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Collegiate Choir | Concert Works
23
Little Lamb—Alvez Barkoskie. Reflective and
hymnlike, this tender a cappella setting of William
Blake's The Lamb features sustained lines, warm
harmonies, and a graceful soprano solo option. A
beautiful fit for more advanced choirs looking to
add a melodic, delicate moment to round out any
concert program.
11626074 SATB . . . . . . . . . . . . . . . . . . . . . 2.80
Little Rose—Chris Wallitner. Encouraging original
lyrics are serenely set to music in this a cappella
tenor-bass feature. Perfect for concerts and
festivals, lush harmonies are complemented with
the words "You are not alone, little rose, for I am
right here beside you."
11615651 TTBB . . . . . . . . . . . . . . . . . . . . . 2.55
Lux veritatis (Light of Truth)—Daniel J. Hall.
A setting of sacred text from the Latin credo
and Psalm 148, this selection uses a synthesis
of styles to express ideas of joy and praise. A
dynamic work for treble choir, the work features
mixed and asymmetrical meters, exciting rhythms,
full harmonies, and an optional percussion part.
An exciting concert opener or closer!
11640198 SSAA divisi . . . . . . . . . . . . . . . . 3.95
Media vita—Kerensa Briggs. Commissioned
to celebrate 500 years since the birth of English
Renaissance composer John Sheppard, this
piece draws inspiration from the expansiveness
and the intensity found within Sheppard's famous
setting. The meaning of the text from Antiphona de
Morte is artfully expressed through rich harmonic
language and reflective sonority. "In the midst of
life we are in death."
11612787 SSAATTBB . . . . . . . . . . . . . . . . 2.65
Memento Rerum (Op. 3, 1670)—Isabella
Leonarda/ed. Andrew Bruhn. Written as a canon
by the historically underrepresented composer
Isabella Leonarda, the soprano and tenor parts
are identical, as are the alto and bass parts. This
beautiful work offers an excellent introduction to
polyphony and is suitable for any time of the year.
11617170 SATB . . . . . . . . . . . . . . . . . . . . . 3.25
Miracles—J.D. Frizzell. An artistic, free-flowing
setting of an Elizabeth Rooney text, this concert
work for mixed or treble choir offers a modern
harmonic touch. Shifting meters and tonality give it
a meterless feel, while the speech-driven melodic
writing highlights the insightful lyrics.
11641379 SATB . . . . . . . . . . . . . . . . . . . . . 2.30
Morgen!—Richard Strauss/arr. Patrick Vu. A
poignant setting of a German love poem by John
Henry Mackay, this late Romantic solo lied was
one of Strauss' most well known. Adapted here
for mixed choirs with optional string quartet, the
rich harmonies, dramatic setting, and the lyrical
melody with its expressive piano accompaniment
are preserved from the original.
11617173 SATB divisi,
opt. String Quartet . . . . . . . . . . . 3.30
Musik, an die Musik—Kate Janzen. Franz
von Schober's ode to music is given a warm
and modern setting with a romantic piano
accompaniment. Colorful harmonies move
through varied tonal centers before coming to a
gentle resting point at the close of the piece.
11617174 SATB . . . . . . . . . . . . . . . . . . . . . 3.55
O Vos Omnes—Pablo Casals.
981811 SSAATTBB. . . . . . . . . . .1.50
Let Me Listen—Dan Forrest.
11514058 SATB . . . . . . . . . . . . . . .2.75
Let My Love Be Heard—
Jake Runestad.
10535709 SATB . . . . . . . . . . . . . . .3.99
Truth—Andrea Ramsey.
10648346 SSA. . . . . . . . . . . . . . . . .2.50
Pure Imagination—
Leslie Bricusse & Anthony Newley/
arr. Matthew Nielsen.
10477008 SATB . . . . . . . . . . . . . . .3.00
O Radiant Dawn—James MacMillan.
10185368 SATB . . . . . . . . . . . . . . .4.50
Invitation to Love—
Marques L. A. Garrett.
10794438 SSA. . . . . . . . . . . . . . . . .2.60
Leron Leron Sinta—
arr. Saunder Choi.
10437526 SATB . . . . . . . . . . . . . . .2.60
The Sun Never Says—Dan Forrest.
10980701 SATB, opt.
Cello Obbligato. . . . . . . .2.50
Arise, Beloved!—
Rosephanye Powell.
10356620 SATB . . . . . . . . . . . . . . .2.95
Leap Free of the Cage—
Connor J. Koppin.
10830617 SATB . . . . . . . . . . . . . . .2.70
Ubi Caritas—
Maurice Duruflé/arr. J. Mark Baker.
3301634 SATB . . . . . . . . . . . . . . .2.65
O Nata Lux—Guy Forbes.
10047517 SSAATTBB. . . . . . . . . . .3.00
The Lord Is My Shepherd)
(Psalm 23—Howard Goodall.
8070275 SATB . . . . . . . . . . . . . . .3.50
Masquerade—Ed Lojeski.
1731900 SATB . . . . . . . . . . . . . . .2.75
Hallelujah (from "Mount of
Olives")—Ludwig van Beethoven.
916494 SATB . . . . . . . . . . . . . . .2.10
I Am the Rose of Sharon—
Ivo Antognini.
10279074 SSAATTBB. . . . . . . . . . .3.00
Sunday (from "Sunday in
the Park with George")—
Stephen Sondheim/arr. Mac Huff.
10092879 SATB . . . . . . . . . . . . . . .2.50
Come to Me—Ivo Antognini.
11392263 SATB divisi
or SSAATTBB . . . . . . . . 2.80
A Gaelic Blessing—John Rutter.
1307933 SATB . . . . . . . . . . . . . . .3.95
4825725 3-5 Oct. Handbells . . . . .3.99
Across the Vast, Eternal Sky—
Ola Gjeilo.
10357012 SSAATTBB. . . . . . . . . . .3.60
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