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Advent & Christmas for Handbell Choir
Hope and Peace (Advent Reflection)—
Cathy Moklebust. This ethereal original
composition is suitable for any time a quiet
moment is needed in worship, school, or
concert. When used during the Advent
season, it symbolically aligns with the
themes of hope and peace represented
by two of the four Advent candles. The
ending includes an optional quote from
the tune
VENI EMMANUEL (O Come, O
Come, Emmanuel). Techniques included
are singing bell, LV, and echo. With very
basic rhythms and minimal accidentals, this
very accessible composition is appropriate
for nearly any group. The editions are
compatible for massed ringing.
11623867 2-3 Octave
Handbells . . . . .L1+-L2 5.95
11623868 3-5 Octave
Handbells . . . . .L1+-L2 5.95
In the Bleak Midwinter—arr. Mark
Longfield. In this ethereal setting, the Holst
tune
CRANHAM is set evocatively using
singing bells and random ringing to support
the melody. Accessible to most choirs, there
are no bell changes.
11620200 3-5 Octave
Handbells . . . . . . . . L2 5.95
In the Bleak Midwinter—arr. Julie
Turner. Playable on either handbells or
handchimes, this simple setting of the
traditional Holst tune with be a delight
for beginning ringers. To help make this
arrangement more user-friendly, the
2-octave and 3-octave versions have been
formatted separately, both included in the
same folio.
11617048 2-3 Octave
Handbells . . . . . . . . L1 4.95
Infant Holy, Infant Lowly—arr. Cathy
Moklebust. This sweet and simple
arrangement of the traditional Polish
Christmas lullaby
W ZLOBIE LEZY is
complemented by an original melody
which serves as introduction, interlude, and
closing. Either handbells or handchimes may
be used throughout the entire piece or in
various sections at the director's discretion.
The melody takes its turn in both the treble
and bass clefs, with LV accompaniments in
the opposite clef. There are no bell changes,
and the editions are compatible.
3254703 2-3 Octave
Handbells . . . . . . . . L2 5.95
11514704 3-5 Octave
Handbells . . . . . . . . L2 5.95
Joseph Dearest, Joseph Mine—arr. Karen
L. Buckwalter. This flowing setting of the
well-known German carol is interspersed
with statements from the carol A Virgin Most
Pure, lending a modal feeling throughout.
The harmonies are rich and engaging,
bringing new life to a traditional tune.
11620294 3-5 Octave
Handbells . . . . . . . . L3 5.95
Joy to the World—arr. Sandra Eithun.
This masterwork, written for the Back Bay
Ringers, is an exciting setting of the beloved
Christmas carol suitable for advanced
ensembles. An opening tower-bell-like
change ring gives way to a varied series
of treatments of the theme. Perfect for a
Christmas concert or any time during the
Advent and Christmas seasons.
11620295 3-7 Octave
Handbells . . . . . . . . L4 5.95
Joy To The World—arr. Ron Mallory. This
setting of the Christmas classic is very easy
to put together with little rehearsal time, but
the result is a nice big, joyful sound. Just put
it in the folders and play! 68 measures. Key
of G Major.
10761758 2-3 Octave
Handbells . . . . . . . . L2 4.95
Lo, How a Rose E'er Blooming—arr.
Jason W. Krug. This traditional Christmas
carol originating in 16th-century Germany is
perfect for the developing ringer. Written in
3/4, there is gentle movement reflective of a
lullaby while keeping the traditional melody
prominent. Beginning groups in church or
school will find this a very musical offering
for the Christmas season.
11622012 2-3 Octave H
andbells . . . . . . . . . L1+ 6.25
Lo, How a Rose E'er Blooming—
arr. Sondra K. Tucker. This exquisite
arrangement begins with rung singing bells
that underscore the melody played delicately
with "air mallets." The rung middle section
uses 4/4 and 3/2 meters with interesting
harmonic shifts before returning to the
ethereal texture of the opening section.
Lovely for Advent or Christmas worship.
11620201 3-6 Octave
Handbells . . . . . . . . L2 5.95
Meditation on Lo, How a Rose—arr.
Jason W. Krug. Flowing eighth-note
arpeggios in 12/8 time underscore this rich
setting of the tune
ES IST EIN ROS. Delicate
countermelodies weave in and out, and
several sections on handchimes add a rich
sonority to the piece. Perfect for church or
concert use during Advent or Christmas.
11620297 3-7 Octave Handbells
w/3-7 Oct. HC . . . . . L3 4.95
More Carols Of Christmas—arr. Linda
Scholes. This sparkling arrangement of
four familiar carols will brighten the holiday
season! While this may be a stand-alone
handbell piece, a melody line with words
is included, making it useful to accompany
caroling. If a shorter piece is needed, simply
add a fermata over the final chord of any
of the carols. Carols are Angels We Have
Heard on High; The First Noel; Angels from
the Realms of Glory and Go Tell It on the
Mountain. This very festive setting is a sure
winner in any Christmas service or concert.
11569824 3-5 Octave
Handbells . . . . . . . . L2 5.95
Now the Green Blade Riseth (Sing
We Now of Christmas)—arr. Kevin
McChesney. Back by popular demand, this
classic arrangement of the French Carol
Noel Nouvelet has alternate texts which
allow it to be used at Christmas and Easter.
