New Large Print A Cappella Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
16
Children's Community Choir | Multicultural
Multicultural
Au bois rossignolet (At the Nightingale
Woods)—arr. Marie-Claire Saindon. Sing this
energetic arrangement of a medieval French folk
song in either English or French. Replete with
vocables and percussion options, the versatile
a cappella arrangement will find a home in any
concert program for mixed or treble choirs.
11620621 SSA w/ Percussion . . . . . . . . . . 2.65
Boa noite, minha gente—arr. Daniel Afonso Jr.
Arranged for treble choir, this selection is based
on the folk song Boa noite, seu Rufino and is
inspired by the baiana, a vibrant folk celebration
from Brazil's northeastern state of Alagoas. Lively
rhythms are supported by percussion instruments
and body percussion, making this a captivating
selection for singers and audiences alike.
11617150 SSA divisi w/ Percussion . . . . . 4.40
Hashivenu—arr. Ruth Morris Gray. Beautifully set
with a flowing piano part, this arrangement of the
beloved Hebrew canon is a lyrical and expressive
concert selection for any time of year. It begins in
unison, then gradually goes to two and then three
parts, presenting an opportunity for easily learned,
elegant polyphonic harmony. The pronunciation
and translation are included.
11613270 Two-Part or SA . . . . . . . . . . . . . 2.30
11613325 Multi-Song Accomp. CD-
PianoTrax 17 . . . . . . . . . . . . . 54.99
Hashkiveinu—Reuben A. Burrows. Elegant and
lyrical, this simple setting of a traditional Hebrew
text has lovely vocal writing supported with a
flowing piano accompaniment. The lyrics are
a sweet and tender prayer for peaceful sleep
and to awaken in the morning. A translation and
pronunciation guide are provided.
11639548 SA . . . . . . . . . . . . . . . . . . . . . . . 3.95
Heartbeat—Kyle Pederson. Following in the
footsteps of his popular Hands Are Knockin', the
composer returns with another original containing
a positive and uplifting message. With a fun piano
part and speech-driven rhythms in a popular song
style, this piece contains a combination of original
lyrics in English and traditional Shona text from
South Africa. It's a perfect concert closer!
11615646 Two-Part or SA . . . . . . . . . . . . . 3.00
Kachi—arr. Randall Snyder. Celebrate the
holidays and the Lunar New Year with this
traditional Korean children's song about a bird
that brings good luck for the new year. A simple
melodic line is enhanced with accessible treble
harmonies, a rousing piano part, and optional
percussion that will thrill and delight.
11619295 SSA . . . . . . . . . . . . . . . . . . . . . . 2.75
Kama Muta—Aaron Gage. Full of heart and
rich in meaning, this original work set in English
and based on the Sanskrit phrase kama muta
beautifully captures the feeling of the phrase,
which means "moved by love." With a flowing
piano accompaniment, soaring vocal lines,
memorable melodies, and optional djembe, it's a
powerful addition to any concert.
11641941 Two-Part . . . . . . . . . . . . . . . . . . 2.95
Keresimesi Odun de O—arr. Andy Beck. Bright
and joyful, this Christmas song comes from
the Yoruba-speaking region of Nigeria. Perfect
for choirs of all ages and sizes, this a cappella
treatment features rich stacked harmonies,
optional solos, and lively percussion parts
characteristic of traditional Yoruba music.
11611125 SAB w/ Percussion . . . . . . . . . . 2.30
11611128 Two-Part w/ Percussion . . . . . . 2.30
11611126 SSA w/ Percussion . . . . . . . . . . 2.30
Koudjay—Sydney Guillaume. Now available
with an optional percussion accompaniment, this
original work sung in Haitian Creole is a great
choice to study the rhythms, harmonic style,
language, and culture of Haiti. The score includes
an English translation and IPA transcription.
11618455 SSA w/ opt. Percussion . . . . . . 3.40
Morning Song (Cherokee "Amazing Grace")—
arr. James E. Green. The familiar melody of
Amazing Grace holds great meaning to the
Cherokee people. In this wonderful choral setting,
it is sung with Cherokee words in combination
with the Morning Song of the Teehahnahmah
Indian Nation to create a compelling musical
expression of the ideals and desires of the
Cherokee Nation. This simple canon will be a very
rewarding experience for treble choirs in middle
school through high school, especially when
performed with recorder, flute or low whistle,
shaker or tambourine, and drum (parts included).
The excellent performance notes and translation/
pronunciation guide make it easy to achieve an
authentic performance. Highly recommended!
11618476 Two-Part w/ Recorder & Perc. . 3.00
Evocation (Mon-Nee-Joh)—Hye-Young Cho.
11556408 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.90
Human Heart—arr. Jennifer Lucy Cook.
11595103 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Meet Me in the Afterglow—Kate Crellin.
11641425 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Sometimes I Feel Like a Motherless Child—
arr. Baptiste Trotignon & Susan LaBarr.
11640201 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.50
Spiritual Quodlibets I-V—Ysaye M. Barnwell.
11644024 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.70
I Sit Before Flowers—Emile Deedes-Vincke.
11640793 SSATB divisi or SSAATTBB . . . . . . . . . . . . . . . . . . . . . . . . . . 3.60
If I Can Stop One Heart from Breaking—Patti Drennan.
11611356 SATB divisi or SSAATTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
Khattar Pattar (from "Sunao")—Reena Esmail.
11639574 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
WORKS BY
WOMEN
COMPOSERS
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Works by
Women Composers
Find more at jwpepper.com/women-composers
Let nothing stop you from singing!
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