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101
Modern/Contemporary Worship Songs & Anthems | Spirituals, Gospel & Southern Gospel
This Is How It Feels to Be Free—arr.
Cliff Duren. This upbeat solo-led anthem
celebrates the freedom we have in
Christ with joyful energy and a vibrant
expression of life in His grace. Its uplifting
message and spirited musical feel make
it shine in any worship setting. A dynamic
reminder of true freedom in Jesus, it's a
strong choice for services all year long.
11676027 SATB . . . . . . . . . . . . . . 2.29
Total Praise—Richard Smallwood/arr. Joel
Raney. This contemporary gospel
song has become widely known for its
simple message and powerful impact.
Paired with Holy, Holy, Holy, this setting
is an accessible quick-study version,
maintaining all the gospel harmonies that
make it a worship sensation.
10669561 SATB . . . . . . . . . . . . . . 2.95
11416801 SAB . . . . . . . . . . . . . . . 2.95
11621560 Two-Part Mixed . . . . . . 2.95
11567249 SSA . . . . . . . . . . . . . . . 2.95
11540117 TBB. . . . . . . . . . . . . . . . 2.95
10669562 P/A CD . . . . . . . . . . . .29.95
When the Saints Go Marching In—
Tony Wood, Barry Weeks, JJ Weeks
& Ben Scott/arr. Phil Nitz. Unlike the
traditional New Orleans jazz tune, this
powerful worship ballad reimagines the
familiar hymn for today's church. This
arrangement for solo voice and choir is
appropriate for worship any time of the
year. It reminds us why we will march into
eternity with Jesus. It is because of the
goodness and saving grace of our Savior
that we will be counted in that number
when the saints go marching in.
11675482 SATB . . . . . . . . . . . . . . 1.99
11675483 SATB Accomp. CD . . .34.99
11675484 SATB Orchestration
CD-ROM. . . . . . . . . . . 79.99
Wonderful, Beautiful Savior—Michael
S. Bryson & Karen Crane/arr. Michael
Barrett. Overflowing with joy, this
uplifting song for worship is a refreshing
affirmation of our life in Christ. An
attractive melody captures the spirit of
celebration and carries along the sacred
sincerity of the attributes of the Lord. It is
an approachable and engaging setting,
one that will wrap the sanctuary in praise
and gratitude.
11684876 SATB w/ Flute. . . . . . . . 2.95
Worthy One—Curt Gibbs, Mo Pitney,
Garrett Cline, Jacquelyn Cline & Darrick
Cline/arr. Nick Robertson. Made popular
by Cline, this worship song gives all glory
to God for everything He has done. With
rich harmonies and a moving message,
it is a heartfelt declaration of Christ's
worthiness and an invitation into a
powerful time of worship.
11682704 SATB . . . . . . . . . . . . . . . 1.99
11682705 Accompaniment CD . . .34.99
11682706 Orchestration
CD-ROM. . . . . . . . . . . 79.99
Yahweh—Paula Stefanovich/arr. Marty
Hamby. Your choir will be moved by the
vibrant, building energy of this anthem.
Ideal for Sunday morning worship, this
impactful piece is full of anticipation,
joy, and ultimate praise of our Lord who
came, taught, prayed, died, was buried,
and rose again. The moving harmonies
and soul-stirring worship are sure to
make this anthem your new Sunday
morning favorite.
11675494 SATB . . . . . . . . . . . . . . 1.99
11675495 SATB Accomp. CD . . .34.99
11675496 SATB Orchestration
CD-ROM. . . . . . . . . . . 79.99
You Are!—Mary McDonald. This
contemporary ballad calls listeners to
worship and adoration with SATB and
TTBB voicings. The bold text celebrates
the attributes of Christ and affirms His
great love for us, magnified by a soaring
melody and rousing chorus. Include the
optional orchestration on Easter morning
or throughout the year.
11619115 SATB . . . . . . . . . . . . . . 2.75
11641194 TTBB . . . . . . . . . . . . . . 2.75
11619117E Instrumental Parts
ePrint . . . . . . . . . . . . .69.95
Spirituals, Gospel
& Southern Gospel
Ain'-a That Good News—arr. William
Dawson. Long considered "the" original
version of this timeless spiritual. The true
authenticity of the African-American musical
heritage is captured in this Dawson rendition.
564039 SATB . . . . . . . . . . . . . . . . 2.65
976563 SSAA. . . . . . . . . . . . . . . . 2.40
563940 TTBB . . . . . . . . . . . . . . . . 2.40
Ain't Got Time to Die—Hall Johnson.
A fun, syncopated spiritual for a cappella
choir. There's also a part for a soprano solo.
