New Large Print A Cappella Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
Children's Community Choir | Concert Works
14
Hold (Love's True Glow)—Coleman Peterson.
With text adapted from a Sara Teasdale poem,
this original treble work is written in a duet style,
with accessible ranges suitable for children and
youth choirs as well as developing secondary
treble ensembles. It features legato melodic
lines, simple contemporary harmonies, and a
creative piano accompaniment that supports the
voices throughout.
11639337 SA . . . . . . . . . . . . . . . . . . . . . . . 2.55
Hope Is the Thing with Feathers—Victor C.
Johnson. Emily Dickinson's timeless poem
is set with grace and emotional depth in this
expressive piece featuring flowing melodies, rich
suspensions, and optional French horn obbligato.
A thoughtful choice for developing choirs ready
to explore more nuanced phrasing and harmonic
color. This title includes a downloadable Learning
Resource Page, created by Sing! editor Victor
C. Johnson, with National Standards for Musical
Education correlations, vocabulary, and extension
activities for use in the choral classroom.
11620379 Two-Part or SSA . . . . . . . . . . . . 2.25
I Saw What I Saw—Sara Groves/arr. Susan
LaBarr. "Your courage asks me what I'm afraid
of and what I know of love." Penned by singer-
songwriter Sara Groves, this song was inspired
by her thoughts after a trip to help people in need
overseas. Expressing empathy and compassion,
this choral adaptation with piano and optional
cello is a gorgeous concert setting that is timely
and impactful.
11618471 SSA . . . . . . . . . . . . . . . . . . . . . . 3.50
I Would Live in Your Love—Michael John
Trotta. Set with a simple melody that unfolds into
independent parts, this inspirational setting of Sara
Teasdale's Pulitzer Prize-winning text is a lovely
lyrical selection for treble choir. "I would empty
my soul of the dreams that have gathered in me,
I would beat with your heart as it beats, I would
follow your soul as it leads."
11638154 SA opt. divisi . . . . . . . . . . . . . . . 3.15
Il est bel et bon—Pierre Passereau/arr. Russell
Robinson. This classic French madrigal is a
teaching staple and concert highlight. Perfect
for teaching precision and independence of
line, this polyphonic Renaissance piece can be
performed a cappella or with the optional piano
accompaniment in the style of a lute. In French
throughout, and it's just fun to sing!
11611367 SSA opt. Piano Accomp.. . . . . . 2.25
In Noctem—Nicholas Hooper/arr. Andy Beck.
Featured in Harry Potter and the Half-Blood
Prince, this shadowy cinematic selection has
a secular text in both English and Latin. The
haunting minor-key theme is harmonized in
shimmering thirds that float above distant staccato
chanting, and a minimalist piano part mirrors the
film score's bell-like tones.
11613276 SSAA . . . . . . . . . . . . . . . . . . . . . 2.30
Joy! Joy!—Jacob Narverud. An ideal concert
opener or closer for treble choir, this bright and
cheerful setting of Pamelia Yule's exuberant
text features catchy melodic lines, bold cluster
chords, and lighthearted "la la la" refrains. The
rhythmic piano accompaniment supports the
voices throughout, making this a superb choice
for concerts, contests, and festivals. Lovely!
11631499 Two-Part or SA . . . . . . . . . . . . . 2.75
11631498 SSAA . . . . . . . . . . . . . . . . . . . . . 2.75
Kama Muta—Aaron Gage. Full of heart and
rich in meaning, this original work set in English
and based on the Sanskrit phrase kama muta
beautifully captures the feeling of the phrase,
which means "moved by love." With a flowing
piano accompaniment, soaring vocal lines,
memorable melodies, and optional djembe, it's a
powerful addition to any concert.
11641941 Two-Part . . . . . . . . . . . . . . . . . . 2.95
Let Us Sing—Sherry Blevins. Upbeat lyrics
celebrating the joy of singing set the tone for
this energetic piece. Well suited to treble choirs
developing early part-singing skills, it combines
fun with confidence-building harmony on the
concert stage.
