAA. . . . . . . . . . . . . .M 3.40
City Called Heaven—arr. Josephine
Poelinitz. If you have an expressive
soloist, consider this slow, soulful spiritual
arrangement, expertly edited by Henry
Leck of the Indianapolis Children's Choir.
1841709 SATB. . . . . . . . . . . . ME 2.05
3280922 SSA . . . . . . . . . . . . . ME 2.05
Climbin' Up the Mountain—arr. Stacey V.
Gibbs. Fun and energetic, this gospel-style
a cappella arrangement of the traditional
spiritual is easy to learn and dynamic to
perform. There's plenty of repetition and
very little divisi, making this approachable
for most mixed choirs.
11566195 SATB. . . . . . . . . . . . . .M 2.65
Climbin' Up the Mountain—arr. Russell
Robinson. Creative yet accessible, this
well-crafted arrangement of a traditional
spiritual features a rhythmic vocal ostinato
that allows each section to shine as they
sing the melody. With the opportunity for
a solo or small group over the final chorus
and some well-placed handclaps, it builds
in harmonic texture and excitement for a
big ending - ideal as an opener or closer.
11514639 Three-Part Mixed . . ME 3.35
11620315 SA or Two-Part . . . . ME 3.15
11525506 P/A CD . . . . . . . . . . . . 27.95
Come and Go (To That Land)—arr.
Brandon A. Boyd. Brimming with upbeat
gospel style, this arrangement partners
two traditional spirituals, Come and Go to
That Land and I'll Be Singing Up There.
With a stylized piano accompaniment
that can be further enhanced with bass
and drums, an opportunity to feature
soloists, and a stacking gospel bridge that
vamps right until the close, it's a strong
and memorable closer for either concerts
or services.
11591420 SATB. . . . . . . . . . . . . .M 3.25
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