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Children's Community Choir | Multicultural | Spirituals & Gospel
Oy Khodyt Son—arr. Sarah Martinez. A beautiful
lyrical selection, this arrangement of a traditional
Ukrainian lullaby offers both flexibility and the
opportunity to study the language, culture, and
style. With options to perform a cappella or
accompanied, with or without soloists, and with
an optional narration that expresses the text
in English, it is easily learned and accessible
to choirs of all ages. Both phonetic and IPA
pronunciation guides appear in the octavo, and
there is also a free pronunciation video available.
11641817 Two-Part or SA . . . . . . . . . . . . . 2.20
11503274 Munti-Song P/A CD-
PianoTrax 15 . . . . . . . . . . . . . . 44.99
Shule Aroon—arr. Ruth Elaine Schram. Create
an authentic Celtic experience with your choir
when you perform this arrangement of the 18th-
century Irish folk song. A mixture of thoughtful
rubato and energetic rhythms, an Irish-language
chorus – written phonetically throughout – and an
optional violin obbligato all contribute to the lively
Celtic flavor and flair.
11641381 Two-Part or SA . . . . . . . . . . . . . 2.50
Sizalelwe Indodana—arr. Victor C. Johnson.
Bring the spirit of celebration to life with this
arrangement of a traditional South African carol
that can be sung for Christmas or at any time of
year. With its infectious rhythms, rich harmonies,
and dynamic call-and-response sections, it is
accessibly arranged so that any choir can enjoy
it. It also includes notated parts for optional
percussion and clapping patterns as well as with
a pronunciation guide and translation for the brief
isiZulu text. This title includes a downloadable
Rehearsal Resource Page, created by Sing! editor
Victor C. Johnson, featuring a range chart, solfege
chart, vocabulary, preparation exercises, and
extension activities for use in choral rehearsals.
11620387 Two-Part . . . . . . . . . . . . . . . . . . 2.45
11620388 SSA . . . . . . . . . . . . . . . . . . . . . . 2.45
Two Brazilian Folk Songs—arr. Ana Paula
Miqueletti. Two traditional Brazilian folk songs
used for festive occasions are combined in this
set. With mostly unison lines, the syllabic writing
mimics an instrumental ensemble. Playful body
percussion enhances the texture along with the
piano accompaniment. Pronunciation assistance
for the Portuguese texts is included. The set
includes Sao Joao Dararao and Pai Francisco.
11618182 Unison/Two-Part . . . . . . . . . . . . 3.20
The Wanderer—Alex Wakim. In a modern style
with Arabic influence, this stark work channels the
raw emotions of displacement through powerful
lines, short Armenian chants, and percussive
elements. Inspired by the haunting text of poems
from the Armenian genocide in both Armenian
and English, this original work captures the
rage, sorrow, and fear of being torn from one's
homeland. A transliteration and pronunciation
guide for the Armenian text is provided.
11617238 SSA . . . . . . . . . . . . . . . . . . . . . . 2.95
Wasure Yawa Suru—Ruth Morris Gray. Seeking
to honor Japanese language and culture, this
simple setting of a well-known poem from 100
Verses from Old Japan is an ideal choice for
developing choirs. The pentatonic melody is
memorable and easily learned, and the text
alternates between Japanese and English with a
pronunciation guide and translation given.
11641442 Two-Part . . . . . . . . . . . . . . . . . . 2.30
Spirituals & Gospel
Byem' Bye—arr. Maya Cooper. Calm and
serene, this arrangement of the traditional African
American spiritual reveals the mystery of the stars
coming out one by one in the night sky. The text
follows a repetitive pattern as it counts stars, while
an ethereal piano accompaniment highlights a
feeling of illumination and wonder.
11620696 Two-Part or SA . . . . . . . . . . . . . 2.50
Climbin' Up the Mountain—arr. Russell Robinson.
Creative yet accessible, this well-crafted
arrangement of a traditional spiritual features a
rhythmic vocal ostinato that allows each section to
shine as they sing the melody. With the opportunity
for a solo or small group over the final chorus and
some well-placed handclaps, it builds in harmonic
texture and excitement for a big ending – ideal as
an opener or closer.
