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General Liturgical Anthems
Lord of All Hopefulness—arr. David
M. Cherwien. This inspired setting of the
beloved hymn for treble voices features
melodic sensitivity and rich harmonies
that offer a fresh perspective on the
timeless text. The optional violin obligato
weaves an elegant counterpoint to elevate
the entire arrangement.
11640740 SSA w/ Organ . . . . . . . . . 2.90
11640741 Instrumental Parts:
Violin . . . . . . . . . . . . . . . . 6.00
May We Always Show Your Face—
Christian Cosas. Scored for two-part choir,
piano, guitar, and cello, this accessible
setting offers rich musical interest, shifting
between the Lydian mode and parallel
minor harmony. The tonal shading mirrors
the text's couplets – rising lines pleading
for God to show his face – answered by
descending motion calling us to reflect
that love to others. This text painting is a
poignant meditation on embodying the
Father's love in daily life.
11675519 Two-Part . . . . . . . . . . . . . 3.25
The Music of Living—Dan Forrest.
A dynamic opening selection for mixed,
treble, or tenor-bass choirs, this powerful
and inspirational piece with an original
text has an active and rhythmic piano
accompaniment that supports the strong
choral lines. Optional instrumental parts
for violin, horn, timpani, and percussion are
available to enhance the texture.
10304256 SATB . . . . . . . . . . . . . . . . 3.55
11597428 SSAA. . . . . . . . . . . . . . . . 3.30
10356635 TTBB . . . . . . . . . . . . . . . . 3.30
10427513 Instrumental Parts:
Violin, F Horn,
Percussion . . . . . . . . . . 55.00
My Beloved Sets for Me a Banquet
from Above—Benjamin M. Culli. Warm
and richly poetic, this communion text is
arranged with tender lyricism and gentle,
unfolding beauty. Moments of expressive
rubato and rising intensity culminate in a
confident proclamation of Christ's gracious
invitation to His feast. This anthem is an
excellent choice for Holy Communion,
Maundy Thursday, or any service
highlighting the comfort and generosity of
the Savior's Table.
11683227 SATB . . . . . . . . . . . . . . . . 2.90
A New Heart—Bob Hurd. Drawing directly
from scripture, this song explores God's
promise to transform our hearts as we
repent and return to him. Five verses explore
earthly struggles through an emphasis on
minor harmonies, answered by a major
key refrain that symbolizing the redemptive
power of God's forgiveness. Scored for
SATB choir, keyboard, guitar, and solo C
instrument, it's an ideal choice for Lenten
themes of reconciliation and renewal.
11675498 SATB . . . . . . . . . . . . . . . . 3.25
A New Jerusalem Arise—Kyle Pederson/
ed. Dan Forrest. This striking adaptation
foretells a future free from tears, hatred, and
injustice and provides a vision of a renewed
and redeemed earth: "A New Jerusalem
arise, a new creation come alive, into the
dawning after dark, arise!" A combination
of varied musical influences is skillfully
woven together for choir, piano, and
optional instruments including cello, organ,
handbells, and drum as well as optional
congregational involvement (congregational
handout included).
11395414 SATB . . . . . . . . . . . . . . . . 2.75
11594020 SSAA. . . . . . . . . . . . . . . . 2.75
11395415 Handbell Part . . . . . . . . . 3.95
11395416 Instrumental Parts:
Cello or String Quintet,
Drum & Organ. . . . . . . . 45.00
Now Praise the Keeper of Bright Heaven's
Realm—arr. Craig Kingsbury. This
exquisite arrangement of Orlando Gibbons'
Renaissance melody SONG 4 pairs SATB
choir, descant, organ, flutes, and cello with
an optional bodhran or hand drum for added
color. Set to a modern-language translation
of Caedmon's ancient text plus two original
verses by Harry Hagan, OSB. The setting,
with instrumental interludes between
verses, beautifully conveys themes of
creation, light, and God's power, offering a
radiant and expressive worship experience.
11675520 SATB w/ Organ. . . . . . . . 3.55
O God of Life—Alan Wiseman. This
anthem combines an ancient Gaelic prayer
with the English translation of the Kyrie. The
Mixolydian melody hearkens back to Gaelic
tradition and the many generations of praying
faithful who precede us. It should be sung so
that each phrase crashes like waves, one
after the other, on the ears of God.
11642168 SATB . . . . . . . . . . . . . . . . 2.90
O God, You Saw My Early Being—Robert
A. Hobby. This accessible and expressive
anthem designed for small to medium-sized
church choirs includes an optional part for
congregational singing. The setting offers
thoughtful choral writing that supports
confident singing and a text that speaks
clearly. It is appropriate for general use
throughout the church year.
11682255 SATB w/ Organ. . . . . . . . 3.00
11682256 Instrumental Parts:
Oboe . . . . . . . . . . . . . . . . 6.00
O Holy Spirit, Root of Life—Thomas
Keesecker. This vibrant Pentecost anthem
is based on the hymn tune
PUER NOBIS. It
is scored for SAB or SATB choirs singing
a cappella. The flute or violin part adds a
dance-like energy, mirroring the Spirit's
lively presence. It is a wonderful addition
for Pentecost Sunday or sung as an introit
during general seasons.
11642702 SAB . . . . . . . . . . . . . . . . . 2.50
O Sacrum Convivium—Sarah K. May.
