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Children's Community Choir | Concert Works
15
This Little Light of Mine—arr. Sonny Willis. A
dynamite closer for treble choirs, this gospel-
style arrangement of a traditional spiritual is
easily learned and can work effectively for
concerts, festivals, or services. The driving piano
accompaniment and call-and-response sections
will make this piece a favorite among your
singers. Kick it up a notch by adding handclaps,
movement, bass guitar, and drum set.
11614311 SA or Two-Part. . . . . . . . . . . . 3.25
The Water Is Wide—arr. Andrew Parr. Flowing
legato lines and simple, effective harmonies
shape this gentle arrangement of the beloved
folk song, ideal for developing tone and breath
support. With flexible performance options for
unison or two-part harmony, it's a strong fit for
young choirs looking to build musicality through
expressive singing and accessible part work.
This title includes a downloadable Learning
Resource Page, created by Sing! editor Victor
C. Johnson, with National Standards for
Musical Education correlations, vocabulary,
and extension activities for use in the
choral classroom.
11620373 Unison/Two-Part. . . . . . . . . . . 2.25
Wild Mountain Thyme—arr. Andrew Parr. With
a gently lilting melody, this arrangement of the
beloved Celtic folk song has a delightful charm
with simple harmonies and parts that were
especially designed for developing singers. The
optional flute part adds a delicate touch over the
top of the texture.
11616823 Two-Part or SA
w/ opt. Flute . . . . . . . . . . . . . . 2.80
Wishing—Sarah Malin Young. Light and
lyrical, this original work set to a text by William
Allingham captures the spirit of daydreams.
Themes of nature, freedom, and homecoming
are woven throughout the text. With optional
piano support and accessible part writing, it's
a charming choice for treble choirs developing
musicality through expressive phrasing.
11626081 SSA opt. Piano Accomp. . . . . 2.80
Womankind—Emily Drum. Empowering and
timely, this original contemporary a cappella
concert piece celebrates feminine strength
through a bold, youthful text by 17-year-old Taylee
Heldt. It uses a modern pop style, encouraging
expressive vocal techniques like subtle swoops,
chest voice, and vocables. The steady 6/8 cajon
ostinato adds extra rhythmic drive.
11623400 SSAA w/ Cajon . . . . . . . . . . . . . 4.00
Where the Light Begins—
Susan LaBarr.
11174706 SSA. . . . . . . . . . . . . . . . . 3.20
Does the World Say?—
Kyle Pederson.
11392436 SA, SSA or SSAA . . . . . 3.20
Here Comes the Sun—
George Harrison/arr. Adam Podd
& Matt Podd.
11539753 Two-Part opt. SSA . . . . . 2.50
Storm—James M. DesJardins.
10735244 SA or Two-Part. . . . . . . . 2.50
Dance!—Robert T. Gibson.
11594332 Two-Part . . . . . . . . . . . . . 2.20
Grow, Little Tree—
Andrea Ramsey.
10425343 SA . . . . . . . . . . . . . . . . . . 2.55
Lunar Lullaby—Jacob Narverud.
10535552 SA . . . . . . . . . . . . . . . . . . 3.00
Sisi ni moja—Jacob Narverud.
10776380 SA . . . . . . . . . . . . . . . . . . 3.10
Firefly—Andy Beck.
10029937 Two-Part . . . . . . . . . . . . . 2.05
Flight—
Craig Carnelia/arr. Ryan Murphy.
11347942 SA divisi or SSA . . . . . . . 3.50
Begin Again—Daniel Brinsmead.
11618460 SA or SSA . . . . . . . . . . . 3.40
Crowded Table—
arr. Andrea Ramsey.
11196063 SSA. . . . . . . . . . . . . . . . . 2.75
Fly Away Home—Pinkzebra.
10679523 Two-Part . . . . . . . . . . . . . 2.65
11318363 Solo- Medium
High Voice . . . . . . . . . . . 4.99
11318364 Solo- Medium
Low Voice . . . . . . . . . . . 4.99
Riversong—Andy Beck.
10352529 Two-Part . . . . . . . . . . . . . 2.50
10088250 Multi-Song Accomp. CD-
PianoTrax #2 . . . . . . . . 44.99
11613325 Accomp. CD-
PianoTrax 17 . . . . . . . . 54.99
Ad Astra (To the Stars...)—
Jacob Narverud.
11501674 SA . . . . . . . . . . . . . . . . . . 2.50
10990329 SSA. . . . . . . . . . . . . . . . . 3.00
J'entends le moulin (I Hear the
Windmill)—arr. Emily Crocker.
10030298 Two-Part . . . . . . . . . . . . . 2.35
Sing to Me—Andrea Ramsey.
10291193 Two-Part . . . . . . . . . . . . . 2.75
The Dream Keeper (from "Trilogy
of Dreams")—Rollo Dilworth.
10011858 Two-Part . . . . . . . . . . . . . 2.65
The Fox—
arr. Blake Richter & Taylor Shaeffer.
11121872 SA . . . . . . . . . . . . . . . . . . 3.00
Three Quotes by Mark Twain—
Andrea Ramsey.
10080294 SA or Two-Part. . . . . . . . 2.55
A Million Dreams (from "The
Greatest Showman")—
Benj Pasek & Justin Paul/arr. Mac
Huff.
10873446 Two-Part . . . . . . . . . . . . . 2.95
Galop (from "Solfege Suite")—
Ken Berg.
10028692 Unison/Two-Part. . . . . . . 3.50
For Good (from "Wicked")—
Stephen Schwartz/arr. Mac Huff.
10752944 Two-Part . . . . . . . . . . . . . 2.50
11592906 Band Set & Score. . . . . 75.00
Al Shlosha D'varim—Allan Naplan.
3012796 SA or Two-Part. . . . . . . . 2.50
Dum spiro spero—Daniel Brinsmead.
11618465 SA or SSA
(opt. Descant). . . . . . . . . 3.50
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Concert Works
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