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106
Multicultural Songs for Adult Choir
Multicultural Songs
for Adult Choir
African Psalm—Victor C. Johnson.
With lively call and response, options for
percussion, and repetition to enable quick
learning, this energetic arrangement of a
traditional Zambian folk song will have your
choir and congregation responding to the
call. Simple, well-written and effective. Not
to be missed!
10601337 SATB . . . . . . . . . . . . . . . . 3.20
10882035 SAB . . . . . . . . . . . . . . . . . 3.20
10601338 P/A CD . . . . . . . . . . . . . 29.95
An African Worship Song—Joseph M.
Martin & John R. Paradowski. Based on
the Ghanaian folk song Nanuma, this
anthem highlights important elements of
worship: praising God in song, praying,
and going forth to share God's love.
Written for children, youth, and adults, the
piece can be sung by one choir or multiple
choirs for a multigenerational presentation.
Handclaps, percussion instruments, and a
rhythmic piano accompaniment join with
other options to create an unforgettable
multicultural experience.
11376214 SATB . . . . . . . . . . . . . . . . 2.35
11376213 Unison/Two-Part . . . . . . . 2.95
Amazing Grace with Praise, Praise,
Praise the Lord—arr. Becki Slagle Mayo.
Filled with joyful rhythm, the merging of two
favorites makes for a winning combination!
The piece opens with a Cameroon
processional that transitions seamlessly into
the beloved hymn with jubilant energy. The
optional harmony is a wonderful stepping
stone for emerging part singers. Parts for
optional conga and maracas are included.
11595528 SATB . . . . . . . . . . . . . . . . 3.25
11347630 Unison/Two-Part . . . . . . . 3.25
Blessing (A Hebrew Prayer)—Ari Fraser/
arr. Michael John Trotta. Beginning with
a solo or small group of singers, this
contemporary choral setting of an ancient
Hebrew prayer from the Shabbat morning
service provides ample opportunity for
expressive singing and melodic artistry for
mixed choirs. The translation, transliteration,
and pronunciation guide are included for the
Hebrew text.
11566461 SATB . . . . . . . . . . . . . . . . 3.55
Bonse Aba (Traditional Zambian Song)—
arr. Andrew Fischer. Here is an exuberant a
cappella number that's loaded with African
atmosphere! The traditional Zambian words
are sung throughout with such a buoyant,
rhythmic feel that you are transported into
the center of a native celebration. The lyric
translates as "All that sing have the right to
be called the children of God." The song
is brief, but may be repeated as many
times as desired. Various voicing options
are possible, and African percussion may
be added as the piece progresses. Your
choir will definitely want to improvise some
celebratory whoops and shouts!
10012300 SATB . . . . . . . . . . . . . . . . 2.50
10062620 TTBB . . . . . . . . . . . . . . . . 2.50
Bonse Aba—arr. Victor C. Johnson.
Sizzling with celebratory rhythmic energy,
this Zambian folk song loosely translates
as: "Those who sing have the right to
be called the children of God." The only
accompanying instruments are hand
drum (treble drum), djembe (bass drum),
and shaker, which add authentic flavor
and opportunities for improvisation. The
vocal parts are easily learned due to their
repetition and call-and-response style.
10302661 SATB . . . . . . . . . . . . . . . . 3.20
10089711 Three-Part Mixed . . . . . . 3.20
10089722 Two-Part . . . . . . . . . . . . . 3.20
10307386 SSA . . . . . . . . . . . . . . . . . 3.20
10307387 TTB . . . . . . . . . . . . . . . . . 3.20
10089725 P/A CD . . . . . . . . . . . . . 26.95
Daa Naa Se (Oh, Give Thanks)—arr.
Raymond Wise. Plenty of repetition and
easy-to-pronounce phonetic text make
this Ghanaian folksong easy to learn for
school, church, and community choirs
of all ages. The parts for African drums,
rattles, shakers, gourds, and bells give it
an authentic sound, and the electric bass
guitar reinforces the steady groove. It's so
much fun to sing – guaranteed to be a hit
with singers and audiences alike! Extensive
background information, performance
suggestions, translation, and pronunciation
guide are included in the score.
10427504 SATB . . . . . . . . . . . . . . . . 3.25
11678831 SSA . . . . . . . . . . . . . . . . . 3.35
Family (Familia)—Mark Burrows. When
we look at our neighbors, what do we
see? This endearing piece celebrates the
wonderful diversity of our communities and
neighborhoods, with a gentle challenge to
see one another as God sees us: beautiful
children of the world. Set in both English
and Spanish, this accessible piece extends
a hand of welcome and embrace, asserting
that "we are more than neighbors, we
are family." Includes the composer's
thoughtfully updated text for Jesus Loves
the Little Children. A perfect selection for
elementary and middle school choirs!
11347641 Two-Part . . . . . . . . . . . . . 2.75
Good News (A Hymn for Christian
Education)—Britt Cooper. This treble
anthem celebrates the work of Christian
education and highlights the importance of
faith formation in the lives of children and
families. What better way to offer thanks
for this valuable ministry than through the
voices of children? The piece is easily
taught to children's choirs or Sunday school
classes and makes an especially good
choice for multi-age ensembles.
11595539 Unison . . . . . . . . . . . . . . . 2.75
Hands Are Knockin'—Kyle Pederson. A
fascinating mix of English and Arabic text
reinforces the universal message to open
our minds, hearts, and hands to each
other. The lively piano accompaniment,
notated djembe percussion part, and
syncopated vocal lines that highlight the
text come together to create a meaningful
piece that will be long remembered.
Exceptional! The djembe part is available
as a download from the publisher.
