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General Anthems for Adult Choir
Spirit, Fall on Us—Joseph Martin. Ideal
for Pentecost or as a stirring call to worship,
this anthem combines an inspired text with
beautifully flowing music. An optional solo,
or children's choir, adds a poignant, reverent
dimension. The evocative text captures the
very essence of the Spirit's power.
11642120 SATB . . . . . . . . . . . . . . . . 2.80
Still I Sing Alleluia—Kyle Pederson.
These words committing to praise even
through times of difficulty are set to the
lovely Scottish
LOCH LOMOND tune: "When
questions I spin echo answerless within,
even then, still I sing 'Alleluia.'" Your
worship will be deeper and richer for the
gifts of this composer.
11514069 SATB . . . . . . . . . . . . . . . . 2.50
Summons to Praise—David Schwoebel.
An antiphonal call of praise and psalm-based
text encourages us to use music to herald the
truths of the faith. The 6/8 rhythm creates a
mood of hope, and strategic dynamics will
engage your congregation. A reflective a
cappella section leads into a key change and
then a return of the antiphonal praise.
11642630 SATB . . . . . . . . . . . . . . . . 2.55
Surrender—Heather Sorenson. This
anthem embraces a beautiful blending of
message and music, with sensitive melodic
gestures and well-considered choral
textures underscoring a truly profound
text. Crafted for emotional impact, let this
heartfelt sacred song find a place in your
worship and fill your sanctuary with grace.
11620735 SATB . . . . . . . . . . . . . . . . 2.50
Sweet Hallelujah—Mark A. Miller. A spirited
original piece for a cappella choir with divisi
in the voice parts. The full rhythmic vitality
with the addition of a dejembe definitely
exudes joy. A surprise appearance of
OLD
HUNDREDTH is moved between the voices
while the Hallelujah rhythms keep the
energy exciting.
11640762 SATB . . . . . . . . . . . . . . . . 3.60
Ten Thousand Charms—arr. Sean Paul.
This evocative tone poem brings new
insight into a treasured hymn of faith. It
overflows with hope and grace and will
make a wonderful choice for communion or
any moment of invitation and reflection. The
optional cello part creates an atmosphere of
richness and depth.
11620728 SATB . . . . . . . . . . . . . . . . 2.50
Thank You for the Song—Joseph M.
Martin. For all who serve as ministers of
song, this anthem will be an encouragement
to continue to be instruments of worship
and praise. This heartfelt ballad delivers a
message of service and devotion, adorned
with thoughtful harmonies and expressive
vocal layering. For any special occasion
that shows gratitude for musicians, the gift
of song, and the sacred sounds of music.
11684862 SATB . . . . . . . . . . . . . . . . 2.50
A Thanksgiving Proclamation—David
Lantz III. This joyful anthem, ideal for
Thanksgiving or any general service, is
carried by a lilting melody and supportive
piano accompaniment. Herb Frombach's
uplifting text encourages entering God's
presence with gratitude and praise.
Accessible and encouraging for choirs
of any size, this piece offers an uplifting
expression of thankfulness suitable
throughout the church year.
11677666 SATB . . . . . . . . . . . . . . . . 2.60
11677667 SAB . . . . . . . . . . . . . . . . . 2.60
The Music of the Spheres—Benjamin
David Knoedler. This fresh reimagining of a
beloved text celebrates the divine harmony
resounding through creation. Bright,
evocative piano textures envelop the choir
in sounds of God's handiwork. Choirs of all
sizes can deliver a message of wonder and
praise for general worship, creation-themed
services, or Thanksgiving.
11668838 SATB . . . . . . . . . . . . . . . . 2.25
There Is a Day—Matt Taylor/arr. Richard A.
Nichols. This triumphant song of praise can
serve as an excellent call to worship. The
joyful melodic line paired with a masterful
orchestral accompaniment inspires hope
and confidence in the listener. It is a rousing
choral anthem that captures the joy that
awaits the believer in heaven.
11639080 SATB . . . . . . . . . . . . . . . . 2.50
11639082 Accompaniment CD . . . 25.00
11639081 Orchestration . . . . . . . . 50.00
There's a Wideness in God's Mercy—
Edwin Taylor. With an expansive original
melody, this setting offers more space and
time for the listener to reflect on the familiar
text. The anthem arrangement is a brilliant
display of the composer's command of
text painting through harmony, texture,
and accompaniment, with accessible part
writing for choirs of all sizes. This anthem
is appropriate for general services.
11684684 SATB . . . . . . . . . . . . . . . . 2.60
Think on These Things—Mark Burrows.
Simple and singable by a cappella voices,
this setting of the well-known lesson from
Philippians 4:8 is a solid choice for school
and church choirs. Conservative ranges
and optional divisi make it accessible to a
variety of ensembles.
