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Spirituals & Gospel
Children, Go Where I Send Thee—arr. Kevin
Phillip Johnson. An exciting, unique arrangement
of this wonderful African American spiritual, rich
in texture and vibrancy and sure to invigorate
any concert! With or without the rap section,
and supported by piano and optional bass and
percussion for three djembes and shaker, the
upbeat soulful groove established by the choir is
so fun to sing! The piano part is available as a free
download from the publisher website.
11611575 TBB . . . . . . . . . . . . . . . . . . . . . . 2.80
A Choice to Change the World—Kevin
Phillip Johnson. With powerful background
gospel harmonies, this piece affords numerous
opportunities to showcase soloists within the
context of a powerful, transformative message.
Including guitar and bass in the second verse, this
will bring positive, hopeful energy to any concert!
11611569 SATB . . . . . . . . . . . . . . . . . . . . . 2.50
For Unto Us—Christi Jones. Quoting Handel's
For Unto Us a Child Is Born from "Messiah,"
this energetic adaptation includes parts of the
traditional movement along with the same text in
a fun gospel style. The contemporary a cappella
interpretation brings a fresh perspective to the
classic work, sure to inspire singers and audiences
alike for Christmas performances.
11611579 SATB . . . . . . . . . . . . . . . . . . . . . 2.30
I Can' Tarry—arr. Stacey V. Gibbs. Rhythmic,
exciting, and full of energy, this unaccompanied
arrangement of a traditional spiritual is an
excellent concert selection for tenor-bass choirs.
With classic close a cappella harmonies, it will
make an ideal choice for small or large ensembles
to showcase blend and versatility.
11639335 TTBB . . . . . . . . . . . . . . . . . . . . . 2.90
I Know I Been Changed—arr. Stacey V. Gibbs.
Similar in style to Gibbs' arrangements of Now
Let Me Fly and Swing Low, Sweet Chariot, this
stunning arrangement highlights the conviction of
the traditional spiritual through rich choral textures
and a solid rhythmic drive. With slow cadence and a
minor key that expresses the longing for better days,
it allows more advanced treble choirs to explore the
historical context with musical sensitivity.
11640193 SSAA divisi . . . . . . . . . . . . . . . . 3.50
I Sing Because I'm Happy—arr. Kenneth
Padden/adapt. Rollo Dilworth. Adapted from
the gospel-style interpretation of the hymn His
Eye Is on the Sparrow originally performed and
recorded by the Georgia Mass Choir, this setting
is an inspirational choice for gospel, church, and
concert choirs.
11614978 SAB . . . . . . . . . . . . . . . . . . . . . . 2.65
I Wanna Be Ready—arr. Stacey V. Gibbs. A
spectacular setting of the traditional spiritual, this
a cappella arrangement brims with excitement and
harmonic energy throughout. Beginning in major,
it then moves to minor to portray the longing for
the future described in the text. A return to major
builds in excitement before a grand ending that will
thrill your singers and audience alike.
11609190 SATB divisi or SSAATTBB . . . . 3.50
I'll Fly Away—arr. Brandon Boyd. Ideal for
concerts and festivals, this gospel favorite is
given a fresh and contemporary setting. With an
uptempo groove, infectious vocal harmonies, a
fun piano accompaniment, and the option to add
electric bass and drums, your choir is sure to feel
and spread joy!
11638910 TTBB . . . . . . . . . . . . . . . . . . . . . 3.20
I'll Fly Away—Albert E. Brumley/arr. Jonathan
Rodgers. A showcase for treble choirs, this
arrangement of the gospel song breathes
new life and energy into a standard. Featuring
soloists and a small group throughout, this
spirited rendition is a cappella with exciting and
rhythmic harmonies that divide into many parts
layered throughout the arrangement.
11618472 SSAA divisi . . . . . . . . . . . . . . . . 3.40
In Bright Mansions Above/Deep River—arr.
Randy Jordan. Beautifully weaving together two
traditional spirituals, this arrangement honors the
rich emotional depth and profound legacy of these
timeless songs. Blending lush harmonies and
expressive phrasing to evoke themes of hope,
longing, and peace, this expressive work will be a
meaningful addition to any service or concert.
11611589 SATB . . . . . . . . . . . . . . . . . . . . . 2.30
Love Never Fails—Norma Jean Hughes. A
timeless reflection on the nature of love and
how we can apply it to everyone around us, this
original work in a modern gospel style is based
on the complexities of love through three vignettes
inspired by 1 Corinthians 13. Partnered with
a powerful message, it also features rhythmic
conviction, engaging piano lines, and accessible
vocal parts after an opening solo.
