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Beachside Bossa—Chris Clark. Unison
scoring, voiced harmonies, and multiple
opportunities to feature your drummer make
this bossa nova a smooth, stylish addition to
your program!
11614390 Jazz Ensemble. . . . . . 65.00
Blue Skies—Irving Berlin/arr. Chris Sharp.
A fresh treatment of Irving Berlin's classic
in a salsa style alternating with swing
passages. Written-out solos with changes
are provided for trumpet 2 and alto sax 1.
11622171 Jazz Ensemble. . . . . . 70.00
Cantaloupe Island—Herbie Hancock/arr.
Mike Kamuf. Arranger Mike Kamuf scored
this hip, funky Latin-rock tune for younger
players. Ideal for this level, it features three
chords, a repetitive groove, catchy melody
and a hot bari sax part. There are written
solos for tenor sax and trumpet, and the
lead trumpet range goes to a top line F with
optional G on top of the staff. This chart will
also sound great with optional or expanded
instrumentation. This is a superb chart from
beginning to end. Highly recommended!
10028077 Jazz Ensemble. . . . . . 52.00
Carnival—David Samuel. Out of the gate
you're hooked! This bright Latin chart is
the perfect change of pace for contest and
festival or for your home stage. Intriguing
harmony and rhythmic vitality make this chart
shine. Written solos for alto sax, trumpet, and
trombone. Let the festivities begin!
11562061 Jazz Ensemble. . . . . . 55.00
Charade—Henry Mancini/arr. Mark Taylor.
Feature your trombone soloist on this
unique and accessible samba setting of
Henry Mancini's popular standard! The
soloist alternates with flowing ensemble
passages, and later there's a full-ensemble
shout that begins with a full-band unison.
The solo is written and chord changes
are provided for improvisation as desired.
Moderate ranges and technical demands
will allow for focus on the style and feel of
this marvelous chart!
10317233 Jazz Ensemble. . . . . . 55.00
Children of Sanchez—Chuck Mangione/
arr. Victor Lopez. Here's some great news
for bands at the medium-easy level! If the
popular Dave Wolpe arrangement of this
tune was just a bit out of reach for your
band, now you can enjoy a successful
performance of this Chuck Mangione
classic using this slightly simplified version!
Victor has taken the key down a whole step
and has carefully adapted the ranges, with
the highest trumpet note being an A above
the staff. What a treat for developing bands!
2474240 Jazz Ensemble. . . . . . 52.00
Chili Pepper Puree—Doug Beach. A
driving Latin feel is the foundation of this
chart. With a strong melody, solid voicings,
and an open solo section, this piece will not
only be a great concert or festival choice but
also a wonderful vehicle for teaching young
players this important style.
11615262 Jazz Ensemble. . . . . . 48.00
Cold Duck Time—Eddie Harris/arr. Mark
Taylor. Mark Taylor utilizes a small
group alternating with the full band and
a moderate Latin style in this effectively
written version of this jazz standard. Also
featured is a written or improvised solo
for tenor sax and dynamically scored
tutti ensemble sections. A perfect change
of pace!
10033689 Jazz Ensemble. . . . . . 50.00
The Cool One—Benny Golson/arr. Erik
Morales. This Benny Golson standard is
creative in its treatment here as a Latin
cha-cha played at around 152 bpm. The
Cool One features expansive and brilliant
ensemble writing as well as written or
improvised solos for alto sax 1 and trumpet
2. The lead trumpet range is up to F-sharp
top line and the scoring allows for optional
reduced instrumentation as well as optional
parts included for flute and vibes. Not to be
missed for developing groups!
11199006 Jazz Ensemble. . . . . . 52.00
Danger Island!—Rich Woolworth. Get
ready for fun with this unusual chart. Just
like your favorite adventure movie, it's
brimming with action and excitement!
Drums and auxiliary percussion set the
mood as the saxophones take the melody.
After a bold statement from the ensemble,
there's an extended tenor solo, which
leads into a call-and-response between the
drums and the horns. The trumpets take
the melody into a big finish, with a large,
terrifying chord from the entire band.
11624019 Jazz Ensemble. . . . . . 55.00
A Day in the Life of a Fool (Manha de
Carnaval)—Luiz Bonfa/arr. Terry White.
With a sophisticated sound right off the top,
this chart features a bossa nova groove at
around 128 bpm. But not just any bossa,
this one stands out above the rest! It
includes superb harmonies, nice voicings,
a great sax soli, written solos for alto and
trumpet, and a big shout chorus. Included
are a variety of optional parts plus flute,
clarinet, and vibes. A Day in the Life of a
Fool is all very tasty throughout. Highly
recommended!
10593757 Jazz Ensemble. . . . . . 48.00
Don't Blame the Salsa—Erik Sherburne.
