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General Anthems for Adult Choir
Until Love Is Spoken—Karen Marrolli.
This lovely setting of a message of love and
peace is in an accessible a cappella format
suitable for any mixed ensemble. It can be
used in both sacred and school settings, with
an original text that will be inspiring to all!
11416022 SATB . . . . . . . . . . . . . . . . 2.90
The Voice of God—Joel Snyder & Jane
Kozhevnikova. Yearning for divine guidance
amid hardship, this uplifting original anthem
offers grace, hope, love, and mercy. With
an optional solo opening, a heartfelt
chorus, and a climactic key change, your
congregation will be encouraged and
inspired with the promise of a new dawn.
11619303 SATB . . . . . . . . . . . . . . . . 2.50
Walk in the Light—André Thomas. Your
congregation won't sit still when they hear
this dynamic gospel arrangement of the
traditional hymn Jesus, the Light of the
World! Filled with joy and celebration,
this anthem features an amazing piano
accompaniment loaded with rhythmic
energy and harmonic color. Whether you
sing the mixed voice edition or the two-part
setting, you'll be thrilled with the melodic
and harmonic spice that adds to the soulful
richness of this piece.
10004246 SATB . . . . . . . . . . . . . . . . 2.75
10011462 Unison/Two-Part . . . . . . . 2.75
We All Are One in Mission—Thomas
Keesecker. This stirring anthem celebrates
the unifying mission of the church, calling
believers to stand together in Christ. The
unison introduction of the melody conveys
conviction and purpose, while accessible
part writing ensures a wide range of
choirs will be successful with this anthem.
An optional trumpet part adds a brilliant
descant that inspires the listener.
11682301 SATB w/ opt. Trumpet . . 3.00
11682302 Instrumental Parts. . . . . 12.00
We Are Held—Susan LaBarr & Jim Wilson.
In times of trial, there is great comfort in
being held. Robert Bode's encouraging text
reflects upon the ways in which all things
are held together. The gentle ballad setting
is lyrical and approachable, and allows
space for the emotion of the text to shine
through for either concerts or services.
11392535 SATB . . . . . . . . . . . . . . . . 3.20
11514263 SSA . . . . . . . . . . . . . . . . . 3.20
We Are Not Alone—Pepper Choplin.
"We are not alone, God is with us."
Succinctly capturing this confident thought
in a straightforward, honest way, the choir
supplies rhythmic energy while the soloist
glides above in smooth, sustained lines.
Accessible and effective with large or
smaller choirs, this piece touches the heart
with its simple and profound message.
Originally conceived as an a cappella
anthem, the optional orchestration adds a
dramatic element.
8071348 SATB A Cappella . . . . . . 2.65
11317770 SATB Accompanied . . . . 2.50
11317772 SSA opt. A Cappella. . . . 2.50
11317773 TTBB opt. A Cappella. . . 2.50
Arise, My Soul, Arise—Dan Forrest.
Offering a fresh perspective on a Charles Wesley
text, Dan Forrest has fashioned a new hymn tune,
Chodan, that is a tender yet emphatic statement of
faith from the believer. Scored for SATB, SSA or
TTBB with piano and optional violin, this anthem is
suitable for Lent, communion or general worship
during a time of confession and assurance of
pardon. A must for your Holy Week services.
11594022 TTBB with Violin . . . . . . . . . . . . . . . 2.50
The Embrace—Craig Courtney.
Another beautiful collaboration with Pamela Stewart
that reflects on God's never-ending presence
in everything. "Called or uncalled, God, you are
present within the air, the breath I take." An optional
Latin chant adds interest at both the beginning and
the end of the anthem.
11683831 TTBB. . . . . . . . . . . . . . . . . . . . . . . . 2.50
God Is Worthy of Our Praise!—Lloyd Larson.
This powerful declaration of praise is a dynamic
choice for worship services throughout the year.
With a Psalm 150-inspired text, it lifts singers and
congregation to greater heights of adoration. The
quote of
OLD HUNDREDTH before the conclusion is
an inspiring surprise.
11619055 TTBB. . . . . . . . . . . . . . . . . . . . . . . . 2.95
Hold on to the Rock—Pepper Choplin.
This original gospel-swing anthem reveals Pepper
Choplin at his creative best! Its irresistible style
and rhythmic vitality contribute to an enthusiastic
expression of the joy and comfort as we "hold on to
the rock" of our salvation through life's trials.
10998938 TTBB. . . . . . . . . . . . . . . . . . . . . . . . 3.20
Holy Manna—arr. Joel Raney. This dynamic
Appalachian-style anthem calls everyone to gather
to worship and sing "Hosanna!" An original melody
is partnered with the familiar tune
HOLY MANNA,
and the two come together in a vibrant and easy-
to-learn setting.
