J.W. Pepper Catalogs

2025 Fall Concert Band Catalog

J.W. Pepper Music Catalog

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166 2025-26 Editors' Choice New Basic Library Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision Blues & Swing | Medium Boplicity—Davis & Evans/arr. Mike Tomaro. The landmark album by Miles Davis, Birth Of The Cool, introduced the unique sound of the nonet instrumentation. Without straying from the intent of the music, and working directly with the original score, Mike Tomaro has adapted this tune from the album for standard instrumentation, making it accessible to today's jazz ensembles. The style is laid-back swing, and it includes solos for baritone sax, trumpet and piano, as in the original version. A jazz standard for your library! 2701398 Jazz Ensemble. . . . . . 55.00 Bye Bye Blackbird—Ray Henderson/ arr. Rich Sigler. This swinging chart is a great vehicle for a tenor sax soloist with jazz band. The solo part ranges from written melody to a written jazz solo, all very accessible, and it especially swings when the tenor soloist trades fours with the ensemble. The ensemble and soloist are equally featured throughout. The lead trumpet range is to written G top of staff and optional parts are included for expanded instrumentation. A great jazz standard for developing jazz groups! 10997194 Jazz Ensemble. . . . . . 50.00 Canal Street Commotion—Mike Carubia. This chart features the sound of a New Orleans funeral band historically known as the "Second Line" behind the family and casket. It's a time for celebration coming after the initial mourning period. It's lots of fun to play in the style of a funky, marching, dixieland band. The harmonic form is the blues and there is room made for soloing both inside the ensemble and for featured soloists. The saxophone section features soprano lead and optional flute and tuba parts are included. A change-of-pace highlight with attitude! 10518317 Jazz Ensemble. . . . . . 48.00 Circus Song—George Shutack. Laid-back and easy-swinging, this chart in 3/4 has a very pleasing harmony and a catchy melody featuring the alto 1 and trumpet 1 in unison and harmony. Solo opportunities for alto sax and trumpet. 11561664 Jazz Ensemble. . . . . . 55.00 Count Bubba—Gordon Goodwin/arr. Paul Murtha. Paul Murtha has adapted this monster chart from Gordon Goodwin's Big Phat Band to an easier level while maintaining all the intensity and drive of the original. The trombones take the lead at the top followed by the trumpets then saxes, until finally the entire ensemble cuts loose. It includes suggested or improvised solos for trumpet and alto saxophone. Exceptional sounds for developing players! Highly recommended! 10052541 Jazz Ensemble. . . . . . 50.00 Crossing the Boulevard—Andrew Neu. You'll be holding on tight to this fast-paced swing chart that brings the rush of a busy city avenue. This piece is full of great writing with its exciting texture and orchestration that lets your group sound their best. 11403530 Jazz Ensemble. . . . . . 55.00 Dat Dere—Bobby Timmons/arr. Erik Morales. A soulful tune with a catchy title and melody! Erik Morales captures composer Bobby Timmons' medium swing groove. At a moderate tempo, with a slightly mysterious intro, the saxes grab the melody and it builds from there. A written (or ad lib) alto solo is provided with a fat shout chorus. This is an outstanding chart in every respect! Highly recommended! 10277767 Jazz Ensemble. . . . . . 55.00 The Defibrillator—Adrien Re. Nothing makes you get into a groove like a shuffle and this one has a fierce back-beat that will hook you right at the top! A very hip melody line, written-out solos for tenor sax and 1st trombone, lead trumpet range to written A above the staff and a power-house shout chorus are but a few of the features. A hot bari sax part, too! This is nothing but fun to play! Optional expanded instrumentation. 10093163 Jazz Ensemble. . . . . . 52.00 Dindi—Antonio Carlos Jobim/arr. Rick Stitzel. Warm brass pads, beautiful orchestrations including bucket muted trumpets, guitar, and vibes, and lush sax scoring set the backdrop for this beautiful arrangement of the classic song. A perfect showcase for the tone and phrasing skills of your star vocalist! 