Malleted bass rhythms open the piece
and continue beneath the tune, driving
it forward. A full sounding arrangement,
this one keeps every hand busy yet still
is very workable. An excellent and fun
arrangement for everyone!
3067717 3-5 Octave
Handbells . . . . . . . . L3 6.25
10487029 Instrumental Parts
Orchestration . . . . . . 59.95
10487031 Instrumental Parts Concert
Band Accompaniment. . 59.95
O Come, All Ye Faithful—arr. Jason W.
Krug. Perfect for the developing ringer,
this arrangement of the classic carol
uses fun techniques yet remains Level 1.
Straightforward and pleasingly engaging.
11393698 2-3 Octave
Handbells . . . . . . . . L1 6.25
11567993 3-5 Octave
Handbells . . . . . . . . L1 6.25
O Come, All Ye Faithful—arr. Ron Mallory.
This exciting arrangement of the favorite
carol pulses with unceasing energy and joy.
The driving rhythms in the malleted notes
will keep your listeners riveted and are easy
to learn, making the work more accessible
than its level marking may indicate. Another
winner for the Christmas season!
11515543 3-5 Octave
Handbells . . . . . . . . L3 5.25
O Come, O Come, Emmanuel (with "God
of Grace and God of Glory")—arr. Julie
Turner. Here is a lovely marrying of VENI
EMMANUEL
and CWM RHONDDA which
begins with ethereal singing bell and mallet
rolls on low chimes which then continue to
support the melody. The advent melody
is featured throughout, with the
CWM
RHONDDA
tune providing contrast. Meters
of 4/4 and 3/4 add another level of interest
as further interplay between the two hymn
tunes, dynamics, and expression leads to
a powerful and unique ending. This setting
is so nicely crafted it is bound to become a
staple in your group's Advent repertoire.
11583314 3-7 Octave Handbells
w/ 3-7 Oct. HC . . . . L3 5.95
O Sing a Song of Bethlehem—arr. Chris
D. Burton. This arrangement of the classic
hymn tune
KINGSFOLD begins with an
ostinato malleted bass line that supports
the melody, showcased in various ways
throughout. Full chords make for a majestic
final verse. Use at Christmas or, with an
alternate title, throughout the year.
11567994 3-5 Octave
Handbells . . . . . . . . L2 6.25
Of the Father's Love Begotten—arr. Brian
Childers. This poignant and powerful setting
of
DIVINUM MYSTERIUM will move your
ringers and listeners to deeper devotion.
Triplets and moving eighths dominate
the score, with a quieter chime section in
contrast which then builds to a glorious
layering of sound. The piece ends simply
with random ringing and echoes of the
chant motif.
11623801 5-6 Octave
Handbells . . . . .L3-L3+ 6.00
On Christmas Night All Christians Sing
(SUSSEX CAROL)—arr. Lloyd Larson.
For handbells and piano, this lilting
arrangement of the familiar
SUSSEX CAROL
will keep all ringers engaged as you
celebrate the season.
11567995 3-5 Octave
Handbells . . . . . . . . L3- 6.25
11567996 Full Score
& Organ/Piano . . . L3- 15.95
Pastoral Light (Sheep May Safely
Graze & Break Forth, O Beauteous
Heavenly Light)—arr. Sandra Eithun.
Rich, expressive settings of Bach's Sheep
May Safely Graze and Break Forth, O
Beauteous Heavenly Light are woven
together in this expansive Christmas work
filled with flowing lyrical lines, resonant
harmonies, and dramatic dynamic shaping.
This piece works equally well on the concert
stage or in worship during Christmas,
Advent, or Epiphany.
11683841 4-8 Octave Handbells
w/opt. 4-7 Oct. HC
and Bar Chimes . . . L3 6.45
Patapan—arr. Linda Lamb. Lots of
percussive techniques illustrate the text,
"Willy, play your drum." An optional chime
melody with bell descant gives interest to
the middle section. Excitement increases
as percussive effects (marts, thumb damps,
mart lifts, ring touches) increase in the last
section. Fun for school or church.
11102342 2-5 Octave
Handbells . . . . . . . . L2 4.95
Peace on Earth—arr. Joel Raney. This
classic has been tastefully set for piano
and handbells with optional 3-5 octaves
of handchimes. Stopped techniques are
scattered throughout, and echoes of Silent
Night can be heard at the beginning and end.
11567991 3-5 Octave
Handbells . . . . . . . . L2 7.00
11567992 Full Score
& Organ/Piano . . . L2 15.95
People, Look East—arr. Sandra Eithun.
This arrangement of the familiar Advent
hymn is ideal for a beginning ensemble
or when limited rehearsal time is a factor.
The melody is heard in the treble layer
and again in the battery bells, giving an
opportunity to teach balance between
melody and accompaniment. A simplified
meter and limited bell changes make the
piece accessible. A jaunty little tambourine
part adds excitement.
11514721 2-3 Octave
Handbells . . . . . . . L1+ 5.95
11514722 3-5 Octave
Handbells . . . . . . . L1+ 5.95
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