11682982 TTBB. . . . . . . . . . . . . . . . . . . . . . . . 2.95
How Sweet the Sound—Christi Jones.
A longtime favorite, Amazing Grace gets a
whole new musical setting that is truly inspired.
Upbeat, with pleasantly syncopated lines and
optional percussion, this a cappella original surely
encapsulates the text "how sweet the sound"!
11397037 TTB . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
I Will Be a Child of Peace—Elaine Hagenberg.
"For well I know Thy hand will bless the seeker after
righteousness." This sensitive, worshipful prayer
is arranged from a Shaker hymn and superbly
expresses the deepest longing of the redeemed soul.
Breathtaking with luscious piano writing.
10805751 TTBB. . . . . . . . . . . . . . . . . . . . . . . . 2.35
The Journey—arr. Joseph M. Martin.
Combining Simple Gifts and the Going Home
theme from Dvorak's "New World" symphony in
partner-song format, this is easy to perform with
a minimum of rehearsal. A lyrical violin part adds
to the bittersweet qualities of this simple, yet
profound. classic.
11539737 TB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Let Us Sing (A Symphony of Praise)—
Joseph M. Martin. Written in the great glee club
tradition, this song celebrates the power of singing
in building community and encouraging friendship.
Strong unison singing characterizes the expressive
theme, while the chorus showcases the men's
voices in fully harmonized, glorious song! A perfect
program closer for community or church choirs.
11642101 TTBB. . . . . . . . . . . . . . . . . . . . . . . . 2.50
Like a River in My Soul—arr. Tim Osiek.
The river flows steady and calm in this beautiful
arrangement of the traditional spiritual edited by
Dan Forrest. It is impossible to ignore the underlying
intensity which rises and falls as peace, love and
joy move from river to ocean to fountain and back
again. It is accompanied by piano and is certain to
become a favorite.
11166182 TTBB. . . . . . . . . . . . . . . . . . . . . . . . 2.50
Lux Aeterna—Tim Winebrenner. Meaning "light
eternal," this pensive setting of the Latin text affords
choirs musical development of dynamic colors,
range, and musicianship. With conservative ranges
and options to sing a cappella or with the notated
piano accompaniment, this is a fantastic choice to
explore modern harmonies and musicality in an
accessible setting.
10990305 TTB opt. Piano . . . . . . . . . . . . . . . . 2.30
O Love—Elaine Hagenberg. This beautiful setting
of George Matheson's familiar hymn text works
equally well in sacred or secular settings. Here, it's
given a fresh new melody with equally refreshing
and gorgeous harmonies. You will not want to miss
this for use as a sacred meditation in a worship
service or in a concert setting as a tribute to the
glory of love itself. Simply stunning!
10954546 TTBB. . . . . . . . . . . . . . . . . . . . . . . . 2.50
Shalom—Dan Forrest. This tender and comforting
work "passes the peace" as its simple yet elegant
melody washes over the listener, gently unfolding its
text with increasing texture: "Peace I leave with you,
my peace I give to you, not as the world gives; do
not be afraid." The Hebrew word "shalom" forms the
refrains, and whispers of the word "peace" further
paint the spirit and promise of the text. With piano
and optional violin, this piece is equally at home in
worship or concert settings.
11314189 TBB. . . . . . . . . . . . . . . . . . . . . . . . . 2.75
Shout Glory!—Byron Smith. Shout Glory lives
up to its name, with a rip-roarin' accompaniment
and highly energetic choral writing! Whether your
featured soloist sings the notes as written, or has
improvisational skills, this highly energetic gospel
original is sure to thrill the listener!
10317253 TTBB. . . . . . . . . . . . . . . . . . . . . . . . 3.35
The Star-Spangled Banner—
John Stafford Smith/arr. David Angerman.
The American national anthem, reverently set for
a cappella treble voices, and tenor bass voices,
is arranged with sensitivity to vocal ranges. This
restrained approach provides moments of harmonic
delight without overt vocal pyrotechnics. This will
be a wonderful opening for a patriotic concert or
athletic event.
11684856 TTBB. . . . . . . . . . . . . . . . . . . . . . . . 2.50
Wade in the Water—arr. Dan Davison.
Written specifically with young developing choirs in
mind, this exciting spiritual arrangement features
comfortable vocal ranges and easy-to-learn two-
part harmonies. The rhythmic setting abounds with
solo opportunities for a variety of voice types and
presents outstanding teaching opportunities for style
and historical context. Equally appropriate for the
concert stage or worship service.
10715332 TB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
GENERAL ANTHEMS
FOR TENOR-BASS CHOIR
