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Spirituals, Gospel & Southern Gospel
How Can I Keep from Singing? (A Gospel
Setting)—Greg Gilpin. The traditional text
is positively supercharged with gospel-
style music in this marvelous new look at
a timeless American poem. This one has it
all – a wide-open solo for your best gospel
singer, an accompaniment that's fine as is
or can be embellished at will by your pianist,
and handclaps from the very first measure
that'll quickly spread through your audience
or congregation. A joyous gospel experience!
10352316 SATB . . . . . . . . . . . . . . . . 2.50
3298161 Three-Part Mixed . . . . . . 2.50
10352293 Two-Part . . . . . . . . . . . . . 2.50
10192345 SSA . . . . . . . . . . . . . . . . . 2.50
11370904 TTB . . . . . . . . . . . . . . . . . 2.50
I Bless Your Name—Elizabeth Goodine/
arr. Bradley Knight. A worshipful ballad
receives a fresh sound in this choir-
centered arrangement. Featuring soloist-
led opening verses followed by choir and
soloist together, it emphasizes blessing
God in every circumstance through the
repeated phrase "I bless Your name."
Accessible vocal writing and thoughtful
repetition create a powerful, unified moment
of congregational-style worship.
11680334 SATB . . . . . . . . . . . . . . . . 2.25
11680335 SATB Accomp. CD. . . . 26.99
I Sing Because I'm Happy—arr. Kenneth
Padden/adapt. Rollo Dilworth. Adapted
from the gospel-style interpretation of the
hymn His Eye Is on the Sparrow originally
performed and recorded by the Georgia
Mass Choir, this setting is an inspirational
choice for gospel, church, and concert choirs.
10451977 SATB . . . . . . . . . . . . . . . . 2.65
11614978 SAB . . . . . . . . . . . . . . . . . 2.65
10928292 Two-Part or SA . . . . . . . . 2.65
10573396 Three-Part Treble
or SSA . . . . . . . . . . . . . . . 2.65
I'll Fly Away—Albert E. Brumley/arr.
Joel Raney. Brimming with nostalgia, this
Southern hymn medley features snippets of
many well-loved gospel greats, all centering
on heaven, beginning and ending with "I'll
fly away, O glory!" Choirs will have fun with
this delightful toe tapper, and the exciting
rhythm parts will take it to the next level.
11683024 SAB . . . . . . . . . . . . . . . . . 3.45
10425506 P/A CD . . . . . . . . . . . . . 29.95
10425507 Instrumental Parts:
Rhythm . . . . . . . . . . . . . 22.95
I'll Fly Away—Albert E. Brumley/arr. Faith
Zimmer. Embrace this fun-to-sing bluegrass
arrangement of the old gospel song for
mixed or tenor-bass choirs. It may be
performed with piano and fiddle or with a full
bluegrass band – the fiddle part is included
in the octavo, and lead sheets are available
for the bluegrass band on the publisher's
website. It's an upbeat and joyful addition
to any concert or service.
11567951 SATB divisi . . . . . . . . . . . 3.50
11567952 TTBB divisi . . . . . . . . . . . 3.50
I'll Fly Away—arr. Craig Courtney. This
wonderful arrangement of the old gospel
favorite by Albert E. Brumley will both
please and delight your congregation. A
challenging, exciting, yet accessible four-
hand accompaniment will be a treat for
your more accomplished musicians and will
provide life and lift to the singers.
10667323 SATB . . . . . . . . . . . . . . . . 2.95
10667324 SSAA. . . . . . . . . . . . . . . . 2.95
10667325 TTBB . . . . . . . . . . . . . . . . 2.95
I'm Gonna Keep On Singin'—Andraé
Crouch/arr. Bradley Knight. This refreshed
arrangement brings new life to the classic
song while remaining singable and
accessible. The piece begins with SATB
choir alone, then introduces a soloist
echoed by the choir throughout sections
of the verses and chorus. Especially fitting
for a missions service, the message calls
believers to keep singing and boldly share
Jesus with the world.
11680340 SATB . . . . . . . . . . . . . . . . 2.25
11680341 SATB Accomp. CD. . . . 26.99
If My People—Dwan Hill, Calvin Nowell &
Ben Shive/arr. Cliff Duren. From Dwan Hill
and The Choir Room comes this powerful
song that beautifully captures the heart of
2 Chronicles 7:14. This gospel ballad is
a great choice for any worship gathering
centered on prayer and repentance. The
arrangement is for solo and choir.
11642365E SATB ePrint . . . . . . . . . . 2.89
In His Hands—arr. Tim Osiek/ed. Dan
Forrest. Gentle piano gestures underscore
a new melody for the traditional spiritual's
words of comfort and assurance, "He's got
the whole world in His hands." Choir and
audience alike will be assured of God's
comfort, love, and protection by this folk-
like setting.
11395403 SATB . . . . . . . . . . . . . . . . 2.50
It Matters to the Master (with Leaning
on the Everlasting Arms)—Rachel
McCutcheon/arr. Russell Mauldin. Made
popular by one of southern gospel's most
loved groups, the Collingsworth Family,
this song is arranged as a gentle, moving
anthem that encourages us to take all
of our burdens, joys, trials, and triumphs
to the Master. We are His children and
are precious to Him – if it matters to us, it
matters to the Master.