11620315 SA or Two-Part . . . . . . . . . . . . . 2.65
Every Night When the Sun Goes In—arr.
Douglas E. Wagner. Two beloved American
melodies come together in this upbeat partner
song with lively piano accompaniment and joyful
vocal lines. A charming option for singers new to
harmony, this arrangement of Every Night When
the Sun Goes In with Swing Low, Sweet Chariot
offers accessible writing with just a touch of part-
singing at the end.
11620333 Two-Part . . . . . . . . . . . . . . . . . . 2.25
Get on Board, Little Children—arr. Andre J.
Thomas. A traditional spiritual in a stylized gospel
setting, this arrangement is designed for all voice
parts, with unison lines to suit choirs of any size and
skill level. True to Thomas' style, the piano brings
beautiful harmonies, rhythmic energy, and gospel
flair. It's a wonderful concert addition or closer!
11613867 SSA . . . . . . . . . . . . . . . . . . . . . . 3.30
He's Got the Whole World in His Hands—arr.
Rollo Dilworth. Ideal for choirs of all ages, this
sensitive arrangement of the well-known spiritual
is set in a gospel style with a slow groove. Whether
you choose to sing the unison voicing or the three-
part treble, everyone has a chance to sing the
melody. The supportive piano accompaniment
adds authenticity to the soulful choral writing.
11641949 Unison . . . . . . . . . . . . . . . . . . . . 2.65
I Know I Been Changed—arr. Stacey V. Gibbs.
Similar in style to Gibbs' arrangements of Now
Let Me Fly and Swing Low, Sweet Chariot, this
stunning arrangement highlights the conviction of
the traditional spiritual through rich choral textures
and a solid rhythmic drive. With slow cadence and a
minor key that expresses the longing for better days,
it allows more advanced treble choirs to explore the
historical context with musical sensitivity.
11640193 SSAA divisi . . . . . . . . . . . . . . . . 3.50
I'll Fly Away—Albert E. Brumley/arr. Jonathan
Rodgers. A showcase for treble choirs, this
arrangement of the gospel song breathes
new life and energy into a standard. Featuring
soloists and a small group throughout, this
spirited rendition is a cappella with exciting and
rhythmic harmonies that divide into many parts
layered throughout the arrangement.
11618472 SSAA divisi . . . . . . . . . . . . . . . . 3.40
Peace Like a River—arr. Victor C. Johnson.
Opening with a powerful optional solo, this soulful
adaptation of the familiar spiritual gives every
voice part a chance to shine. The full gospel
harmonies, rousing key change, and lively piano
accompaniment make this arrangement brim
with joy!
11613305 Two-Part . . . . . . . . . . . . . . . . . . 2.30
11613304 SSA . . . . . . . . . . . . . . . . . . . . . . 2.30
Seeking Light—Brandon Williams. Charles
Anthony Silvestri's text honors the adventuresome
spirit of a life well lived and asserts that death is
merely another crossing point on a continuing
journey. The opening solo line blossoms into a
full choral texture that is well complemented by an
artistic piano accompaniment in this contemporary
inspirational selection.
11620677 SSAA . . . . . . . . . . . . . . . . . . . . . 3.25
This Little Light of Mine—arr. Sonny Willis. A
dynamite closer for treble choirs, this gospel-
style arrangement of a traditional spiritual is
easily learned and can work effectively for
concerts, festivals, or services. The driving piano
accompaniment and call-and-response sections
will make this piece a favorite among your
singers. Kick it up a notch by adding handclaps,
movement, bass guitar, and drum set.
11614311 SA or Two-Part . . . . . . . . . . . . . 3.25
Walls Come Down—Lisa Clayton. Combining
her experience as a gospel artist and school
music teacher, the composer has created this
encouraging, high-energy original that absolutely
rocks! The opening ostinato builds in intensity as
more voices join in powerful harmony, leading to
a contrasting verse and a step up to a brighter key
before the big finish. "Just like in Jericho ... walls
are tumblin' down!"
11641850 Two-Part . . . . . . . . . . . . . . . . . . 2.20
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