10981924 SATB . . . . . . . . . . . . . . 3.00
11424998 SAB . . . . . . . . . . . . . . . 3.20
11592524 Two-Part . . . . . . . . . . . . 3.20
11196420 SSAA or SA divisi . . . . . 2.90
11313918 TB divisi or TTBB . . . . . 2.70
Hine Ma Tov—arr. Allan Naplan. Inspired
by Psalm 133, Hine Ma Tov is translated
"How good it is for all of us to dwell
together in peace." The meaning of the
Hebrew text is universal, as is the appeal
of the lively music, which cleverly shifts
between major and minor. The delightful
"lai lai lai" refrain will make your audience
want to clap along!
10370730 SATB . . . . . . . . . . . . . . 2.35
1978097 Two-Part . . . . . . . . . . . . 2.50
How Sweet the Sound—Christi Jones.
A longtime favorite, Amazing Grace
gets a whole new musical setting that
is truly inspired. Upbeat, with pleasantly
syncopated lines and optional percussion,
this a cappella original surely encapsulates
the text "how sweet the sound"!
11501671 SATB . . . . . . . . . . . . . . 2.50
11501676 SSA . . . . . . . . . . . . . . . 2.50
11397037 TTB. . . . . . . . . . . . . . . . 2.50
In Meeting We Are Blessed—Troy
Robertson. The use of a djembe imparts
a traditional African feeling to this easy
original a cappella work. The Gatsnahos
text, inspired by John Donne, has a theme
of friendship and unity that all can relate
to. "We are met together and in meeting
we are blessed. Peace in coming and in
going, peace in labor and in rest..." This is
accessible to choirs at many levels, and it
makes a wonderful processional!
10589968 SATB . . . . . . . . . . . . . . 3.50
10996247 SSA . . . . . . . . . . . . . . . 2.95
11169350 TTBB . . . . . . . . . . . . . . 3.25
Jaya Ho (The Solid Rock)—arr. Diane
Hannibal. This singular choral offering
pairs a traditional Hindhi melody with the
traditional hymn text, The Solid Rock.
The a cappella texture features layered
ostinati ("jaya, jaya ho") supported by
percussion (part included). Program this
for general worship or commemorations of
the global church.
11393959 SATB . . . . . . . . . . . . . . 2.20
Kapayapaan, Peace Be with You—
Maria Nieva. Freely adapted from the
well-known prayer of St. Francis, this
lovely setting intersperses the Filipino
word kapayapaan, meaning "peace be
with you," throughout the English text. The
setting is ideal for congregations with an
English-speaking majority who are looking
to demonstrate the universal and cross-
cultural appeal of God's message of love
and peace. There are accompaniments
for piano and guitar in the octavo. Parts
for string quartet are available separately.
11415779 SATB w/
Guitar Accomp.. . . . . . . 3.55
Let Us Talents and Tongues Employ—
arr. Doreen Potter. This delightful piece
based on a traditional Jamaican melody
with optional hand chimes will add an island
feel to bring the spirit of joy, hope, and love
into this communion anthem. The writing
is approachable and perfectly crafted for
this unique message that celebrates the
community of faith.
11374120 SATB . . . . . . . . . . . . . . . . 2.30
11374121 SAB . . . . . . . . . . . . . . . . . 2.30
11374122 Two-Part . . . . . . . . . . . . . 2.30
11402740E Instrumental Parts
ePrint . . . . . . . . . . . . . . . 17.30
May the Lord Bless You/Que el Señor
Te Bendiga—Ivan Diaz. Inspired by
Numbers 6:24-26, this bilingual blessing
reminds people how much they matter.
With dedicated wedding verses and flexible
uses in many settings, it features a flowing,
memorable melody that is easily learned.
Scored for SAB choir, keyboard, and guitar,
it offers a warm, uplifting message that
resonates in both English and Spanish.
11675518 SAB . . . . . . . . . . . . . . . . . 3.55
Nada me falta (Psalm 23)—Mark Sedio.
Both Spanish and English are represented
in this delightful setting of Psalm 23 with
original music in the style of a Spanish
folk tune. The lilting melody is tuneful,
and the accompaniment and percussion
add rhythmic interest. Set in refrain and
verse form, the congregation is invited to
join on the refrain throughout. Accessible
and easily learned, both the choir and
congregation will enjoy signing this setting.
11515562 SATB . . . . . . . . . . . . . . . . 3.00
11515573E Instrumental Parts
ePrint . . . . . . . . . . . . . . . 15.00
O Sacrum Convivium—Sarah K. May.
Sung entirely in Latin, this modern motet
is a heartfelt setting of St. Aquinas'
classic Eucharistic text. Imitative writing
in the middle section balances the modal
harmonies of the outer sections. The
difficulty level is very accessible. It is
appropriate as a post-Communion reflection
or during the feast of Corpus Christi.
11640501 SATB . . . . . . . . . . . . . . . . 3.25
O Sifuni Mungu (All Creatures of Our
God and King)—arr. Roger Emerson. This
phenomenal work, recorded by First Call,
is certain to be in great demand by a wide
range of choirs! Based on All Creatures Of
Our God And King, it features a powerful
African chorus with fiery syncopations,
great opportunities for soloists and a full
complement of percussion instruments.
This is a uniquely vibrant, spiritual work!
1914175 SATB . . . . . . . . . . . . . . . . 2.75
1914183 SAB . . . . . . . . . . . . . . . . . 2.75
1914191 Two-Part . . . . . . . . . . . . . 2.75
10278880 SSAA. . . . . . . . . . . . . . . . 2.25
3303885 TTBB . . . . . . . . . . . . . . . . 2.25
1914217 P/A CD . . . . . . . . . . . . . 26.99
1914209 Instrumental Parts. . . . . 20.00
Praise
to
God