11628311 SATB. . . . . . . . . . . . . . . . . . 1.99
11628312 Accompaniment CD . . . . . 34.99
11628313 Orchestration CD-ROM . . 79.99
Jesus Is the Answer—Andraé Crouch &
Sandra Crouch/arr. Bradley Knight. This
timeless gospel declaration shines in a
strong SATB setting, boldly proclaiming
Christ as our hope in every season. Verses
are led by a soloist, with the choir joining on
repeated, worship-driven choruses and solo
ad libs. Accessible writing, tight harmonies,
and thoughtful repetition make it easy for
both choir and congregation to confidently
affirm their faith.
11680348 SATB . . . . . . . . . . . . . . . . 2.25
11680349 SATB Accomp. CD. . . . 26.99
John 1—Rosephanye Powell/arr. Indiana
Bible College. Inspired by Rosephanye
Powell's "The Word Was God," this powerful
work was commissioned and arranged by
Indiana Bible College for its choral program
and quickly found an audience with choirs
around the world.
11689590 Three/Four-Part
or SAT or SATB . . . . . . . 4.65
John the Revelator (Traditional Gospel
Blues)—arr. Paul Caldwell & Sean Ivory.
If you have the choir and accompanist to
handle this, you must give it a serious look
because it is just phenomenal! In its original
form, the song stems from the Delta Blues
tradition, and was recorded by Blind Willie
Johnson and Son House during the 1920s
and 1930s. "O tell me who is that writin'?
John the Revelator...O tell me what is he
writin'? 'bout the Revelation...writin' in the
book of seven seals..." With vocal glissandi,
claps, stomps and stunning dynamics, this
is intense, and well worth the work you put
into it!
8061189 SSAATTBB . . . . . . . . . . . 2.90
Just Over in the Glory Land—arr. Cliff
Duren. This toe-tapping gospel favorite is
bursting with energy and classic southern
gospel flair. The fresh rhythmic treatments
and bold, celebratory choral writing bring
high spirit to this arrangement. Your choir
will love belting out this beloved classic!
11641219 SATB . . . . . . . . . . . . . . . . 2.75
11641220E SATB ePrint . . . . . . . . . . 2.75
11641224E Instrumental Parts:
Rhythm ePrint . . . . . . . . . 9.95
11641225E Orchestration ePrint . . . 69.95
Keep Yo' Lamps—arr. Rosephanye Powell.
A traditional field shout, singers will enjoy
learning this spiritual presented with care
and authenticity. Percussive part writing
supports the powerful melody, creating a
driving rhythm that will keep audiences on
the edge of their seats. It's a wonderful
programming option at any time of year.
11569224 SSATB . . . . . . . . . . . . . . 2.65
10067917 SSAA. . . . . . . . . . . . . . . . 2.65
Keep Your Lamps!—arr. André Thomas.
This exciting spiritual, with accompaniment
for high, medium, and low conga drums,
is an unusually appealing number suitable
for a wide variety of uses, from smaller
choirs to massed choir performances.
1428499 SATB . . . . . . . . . . . . . . . . 3.25
3303462 SSA with piano . . . . . . . . 3.05
10748272 TTBB . . . . . . . . . . . . . . . . 3.00
Keep Your Lamps Trimmed and Burning
—arr. Greg Gilpin. If you're looking for
something a little different to perform in
the spiritual style, take a close look at this
nicely rhythmic setting by Greg Gilpin.
Interlocking vocals sing over a pulsating
piano accompaniment that interprets a text
of joyous anticipation, awaiting the Lord's
coming. For school or church choirs, this is
a refreshing and satisfying work that will be
enjoyed by all who hear.
10452328 SATB . . . . . . . . . . . . . . . . 2.05
10089322 SAB . . . . . . . . . . . . . . . . . 2.10
3301917 Two-Part . . . . . . . . . . . . . 2.90
Leaning on the Everlasting Arms—
Anthony J. Showalter/arr. Sean Paul. Clap
your hands and praise the Lord with this
joyful arrangement of the traditional hymn.
A gospel-inspired accompaniment builds
as an optional solo opens the verse. The
choir joins in octave unison, then splits into
a rich harmony at the chorus. An electrifying
key change introduces a rhythmic swing,
leading to a lively vocal vamp and an
exciting finish. A master rhythm chart is
also available
11679734 SATB . . . . . . . . . . . . . . . . 2.55
11679735E SATB ePrint . . . . . . . . . . 2.55
11679743 Instrumental Parts:
CD-ROM Rhythm . . . . . 20.00
Let Everything That Hath Breath—Jeffery
L. Ames. It is impossible not to be inspired
by this soul-stirring gospel original. The
accompaniment is rock solid, and the choral
parts are incredibly gutsy, with dramatic
dynamic swells and accents that will shake
the rafters! "Magnify the Lord with me and
exalt His name together...Let everything
that hath breath praise the Lord!"
10017215 SATB . . . . . . . . . . . . . . . . 2.90
Praise
to the
Lord