11593027 Jazz Ensemble & Vocalist . . . . . . . . . . 55.00 Fables of Faubus—Charles Mingus/arr. Sy Johnson. Here's the classic Mingus chart in a version from the Simply Mingus series that exudes a sense of anger and sarcasm and definitely projects an edginess. The baritone sax and bass trombone will have fun with the opening, and there's plenty for the rest of the band to get excited about in this medium swing romp. Includes suggested solos and optional parts for flute, clarinet and French horn. 10033671 Jazz Ensemble. . . . . . 55.00 Family Guy Theme—Walter Murphy/arr. Roger Holmes. From the brash, irreverent and wildly popular television series Family Guy, comes this supercharged, big band style theme that swings hard! The tempo is medium, the style is swing and it features an alto sax solo and hot ensemble hits! 2482160 Jazz Ensemble. . . . . . 55.00 Fast Track Shuffle—Doug Beach. Here's a laid-back, fun, and hip shuffle that swings hard. With an infectious head, great unison writing, and a swinging sax soli, this chart will be an impressive and easygoing addition to your concert program. 11503724 Jazz Ensemble. . . . . . 55.00 Filthy McNasty—Horace Silver/arr. John LaBarbera. You'll like this one! It's a riff- style shuffle featuring a head for alto, trumpet and trombone that goes into a rompin' Bb blues. 2122463 Jazz Ensemble. . . . . . 55.00 Fly Me to the Moon—Bart Howard/arr. Allen Gray. Oh, jazz standards just don't get any better than Bart Howard's Fly Me to the Moon! This chart pays homage to the great Count Basie band and their iconic version with Frank Sinatra. With a subtle swingin' opening, this chart builds into a big tutti section before there's room for improvised solos. Finally, the band enters again to swing it hard all the way to the end. This one's got to be in your jazz library. Highly recommended! 10752071 Jazz Ensemble. . . . . . 65.00 Foundation Issues—Paul Baker. This hard-swinging 12-bar blues features acoustic bass in a Thad Jones-inspired setting. It cooks right along and the ensemble provides solid support for the bass soloist. At a tempo of 140 bpm, this chart provides a very accessible opportunity for the unsung hero of the rhythm section to shine. Soprano sax leads the sax section. A unique and very cool trombone section plus bass soli is wrapped between solos for trumpet, soprano sax and bass before heading into the shout chorus. Brass ranges: trumpet to written high C and trombone to G-flat. Bass features are hard to find, and this one is outstanding! 10999402 Jazz Ensemble. . . . . . 50.00 Full House—Wes Montgomery/arr. Mike Kamuf. This exciting jazz waltz swings all the way! The melody is stated by tenor and trombone moving into two solo sections: trombone 1 and trumpet 2, then alto 1 and tenor 1 followed by a drum solo. An interlude builds into a reprise of the melody. An outstanding chart! (5:00) 11570904 Jazz Ensemble. . . . . . 55.00 Full Steamin'—Dave Hanson. Wow! This chart swings from top to bottom. The vibe of Don Menza's tune for Buddy Rich Groovin' Hard is at the heart of this new chart. It's a great opener or closer for a festival performance! 11615252 Jazz Ensemble. . . . . . 55.00 Haitian Fight Song—Charles Mingus/arr. Andrew Homzy. Featuring a dark intensity and a powerful unison riff figure in minor, this medium swing chart is a great showcase for your bass player as well as the trombone section. The harmonic structure is quite simple, but the depth of the arrangement comes from the thematic layers that are continually added throughout. Written solo (or soli) sections are included for the trombones and trumpets as well as notated piano voicings and bass lines. The brass ranges are moderate and optional parts are included for flute, clarinet and F horn. Here is an exciting Mingus gem for your band! Highly recommended! 10005180 Jazz Ensemble. . . . . . 