This Latin chart is absolute fire! With an
infectious melody, danceable groove, and
wonderful orchestrations, it's fun to play and
very accessible. This will be a favorite!
11572372 Jazz Ensemble. . . . . . 50.00
Downtown Tango—Rick Hirsch. Don't
miss this very effective Latin original with
an auxiliary percussion part that includes
castanets for an authentic tango flavor. The
features include a modest tempo of 104
bpm and a lead trumpet range to written G.
Brief written solos for alto, tenor, trumpet,
and trombone will give young jazzers an
opportunity to shine. A big shout chorus
completes the package, and it's playable
with optional expanded instrumentations. A
soulful tango for sure!
10593759 Jazz Ensemble. . . . . . 48.00
Groove Chico—Christopher Artau. This
incredibly hip and engaging funk chart just
keeps coming at you! After the intense
introduction, the saxes jump in with the A
section, followed closely by big and punchy
brass. Solos for alto and tenor sax, trumpet,
and trombone.
11562060 Jazz Ensemble. . . . . . 55.00
I Dream of Dizzy—Mike Collins-Dowden.
This medium-tempo Latin tune pays
homage to the great Dizzy Gillespie. With its
tropical Latin vibe at the top, it weaves into
a swing feel and seamlessly moves in and
out of the Latin groove. The solo section
features space for any instrument to play
suggested written solos or improvise over
the Latin groove. Next, a drum solo takes
the band into a nice breakdown before a
rousing finale returning to the main theme.
11624023 Jazz Ensemble. . . . . . 55.00
Land of Make Believe—Chuck Mangione/
arr. Victor Lopez. Get out the Latin
percussion for this famous tune! A lazy intro
for trumpet and alto explodes into a fierce
samba that develops into a mambo later on,
then back to the samba feel. Turn your first
trumpet player loose on this and drive your
audience into a frenzy! This will go over big
for contest and festival performances, too!
Very highly recommended!
2701946 Jazz Ensemble. . . . . . 60.00
Little Sunflower—Freddie Hubbard/arr.
Mike Kamuf. This wonderful jazz standard
is masterfully arranged and features a
haunting melody with an alternating bossa
and light funk groove. Solos are written for
piano, trumpet, and tenor sax with modest
brass ranges and a sweet shout chorus. It's
been play-tested with great success and
is an excellent chart all around! Optional
expanded instrumentation.
10093122 Jazz Ensemble. . . . . . 52.00
Mambo Natural—Rich Woolworth.
Here's a Latin chart that your band will
really love playing! A huge intro by the
full band gives way to an easy mambo
dance chart. There's plenty of fun from
the rhythm section, and a soaring trumpet
solo helps establish an authentic Cuban
feel. Written or ad-lib solos for trumpet,
trombone, tenor sax, and alto sax add to
the carnival atmosphere. It all comes to a
finish with an appropriate quote from The
Peanut Vendor.
11572325 Jazz Ensemble. . . . . . 55.00
Meet Me at the Taqueria—Doug Beach &
George Shutack. A fun and easy Latin chart
with a great melody and engaging groove.
Excellent use of unison writing including a
phat shout chorus to create a full sound
while still being very playable. Written solos
for tenor sax and trumpets.
11561661 Jazz Ensemble. . . . . . 48.00
BEST
SELLERS
Latin
Medium to Advanced
Best Selling Charts! These selections,
listed in order of their popularity, are
chosen most often by directors like you.
Mamacita—
Joe Henderson/arr. Alan Baylock.
11511951 Jazz Ensemble. . . . . M 55.00
I Wanna Be Like You—
Robert & Richard Sherman/
arr. John Wasson.
2433704 Jazz Ensemble. . . . . M 55.00
Caravan—
Duke Ellington/arr. John Wasson.
2402725 Jazz Ensemble. . . . MA 60.00
Manteca—
Dizzy Gillespie/arr. Mike Tomaro.
2384543 Jazz Ensemble. . . . . M 55.00
Spain—Chick Corea/
arr. Paul Jennings.
2101111 Jazz Ensemble. . . . . M 55.00
Furioso!—Michele Fernandez.
11518964 Jazz Ensemble. . . . MA 65.00
Blue Bossa—
Kenny Dorham/arr. Mark Taylor.
2475702 Jazz Ensemble. . . . . M 55.00
El Alma de la Banda
(The Soul of the Band)—
Gordon Goodwin.
11511948 Jazz Ensemble. . . . . M 55.00
Chili Today, Hot Tamale—Rick Hirsch.
10452086 Jazz Ensemble. . . . . M 48.00
Sabor de Cuba
(Taste of Cuba)—
Victor Lopez.
10593777 Jazz Ensemble. . . . . M 55.00
Latin Selections | Medium-Easy
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