11681615 SA or S(S)A. . . . . . . . . . . 2.30
11681616 TB or T(B)B. . . . . . . . . . . 2.30
This Song of Thanks—Bob Burroughs.
This anthem offers a spirit of thanksgiving
that resonates during the fall season
while remaining perfectly suited to
worship throughout the year. The flowing
accompaniment, including optional flute,
supports expressive vocal lines leading
to a rich optional a cappella section. We
are reminded that through every changing
season, God's love never fails.
11681972 SATB . . . . . . . . . . . . . . . . 2.95
Those Who Wait—Craig Courtney. This
heartfelt anthem forms a direct plea for
God's compassion and sustaining help
during the dry and barren seasons of life. It
is an eloquent request in times of struggle,
offering a message of hope. The optional
string quartet speaks vividly and directly.
11643047 SATB . . . . . . . . . . . . . . . . 2.50
Through Love to Light—Elaine
Hagenberg. With a lively folk music-
influenced piano accompaniment, soaring
vocal lines, and an uplifting hope-filled
message, this piece overflows with
exuberance and joy from start to finish. The
text from Richard Watson Gilder's After-
Song from The New Day is perfectly set to
reflect the optimism that comes with each
morning: "Oh, wonderful the way that leads
from darkness to the perfect day!"
10997815 SATB . . . . . . . . . . . . . . . . 3.25
To You, I Lift My Soul—Diane Hannibal.
A prayer for God's comfort, this anthem is
based on Psalm 25 and features a lovely
sequential melody that develops nicely with
some points of imitation. A modulation builds
to the affirming final section before closing
with a quiet prayer: "Lord, I lift my soul."
11567077 SAB . . . . . . . . . . . . . . . . . 2.95
Together We Rise! (Tuko Pamoja)—
Victor C. Johnson. This vibrant, rhythmic
original song is a universal celebration of
hope and unity, featuring a memorable
Swahili chorus that proclaims, "We are
together, we walk in faith." It echoes the
principles of Kwanzaa and can be sung as
a statement of togetherness at any time of
year. Enrich the performance with exciting
optional world music percussion parts for
djembe, shakers, wood block, and cowbell.
11639200 SATB . . . . . . . . . . . . . . . . 3.25
11682985 SAB . . . . . . . . . . . . . . . . . 3.25
Trust in the Lord—Mary McDonald. With
a text based on Proverbs 3:5-6, this gentle
anthem is an earnest call to fully commit
oneself to trusting the Lord to direct one's
path in life. The flowing triplets in the piano
accompaniment set the tone for a grace-
filled musical setting of the scripture.
11621607 SATB . . . . . . . . . . . . . . . . 2.95
Turn Your Eyes—Matt Taylor/arr. Brian
Buda. This choral arrangement provides a
new tune to a well-loved familiar text. The
syncopated melody is balanced by a rolling
accompaniment in the piano, providing
a conversational feel to the piece. The
last chorus blends the new tune with the
traditional tune to create a beautiful duet.
11639083 SATB . . . . . . . . . . . . . . . . 2.50
11639085 Accompaniment CD . . . 25.00
11639084 Orchestration . . . . . . . . 50.00
Ukrainian Alleluia—Craig Courtney.
Written as a result of a mission trip, this work
is sure to uplift ensemble and audience alike.
The a cappella setting is worthy of festival
consideration as well as a sacred concert
selection for your better choir. Rewarding
in message and in musical quality, this
contemporary prayer shines brightly as a
message of hope and perseverance.
10041487 SSAATTBB . . . . . . . . . . . 2.50
10312003 TTBB . . . . . . . . . . . . . . . . 2.50
Umoja Tunaimba (United We Sing)—
Victor C. Johnson. Ideal for many uses
throughout the year, this energetic original
composition proclaims a message of
justice and peace. Bringing voices together
to stand in umoja (unity), it can be used
to celebrate Kwanzaa or as a concert or
service selection for any occasion. A piano
part is included, but it can also be sung a
cappella with the included percussion part.
11393661 SATB . . . . . . . . . . . . . . . . 3.25
11567238 Three-Part Mixed . . . . . . 3.25
11567239 Two-Part . . . . . . . . . . . . . 3.25
11393662 P/A CD & Split-Track . . 29.95
Unspoken—Ruth Elaine Schram/arr. Victor
C. Johnson. This lovingly arranged song
has flowing vocal lines and rich harmonies.
The impeccable piano accompaniment is a
joy to play, while the optional cello obbligato
adds an extra layer of depth and beauty. An
exceptional choice for general worship or
services focusing on social justice.
11619104 SATB w/ Piano & Cello. . 2.95
11619106E Instrumental Parts:
Cello ePrint . . . . . . . . . . . 5.95
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Let nothing stop you
from singing!