55.00 Hay Burner (Full Score Edition)—Sammy Nestico. Sammy Nestico loved horses, and many of the titles he chose for his music reflect that love - Hay Burner is a perfect example. Aside from being a no-nonsense straight-ahead swing chart, there is also a tip of the hat to country music. As with all of Sammy's music, there is ample opportunity to show off the dynamic shadings that are available in a big band. 11576718 Jazz Ensemble. . . . . . 60.00 Hey Pachuco!—arr. Shane Porter. Your students and audiences will love this burning swing tune made famous by Royal Crown Revue. The groove is set up with a drum solo laying down a Sing, Sing, Sing Krupa feel before the band enters. A trumpet with plunger solo leads into a sax soli section. Next, the trumpet section is featured on a soli section before a half- time feel gives the brass a chance to shine. Returning to the original groove, a written solo for tenor sax heightens the excitement. Finally, there's an open drum solo before the band enters and takes it on home. Pure excitement! 10050989 Jazz Ensemble. . . . . . 55.00 Honeysuckle Rose—Thomas "Fats" Waller/arr. Paul Baker. Here's a swingin' jazz classic played around 156 bpm with written suggested solos provided for alto sax 1 and trumpet 2 with cues for piano and trumpet 1. The sax soli, drum fills, a few familiar quotes, along with well-notated rhythm section parts all come together to create a fine chart that will make developing groups shine. A nice swing chart done well! 10997198 Jazz Ensemble. . . . . . 50.00 How High the Moon—Morgan Lewis/ arr. Dave Wolpe. Now this is classy! Dave Wolpe puts the trombones out front in this solid swinger, and boy do they sound great carrying the tune! This sits comfortably for bands at the medium level, and three of your bone players get a chance to solo, with suggested solos offered. What a great chart! 2472224 Jazz Ensemble. . . . . . 52.00 Hurricane Season—Troy Andrews/arr. John Wasson. From the Trombone Shorty CD Backatown, this tune features the powerful underlying pulse of a New Orleans second line feel along with elements of contemporary rock. There's written or improvised solo space for trumpet. In this exciting chart, the ensemble alternately screams with the full band riffs, then settles into a simmering rhythmic groove. Also included are written bass lines and piano voicings. A real treat to perform and hear! 10490297 Jazz Ensemble. . . . . . 55.00 I Left My Heart in San Francisco—arr. Quincy Jones. Quincy Jones wrote some incredible arrangements on very popular tunes for the Count Basie Orchestra. As recorded on This Time By Basie, Quincy's arrangement of I Left My Heart in San Francisco features great interplay between the ensemble playing the melody, and the piano with written solo fills. With a tempo around 108 bpm, and a relaxed swing feel, there's also short solo space for tenor saxophone, and the ranges are very moderate. This chart is playable by a lot of bands. It's a true classic! Highly recommended! 10368506 Jazz Ensemble. . . . . . 55.00 I Mean You—Monk & Hawkins/arr. Mike Tomaro. Written by Thelonious Monk and Coleman Hawkins, this chart features a freewheeling, New Orleans-style street beat alternating with straight-ahead swing. Mike Tomaro's setting is unique and creative on this Monk classic. Trumpet and tenor share the melody, and solo space is included for trombone and piano with suggested solos included. Highly recommended! 10033678 Jazz Ensemble. . . . . . 55.00 I Will Wait For You—Micahel Legrand/ arr. Mark Taylor. Originally composed for the French musical The Umbrellas of Cherbourg and recorded by many great artists including Connie Francis and Chér, this swinging arrangement for vocals and jazz band seamlessly weaves in and out of a half-time swing/swing feel, features a great instrumental break and a brief Trumpet 2 solo. Key of A minor and Bb minor. 11617953 Jazz Ensemble. . . . . . 55.00 In the Mood—Joe Garland. This Glenn Miller classic is a must for every jazz band library! Carefully edited and available with a full score, this arrangement has everything you need to recreate the original including a trumpet solo, and a short call-and-response passage between the alto and tenor saxes. It's a guaranteed crowd-pleaser! 2090959 Jazz Ensemble. . . . . . 55.00

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