11613877 SATB . . . . . . . . . . . . . . . . . . . . . 3.55
My Lord, What a Mornin'—arr. Adam Podd &
Matt Podd. Balancing deep tradition with fresh
energy, this vibrant arrangement reimagines the
classic spiritual with the drive and spirit of modern
gospel music. Careful attention to ranges and
accessibility makes this possible for choirs of all
ages, and the creative harmonic writing makes this
a joy to sing!
11641783 SATB . . . . . . . . . . . . . . . . . . . . . 2.50
My Lord, What a Morning—arr. Baptiste
Trotignon & Susan LaBarr. Inspired by Reginald
Mobley's performance on the Grammy-nominated
album Because, this setting of the traditional
spiritual features jazz piano by Baptiste Trotignon
and warm vocal harmonies. A fresh take on a
beloved classic, this compelling arrangement
brings this important song to life in a new way.
11640200 TTBB . . . . . . . . . . . . . . . . . . . . . 3.40
Peace Like a River—arr. Victor C. Johnson.
Opening with a powerful optional solo, this soulful
adaptation of the familiar spiritual gives every
voice part a chance to shine. The full gospel
harmonies, rousing key change, and lively piano
accompaniment make this arrangement brim
with joy!
11613302 SATB . . . . . . . . . . . . . . . . . . . . . 2.30
Safety—Oscar E. Williams Jr. A gospel-inspired
anthem for choir with soprano solo, piano, and
optional orchestra. This work sets Psalm 91
alongside an original text to affirm God's protection
and refuge. Ideal for worship or concert use.
11642117 SATB . . . . . . . . . . . . . . . . . . . . . 3.30
Seeking Light—Brandon Williams. Charles
Anthony Silvestri's text honors the adventuresome
spirit of a life well lived and asserts that death is
merely another crossing point on a continuing
journey. The opening solo line blossoms into a
full choral texture that is well complemented by an
artistic piano accompaniment in this contemporary
inspirational selection.
11620677 SSAA . . . . . . . . . . . . . . . . . . . . . 3.25
Sometimes I Feel Like a Motherless Child—
arr. Baptiste Trotignon & Susan LaBarr.
Inspired by Reginald Mobley's performance on
the Grammy-nominated album Because, this
setting of the traditional spiritual features jazz
piano by Baptiste Trotignon and rhythmic vocal
harmonies. Connecting the spiritual to the Harlem
Renaissance of the early 20th century, this
stunning arrangement presents it in a new and
compelling way.
11640201 SATB . . . . . . . . . . . . . . . . . . . . . 3.50
Spiritual Quodlibets I-V—Ysaye M. Barnwell.
A quodlibet is a form of music with melodies in
counterpoint. This set of five quodlibets combines
several spiritual melodies woven together in
profound harmony. Though these were originally
taught by Dr. Barnwell in the oral-aural tradition,
they are now in a newly engraved edition,
updated by a scholarly committee dedicated
to Dr. Barnwell's works. Please see the list of
contents below.
11644024 SATB . . . . . . . . . . . . . . . . . . . . . 4.70
There Is a Balm in Gilead—arr. Benjamin
Harlan. A choral classic, now available in a
newly engraved updated edition with some new
interpretative markings, this expressive setting of
the traditional spiritual has been widely performed
since its original release. Beautiful flowing lines
and harmonies capture the essence of the hopeful
and redemptive text.
11643875 SATB . . . . . . . . . . . . . . . . . . . . . 2.75
Unity Song (We All Sing Together)—Robert
T. Gibson. In an energetic gospel style, this
original work has a text that expresses the joy
of singing, togetherness, and social and musical
harmony. The syncopated rhythms and stylized
accompaniment are fun to sing and play, and the
stacking bridge brings it to an exciting conclusion.
This piece is also available in the anthology
Accessible and Beautiful.
11613725 SATB . . . . . . . . . . . . . . . . . . . . . 3.95
Wade in the Water—arr. Jamey Ray. From
Voctave's arranger, this dynamic, modern
arrangement of the traditional spiritual offers fresh
harmonies and layered ostinatos in a rhythmic a
cappella setting. Designed for more advanced
divisi choirs, it offers an exciting challenge that will
captivate singers and audiences alike.
11611494 SATB . . . . . . . . . . . . . . . . . . . . . 2.50
Adult Community Choir | Spirituals & Gospel
