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O Come, All Ye Faithful—arr. Dan Forrest.
This powerful setting of a Christmas classic is sure
to become a favorite. Scored for chorus, piano
duet and optional string quartet, the strong legato
chorus is driven by the marcato accompaniment
to a magnificent conclusion that will leave you
breathless. A musical announcement of the
glorious arrival of Christ the Lord.
10513806 TTBB. . . . . . . . . . . . . . . . . . . . . . 2.95
O Come, Emmanuel—
arr. Elaine Hagenberg. "Haunting" is the best
word to describe this original setting of the
traditional Advent text, scored for choir, piano,
and cello. Marked "mysterioso" in triple meter,
it is such a creative interpretation, the effect in
performance is truly extraordinary!
11514051 TTBB. . . . . . . . . . . . . . . . . . . . . . 2.75
10647583 Instrumental Parts: Cello . . . . . . 4.95
O Come, O Come, Emmanuel—
arr. Noah Reese. A beautiful way to prepare
for the season, this medieval carol is arranged
with lyrical lines that bring both freshness and
familiarity. The piano accompaniment provides
exciting movement with driving rhythms that
complement the chantlike choral lines.
11397046 TB . . . . . . . . . . . . . . . . . . . . . . . . 2.50
O Little Town of Bethlehem—
arr. Dan Forrest. This stunning arrangement
of one of our most treasured Christmas carols
offers a poignant musical picture of that glorious
night in Bethlehem. The gentle scoring for choir
and piano is well within the range of most groups.
Optional accompaniment possibilities, including
soprano saxophone (or B-flat clarinet or oboe),
string quartet, or orchestra, offer additional layers
of beauty.
11395344 TTBB. . . . . . . . . . . . . . . . . . . . . . 2.95
Personent Hodie—arr. Austin Hunt. Here's
a vibrant, rhythmic setting of
PERSONENT HODIE
that expresses the tune in compound meter,
resulting in a joyful energy for the singers.
The optional hand drum and finger cymbals
complement the melody with an exciting, dance-
like pulse while the piano accompaniment brings
a fresh motion to the ancient melody.
11501684 TB . . . . . . . . . . . . . . . . . . . . . . . . 2.95
Rise Up, Shepherd, and Follow—
arr. Greg Gilpin. This traditional Christmas
spiritual has a lively gospel feel, conservative
ranges, and a syncopated piano accompaniment.
Clever voice leading, stacking harmonies, and
just the right amount of repetition make this well-
paced arrangement easy to learn and a joy to
sing. A perfect addition to your Christmas concert
or service!
10990271 TTB . . . . . . . . . . . . . . . . . . . . . . . 2.30
Sanctus (from "Midnight Mass for
Christmas")—arr. Daniel Miner. Drawn from
the Messe de Minuit pour Noel by Marc-Antoine
Charpentier, this accessible setting reflects the
charm and clarity of French Baroque style. This
movement calls for a light, lifted tone, smooth
legato phrasing, and clear attention to metrical
and syllabic stress. An optional accompaniment
is included, making this a suitable choice for
school or church choirs.
11673986 TTB opt. Piano . . . . . . . . . . . . . . 2.15
See, Amid the Winter's Snow—
arr. Dan Forrest. This arrangement of HUMILITY
with the time-honored text by Edward Caswall
swells with emotion in the stunning unfolding
of the text. It is scored for choir and piano with
optional string quartet and percussion with full
score and parts available.
10907681 TTBB. . . . . . . . . . . . . . . . . . . . . . 2.75
The Shepherd's Spiritual—
arr. Donald Moore. Here's a swingin' gospel
treatment of Rise Up, Shepherd, and Follow
that your ensemble will enjoy singing year
after year! It's a great confidence builder, an
exciting audience pleaser, and just plain fun
for all involved, especially when you use the
tambourine part!
3126398 TB . . . . . . . . . . . . . . . . . . . . . . . . 2.30
Shepherds, Rejoice!—Peter Knudsen/
arr. Jimmy Baas. A tuneful melody and easily
learned two-part harmony make this traditional
carol setting suitable for tenor-bass choirs in
middle, high school, or church settings. Add the
optional flute and percussion for triangle and
congas to enhance the rhythmic energy and
festive spirit.
11674839 TB . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Silent Night—arr. Dan Forrest. A gentle
instrumental introduction sets the stage for
this setting of the classic Christmas carol,
continuing under the familiar text with a quiet
intensity as it builds to the strong statement
of purpose: "Christ, the Savior, is born." Then
it quietly rests in the strength of that truth.
Accompaniment for string quartet or full
orchestra is available for each voicing.
11202830 TTBB . . . . . . . . . . . . . . . . . . . . 2.35
Sing We Now of Christmas—
arr. Vicki Tucker Courtney. This rhythmically
charged arrangement of the well-known
French carol opens and closes with new
melodic material which is also used as a bridge
between sections. The familiar tune receives a
fresh treatment with a bit of syncopation in this
fun-to-sing and accessible selection.
11198036 TB. . . . . . . . . . . . . . . . . . . . . . . 2.30
What Strangers Are These?—
arr. Dan Forrest. Adapted from an old Scottish
carol, this sensitive setting is accompanied with
piano, flute and classical guitar. The gently
lilting melody and lyrics tell the Nativity story.
With it's voicing options, it is a beautiful addition
to Christmas concerts or services for high
school, community or church choirs.
11683816 TTBB . . . . . . . . . . . . . . . . . . . . 2.35
Where Shepherds Lately Knelt—
Craig Courtney. This beautiful Andante was
originally composed for SATB voices, and now
is particularly beautiful when sung by men's
or women's choirs. Accompanied by piano
and flute, it represents the journey that the
shepherds travelled to see the Child in the
manger, and comments on the same journey
we all take to see and eventually to know the
Child as the Savior of the world.
10069931 TTBB . . . . . . . . . . . . . . . . . . . . 2.35
The Work of Christmas—Dan Forrest.
"When the song of the angels is stilled, when
the star in the sky is gone... the work of
Christmas begins." This setting of a poem by
Howard Thurman, presented as an ethereal
benediction, is truly a captivating moment in
song. Beautifully conceived, it is impossible to
overstate its impact on those within its hearing.
11202841 TTBB with Piano. . . . . . . . . . . . 2.35