Sung entirely in Latin, this modern motet
is a heartfelt setting of St. Aquinas'
classic Eucharistic text. Imitative writing
in the middle section balances the modal
harmonies of the outer sections. The
difficulty level is very accessible. It is
appropriate as a post-Communion reflection
or during the feast of Corpus Christi.
11640501 SATB . . . . . . . . . . . . . . . . 3.25
On the Highway—Margaret Burk. The
imagery of windows, saints, and organs
evokes the idea of a "thin place" and the
transformation we experience. The Lydian
harmonies evoke a sense of holiness,
newness, and prayer. The ostinatos
represent the cloud of witnesses who
have gone before us. This celebration
of community and music brings heaven
and earth so close that we cannot help
but be changed.
11640745 SATB . . . . . . . . . . . . . . . . 3.20
11640746 Full Score . . . . . . . . . . . 23.00
11640747 Instrumental Parts. . . . . 45.00
Our Cheerful Songs—David von
Kampen. Bright, rhythmic, and full of
praise, this anthem offers a joyful setting
of Isaac Watts' exuberant text. The
energetic a cappella writing gives smaller
choirs confidence. Repeated refrains build
momentum throughout, allowing choirs to
lift their voices in praise and proclamation
of the Lamb's victory.
11683229 SAB . . . . . . . . . . . . . . . . . 2.00
Pax Peace – from "Dona nobis pacem"—
Allan Robert Petker. Pax ("Peace") is
the second movement from the larger
work "Dona nobis pacem." Abraham
Lincoln's words call us to strive for peace,
beginning with stately dignity and building
to a triumphant "Amen." Effective with
piano or organ, it is also available in
two orchestral versions. The opening
movement, Lux ("Light"), is available
separately. It is ideal for worship services
and concert performances.
11670086 SATB . . . . . . . . . . . . . . . . 3.30
Pentecost—Eurydice V. Osterman. This
anthem with organ accompaniment and
oboe takes its words from a poem by
William Blake. Melodically, the tune is
simple, with frequent harmonic shifts and
deceptive cadences that might make it
sound more difficult than it really is.
11642170 SATB . . . . . . . . . . . . . . . . 2.90
Pie Jesu—Michael Larkin. This setting is an
accessible and very moving arrangement of
a traditional movement from the Requiem
Mass. The piece begins with a lovely
melodic statement by sopranos, then
develops more fully as additional voices
join. It is very appropriate for All Saints or
memorial services.
11682259 SATB . . . . . . . . . . . . . . . . 3.00
Salvation unto Us Has Come—Benjamin
M. Culli. This grand festival setting unfurls
the
ES IST DAS HEIL tune with power and
theological depth. Majestic interludes
and an exultant final stanza bring choir,
congregation, and instruments together
in a thrilling doxological conclusion. Ideal
for Reformation, festival services, hymn
festivals, and any occasion celebrating the
triumph of the gospel.
11683233 SATB w/ Organ. . . . . . . . 4.40
11683234 SATB Full Score . . . . . . 62.00
See No Stranger—Sarah Quartel. A
poignant setting of a text by Angier Brock
invites us to reflect on how we receive
the image of God in others. Gentle and
accessible, the piece centers on themes of
faithful living, hospitality, and reconciliation
as it encourages us to forgive our foes. A
supportive and flowing accompaniment
underpins the choir.
11639606 SATB divisi . . . . . . . . . . . 4.25
Silence! Frenzied, Unclean Spirit—arr.
Keith Kalemba. This arrangement was born
out of a need for a simple choral reflection
on the Gospel of Mark 1:21-28. Jesus
drives out an unclean spirit from a man in
the synagogue. The hymn addresses the
unclean spirit; the sturdiness of the Latvian
folk tune
KAS DZIEDAJA provides the basis
for the setting of the hymn.
11642173 Two-Part Mixed. . . . . . . . 2.80
Sing We Merrily—Howard Helvey. This
setting of Psalm 81:1-4 radiates celebration
with its jubilant choral parts and festive
organ accompaniment. It is a perfect
anthem for any service calling for joyful
praise and energy.
11640758 SATB w/ Organ. . . . . . . . 3.20
Sometimes Our Only Song Is Weeping—
David M. Cherwien. The powerful text and
haunting tune of this hymn are masterfully
set for choir, solo, cello, and optional
assembly. Each stanza begins with a
solo voice supported by the choir in block
chords leading to full ensemble singing.
The cello beautifully complements the
singing and weaves a poignant sighing
motive throughout.
11642703 SATB . . . . . . . . . . . . . . . . 2.50
Splendor (from "Illuminare")—Elaine
Hagenberg. The opening movement from
the larger work "Illuminare" set on Saint
Ambrose's Latin text radiates majestic
energy that heralds the arrival of Light and
a joyful "Gloriae" section. A brief contrasting
section of legato singing brings a peaceful
release before returning to the vibrant
momentum present in the opening. A
wonderful work that stands on its own as a
strong statement for mixed choirs.
11397312 SATB divisi . . . . . . . . . . . 3.25
11411183 Chamber Orchestra
Score & Parts . . . . . . . . 45.00
St. Teresa's Prayer—Jeffrey Honore.
This setting of the well-known prayer
of St. Teresa of Avila complements the
SSA setting with the addition of a more
independent bass voice. Both settings
can be sung together seamlessly. The
choral work is short enough for a variety of
uses throughout liturgies where themes of
discipleship and mission are highlighted.
11640483 SATB . . . . . . . . . . . . . . . . 2.95
10463542 SSA . . . . . . . . . . . . . . . . . 2.95