Requires a full group, as all parts divide at
times. A rousing handclapper!
388264 SATB . . . . . . . . . . . . . . . . 2.50
All My Trials—arr. Norman Luboff. Beautiful
harmonies, lush-sounding chords and lots
of expression combine for this arrangement
of the familiar Bahamian spiritual. It's a
cappella with some divisi as well.
959908 SATB. . . . . . . . . . . . . . . . . . 2.50
11567934 SSAA opt. Flute or Violin . . 2.75
Bright Morning Stars—arr. Alice Parker.
Alice Parker has created a setting of this
beautiful American song that is simple,
authentic, and warm. A good chance to
feature a soloist, with accompanimental
choral parts beneath.
10994189 SATB . . . . . . . . . . . . . . . . 2.95
The Center of My Joy—William J. Gaither,
Gloria Gaither & Richard Smallwood/arr.
Bradley Knight. This arrangement of a song
performed by the Collingsworth Family
blends the warm lyricism of Bill and Gloria
Gaither with Richard Smallwood's gospel
style. With accessible choral writing, close
harmonies, and two featured soloists, it
powerfully declares Jesus as the center
of our joy and works beautifully as a choir
feature or worship reflection.
11680328 SATB . . . . . . . . . . . . . . . . 2.25
11680329 SATB Accomp. CD. . . . 26.99
Come and Go (To That Land)—arr.
Brandon A. Boyd. Brimming with upbeat
gospel style, this arrangement partners two
traditional spirituals, Come and Go to That
Land and I'll Be Singing Up There. With a
stylized piano accompaniment that can be
further enhanced with bass and drums,
an opportunity to feature soloists, and a
stacking gospel bridge that vamps right
until the close, it's a strong and memorable
closer for either concerts or services.
11591420 SATB . . . . . . . . . . . . . . . . 3.50
Come By Here—arr. Kyle Pederson. This
sensitive setting of the spiritual Kum Bah
Ya is not to be missed. In one spot the
piano plays a guided improvisation over the
choir singing neutral syllables. In another
there is the option to sing unaccompanied.
An emotional high point occurs when the
sections each sing out their situations,
"longing, falling, hiding," then answer
together, "You are here." This work hits every
high mark in terms of vocal writing, a skillful
accompaniment, and a beautiful effect.
11199621 SATB . . . . . . . . . . . . . . . . 3.20
Cornerstone—Shawn Kirchner. The
composer pulls out all the stops on this
gospel piece. The piano part soars; the
tenor soloist dramatically rises above the
choir. Enjoy this long-time favorite!
10046886 SATB . . . . . . . . . . . . . . . . 3.10
10629366 TTBB . . . . . . . . . . . . . . . . 3.10
Deep River—arr. John Leavitt. This
arrangement of a beloved American spiritual
moves from a simple opening chorale to a
full soaring climax what a wonderful fresh
setting of a national treasure! Optional violin
and string bass are available for those
seeking instrumental resources.
11642432 SAB . . . . . . . . . . . . . . . . . 2.50
Down in the River to Pray—arr. Eric
Nelson. This popular traditional folk song
is combined with the spiritual Deep River
to create a deeply moving presentation.
The piece begins simply with a solo alto
line, then the texture builds slowly as
other parts join in. A change to a more
fluid piano part depicts moving water
supporting a verse of the spiritual before
returning to the opening material.
11538013 SATB . . . . . . . . . . . . . . . . 3.20
Down in the River to Pray—arr. Jace
Wittig. In the SSAA voicing, this piece went
viral when the Colorado All-State Treble
Choir sang from the balconies in a hotel
lobby! This a cappella arrangement of
the folk hymn made popular in the movie
"O Brother, Where Art Thou?" utilizes
body percussion, compelling harmonies,
and an authentic vocal style to create an
unforgettable choral piece. Great to open or
close a concert!
11514191 SATB divisi . . . . . . . . . . . 3.25
10999983 SSAA divisi . . . . . . . . . . . 3.25
Down to the River to Pray—arr. Sheldon
Curry. From the film O Brother, Where Art
Thou, this Appalachian-flavored spiritual is
a genuine, heartfelt plea for prayer. With a
moving low-voice solo and optional parts
for strings, this powerful work creates a
deeply emotional presentation for choir and
congregation. Unique and memorable!
8059526 SATB . . . . . . . . . . . . . . . . 2.20
8064007 SAB . . . . . . . . . . . . . . . . . 2.35
8064008 Two-Part . . . . . . . . . . . . . 2.50
8060681 P/A CD . . . . . . . . . . . . . 29.99
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