11640800 Two-Part . . . . . . . . . . . . . . . . . . 2.15
Little Plant—Laura Hawley. Comparing a seed's
journey of growth to that of a child's, this original
text and setting is a lovely metaphor for personal
growth and flourishing. Gentle lilting melodies and
harmonies playfully interact and are supported
by a flowing piano accompaniment. It's an
approachable and artistic choice for treble choirs
of all ages.
11643039 SA . . . . . . . . . . . . . . . . . . . . . . . 2.50
Lorelei—Joseph M. Martin. The legend of Lorelei,
a winsome lady with an enchanting voice said to
live atop a rock on the Rhine River, comes to life in
this enchanting folk-like choral. The rise and fall of
the melody mimics the sway of the water, while an
expansive dynamic range provides the opportunity
for interpretive nuance and artistry.
11639998 SSA . . . . . . . . . . . . . . . . . . . . . . 2.75
Old Joe Clark (2025 Edition)—arr. Earlene Rentz.
Mixed and asymmetrical meters, countermelodies,
and open chords contribute to this energetic and
rhythmic arrangement of the popular folk song.
Clever and imaginative, this new edition features
an added violin part and adjustments throughout.
Please note that this edition and the original, while
similar, are not compatible.
11616650 Two-Part or SA w/ opt. Fiddle. . 2.50
3303203 Octavo- Old Joe Clark . . . . . . . 2.50
Omnis Terra—Ruth Morris Gray. An impressive
festival opener or closer, this Latin work offers a
mixed-meter setting with an exciting harmonic
structure. The middle section features lyrical
contrast with an English text, and a few well-
placed percussive handclaps reinforce the text
and add extra rhythmic impulse.
11613296 SSA . . . . . . . . . . . . . . . . . . . . . . 2.30
11613325 Multi-Song Accomp. CD-
PianoTrax 17 . . . . . . . . . . . . . 54.99
Salaam, Shalom (We Sing for Peace)—Mark
Burrows. Woven together like a rich cultural
tapestry, each of this song's two melodies draws
from scales found in both traditional Arabic music
and Hebrew prayer. An optional solo violin weaves
its own thread of longing and hope. "A hand
reaching out, a heart reaching out, a song that will
never cease. Salaam, shalom, we sing for peace."
11620869 Two-Part or SA w/ opt. Violin . . 2.30
Shady Grove—arr. Emily Crocker. Fun and
energetic, this arrangement of the Appalachian
folk song is written with accessibility in mind. The
fiddle part is integral to the piece, adding great
color and character, while the piano part propels
the piece forward and imitates the sound of a
string band. Body percussion is included in the
middle section for extra rhythmic excitement.
11640819 Two-Part w/ Violin . . . . . . . . . . . 3.20
11618222 SSA w/ Violin . . . . . . . . . . . . . . . 2.85
Shule Aroon—arr. Ruth Elaine Schram. Create
an authentic Celtic experience with your choir
when you perform this arrangement of the 18th-
century Irish folk song. A mixture of thoughtful
rubato and energetic rhythms, an Irish-language
chorus – written phonetically throughout – and an
optional violin obbligato all contribute to the lively
Celtic flavor and flair.
11641381 Two-Part or SA . . . . . . . . . . . . . 2.50
Song of the Oak—Molly Ijames. With the
effortless appeal of arching folk-like melodies,
this original lyrical work for treble choir portrays
the limbs of a stately oak. A flowing piano
accompaniment and optional solo violin round out
a musical journey highlighting the timelessness of
trees and the brevity of our own lives.
11643045 SSAA . . . . . . . . . . . . . . . . . . . . . 2.75
Music Stands
From sturdy conductor's stands to portable
options, J.W. Pepper has the right stand for
every musician.
Find the Perfect Music Stand
