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More Lenten Anthems
23
O Come, All Ye Faithful—arr. Dan Forrest.
This powerful setting of a Christmas classic is sure
to become a favorite. Scored for chorus, piano
duet and optional string quartet, the strong legato
chorus is driven by the marcato accompaniment
to a magnificent conclusion that will leave you
breathless. A musical announcement of the
glorious arrival of Christ the Lord.
10535936 SSAA . . . . . . . . . . . . . . . . . . . . . 2.95
O Come, Emmanuel—
arr. Elaine Hagenberg. "Haunting" is the best
word to describe this original setting of the
traditional Advent text, scored for choir, piano,
and cello. Marked "mysterioso" in triple meter,
it is such a creative interpretation, the effect in
performance is truly extraordinary!
11568344 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.75
O Little Town of Bethlehem—
arr. Dan Forrest. This stunning arrangement
of one of our most treasured Christmas carols
offers a poignant musical picture of that glorious
night in Bethlehem. The gentle scoring for choir
and piano is well within the range of most groups.
Optional accompaniment possibilities, including
soprano saxophone (or B-flat clarinet or oboe),
string quartet, or orchestra, offer additional layers
of beauty.
11395343 SSAA . . . . . . . . . . . . . . . . . . . . . 2.95
Peace, Peace—Rick & Sylvia Powell/
arr. Fred Bock. This lovely Christmas piece
introduces a beautiful yet simple melody that
is surrounded by keyboard, optional handbells,
and obbligato C-instrument accompaniment.
Orchestration is also available. The warm melody
is later joined by the familiar Silent Night to create
one of the most touching of Christmas selections.
1573138 Two-Part . . . . . . . . . . . . . . . . . . . 2.50
706952 Three-Part Treble, SSA
or Three Equal Voices . . . . . . . . 2.55
Rise Up, Shepherd, and Follow—
arr. Peter Leibensperger. A spirited, jazzy
arrangement celebrates the soulful power of
a unison choir and provides an opportunity for
treble choirs to develop their special sound.
A part for optional C instrument is provided in
the octavo, while a violin-specific instrumental
part arranged by Alexandra Cutler-Fetkewicz
is also available. This arrangement of the well-
known spiritual will be a highlight for singers and
listeners alike.
11683504 Unison/Two-Part. . . . . . . . . . . . . 3.15
See, Amid the Winter's Snow—
arr. Dan Forrest. This arrangement of HUMILITY
with the time-honored text by Edward Caswall
swells with emotion in the stunning unfolding
of the text. It is scored for choir and piano with
optional string quartet and percussion with full
score and parts available.
10907678 SSAA . . . . . . . . . . . . . . . . . . . . . 2.75
Shepherd's Pipe Carol—John Rutter.
Celebrating the piping of a shepherd boy on
his way to Bethlehem, this sprightly carol is a
favorite of choir and congregation alike. Now
available is a four-piece chamber ensemble
accompaniment compatible with all versions.
Pack includes full score and set of parts
(piccolo, oboe, harp, and organ.)
11679478 SA . . . . . . . . . . . . . . . . . . . . . . . . 3.95
The Shepherd's Spiritual—
arr. Donald Moore. Here's a swingin' gospel
treatment of Rise Up, Shepherd, and Follow
that your ensemble will enjoy singing year
after year! It's a great confidence builder, an
exciting audience pleaser, and just plain fun
for all involved, especially when you use the
tambourine part!
11365813 SA or Two-Part. . . . . . . . . . . . . . 2.25
10583538 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.50
Silent Night—arr. Dan Forrest.
A gentle instrumental introduction sets the stage
for this setting of the classic Christmas carol,
continuing under the familiar text with a quiet
intensity as it builds to the strong statement
of purpose: "Christ, the Savior, is born." Then
it quietly rests in the strength of that truth.
Accompaniment for string quartet or full orchestra
is available for each voicing.
11202828 SSAA . . . . . . . . . . . . . . . . . . . . . 2.35
Silent Night, Holy Night—Franz Gruber/
arr. Michael John Trotta. Experience the quiet
awe and majestic wonder of the season with a
captivating setting of this favorite carol. Delicately
set, each verse builds with quiet intensity until
the final refrain when an optional descant soars.
The third verse may be performed a cappella; the
work may be effectively accompanied by piano
alone or full orchestra in church, community or
school settings.
11678750 SA . . . . . . . . . . . . . . . . . . . . . . . . 3.40
Sing We All Noel! (Sing We Now of
Christmas; Pat-a-Pan)—arr. Patti Drennan.
Two beloved French carols, Sing We Now of
Christmas and Pat-a-pan, are seamlessly woven
together in this spirited arrangement for treble
voices. With driving rhythms, bright energy, and
joyful interplay, it's a festive highlight for any
Christmas service or concert.
11674840 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.25
Sing We Now of Christmas—
arr. Kyle Pederson. This ethereal setting
of
NOEL NOUVELET will surprise you with its
mystical take on what is normally a boisterous
Christmas song. The harmonic texture is
modern, and the optional oboe adds to the
plaintive and dreamy atmosphere.
11568345 SSAA . . . . . . . . . . . . . . . . . . . . . 2.75
Sussex Carol—arr. Dan Forrest.
This sparkling setting of the English carol
for treble choirs incorporates elegant choral
harmonies that create depth and excitement.
Strophic in form, an eighth-note rhythmic motive
dances throughout the accompaniment and joins
the four verses together. A stunning composition,
equally appropriate for concert settings or
worship services.
10953847 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.95
This Endris Night—Sarah Quartel.
This fresh take on a familiar 15th-century
Christmas text artfully utilizes dotted rhythms
in 6/8 meter to create a lilting feel, and the
memorable melody for the carol text passes
through each of the voice parts. The SATB,
SSAA, and TTBB versions are a cappella with
an optional part for handbells, percussion, or the
chime stop on the organ, while the unison version
is accessibly set with a piano accompaniment.
10993554 SSAA A Cappella
w/ opt. Handbells . . . . . . . . . . . . 4.25
This Little Babe—Benjamin Britten.
This exciting Christmas carol, originally for treble
voices, comes from Britten's "A Ceremony of
Carols." The accompaniment, written for harp,
may also be played by keyboard.
162545 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.25
What Child Is This?—arr. Molly Ijames.
This humble and beautiful treatment of the
traditional carol is guaranteed to take your
breath away! The glory and the reverence of the
Christmas season and the scene at the stable
are delicately brought forth in moving chorals
and a supportive piano accompaniment. With
performance options for SATB and SSA voicings
and a full orchestration, this is a truly captivating
setting worthy of your finest moment in worship
or the concert hall!
10367798 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.95
While Shepherds Watched Their
Flocks—Craig Courtney. Every syllable
of Nahum Tate's Christmas text is carefully
rendered in Craig Courtney's new melody, set for
divisi choral forces and piano. A sound rhapsody
through every measure, this is absolutely
glorious music for mixed, men's or women's choir
that might be the expressive high point of your
December Christmas celebration.
10366986 SSAA . . . . . . . . . . . . . . . . . . . . . 2.50
The Work of Christmas—Dan Forrest.
"When the song of the angels is stilled, when the
star in the sky is gone... the work of Christmas
begins." This setting of a poem by Howard
Thurman, presented as an ethereal benediction,
is truly a captivating moment in song. Beautifully
conceived, it is impossible to overstate its impact
on those within its hearing.
11202840 SSAA with Piano . . . . . . . . . . . . 2.35
