Editors' Choice
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62
Hymn Arrangements for Adult Choir
Give to Our God Immortal Praise—Reba
Snyder Miller. This arrangement blends
two traditional hymn texts with an original,
energetic tune to create one exciting
song of praise. With a syncopated piano
accompaniment and a lyrical melody, this
anthem is perfect for ensembles and choirs
of all sizes. Free obbligato parts are available
for download from the publisher's website.
11639062 SATB . . . . . . . . . . . . . . . . 2.50
11639063 Accompaniment CD . . . 25.00
Glory to God—arr. Joel Raney. This Quick
Study Choral pairs the setting of the
Gloria Patri with To God Be the Glory in a
spirited gospel toe-tapper. This masterful
setting is rich with a treasure trove of
catchy gospel licks and will be easily
accessible to your choir.
11540083 SAB . . . . . . . . . . . . . . . . . 2.95
Glory! Hallelujah! (with "Amazing
Grace")—R. Kevin Boesiger. Incorporating
the timeless hymn Amazing Grace into a
gospel-style original, this anthem is bursting
with joy. Accessible and repetitive vocal
harmonies make it easy to learn, while the
syncopated rhythms and solo spotlights
make it fun to sing.
11674808 SATB . . . . . . . . . . . . . . . . 2.25
Grace—arr. Mark Hayes. Mark Hayes is
at his best in this setting, using the text of
Amazing Grace with the early American
melody O Waly, Waly. The inspired use of
dynamics and key changes to support the
marvelous lyrics will showcase your choir in a
very exciting way! This heartwarming choral
is an especially strong choice for performances
centering on an inspirational theme, or for
memorial services at any time of year.
1864479 SATB . . . . . . . . . . . . . . . . 2.50
8035974 SSAA. . . . . . . . . . . . . . . . 2.50
8035982 TTBB . . . . . . . . . . . . . . . . 2.50
10003525 Orchestration . . . . . . . . 90.00
Great Is Thy Faithfulness—arr. Dan
Forrest. It would be difficult to find a more
powerful arrangement of this beloved
hymn. This choral setting with piano offers
several additional performance options,
including optional organ, brass quintet,
percussion, and orchestra. A quiet opening
builds very gradually through the stanzas
and several key changes to a final brilliant
stanza with optional congregation. Very
well done and inspirational.
11166190 SATB . . . . . . . . . . . . . . . . 2.50
11416620 SSAA. . . . . . . . . . . . . . . . 2.50
11416621 TTBB . . . . . . . . . . . . . . . . 2.50
11166191 Instrumental Parts:
Organ . . . . . . . . . . . . . . . 5.95
11166192 Instrumental Parts:
Brass Quintet & Perc. –
SATB . . . . . . . . . . . . . . . 30.00
11166193 Orchestration SATB . . . 90.00
11425082 Instrumental Parts:
Brass Quintet & Perc. –
SSAA. . . . . . . . . . . . . . . 30.00
11425083 Orchestration SSAA . . . 90.00
11425084 Instrumental Parts:
Brass Quintet & Perc. –
TTBB . . . . . . . . . . . . . . . 30.00
11425085 Orchestration TTBB . . . 90.00
Guide Me, O Thou Great Jehovah—John
Hughes/arr. Stan Pethel. A Classical-style
piano accompaniment brings energy to this
beloved hymn text and tune. Singers travel
through creative two-part sections that
burst into four-part homophonic sections
composed with straightforward part leading.
Your congregation will want to raise "songs
of praises" along with your choir.
11642540 SATB . . . . . . . . . . . . . . . . 2.40
Hark, I Hear the Harps Eternal—arr. Mark
Hayes. This nineteenth-century American
shape-note standard has been masterfully
arranged! The brilliant four-hand (optional
two-hand) piano accompaniment and
inventive choral treatment accentuate the
celebratory text. Accessible and energetic,
this highly effective selection is sure to
become a favorite of choir and congregation!
10307596 SATB w/ opt.
4-Hand Piano . . . . . . . . . 3.20
10307597 SAB w/ opt.
4-Hand Piano . . . . . . . . . 3.20
10307598 SSA w/ opt.
4-Hand Piano . . . . . . . . . 3.20
10307599 P/A CD . . . . . . . . . . . . . 29.95
He Will Hold Me Fast (When I Fear My
Faith Will Fail)—Matt Merker/arr. James
Koerts. This sacred song begins with an
optional solo and continues with beautiful yet
easy-to-sing choral writing. The substantial
text amplifies the promises of God and
reminds listeners that we are never alone.
For a special touch, add the lovely cello
obbligato (included in the octavo).
10804113 SATB . . . . . . . . . . . . . . . . 2.75
His Eye Is on the Sparrow—Charles H.
Gabriel/arr. Mack Wilberg. This arrangement
of the American hymn for organ or piano
and orchestration is meditative and melodic,
filled with unison lines and simple, rich
harmonies. The lilting and tranquil setting
opens with subsequent verses for unison
upper voices and lower voices before all
parts combine and steadily build to create
a warm, full, and comforting sound.
11639593 SATB divisi . . . . . . . . . . . 4.25
Holy Spirit, Light Divine—Orlando
Gibbons/arr. John Leavitt. This sacred tone
poem is perfect for the season of Pentecost.
The Gibbons tune is given some rhythmic
shifting which suits the metric flow of the
text. The delicate piano accompaniment
is expressive yet supportive, and the
accessible vocal writing invites groups of
every size to explore this prayerful piece.
11539725 SAB . . . . . . . . . . . . . . . . . 2.35
11642434 SSA . . . . . . . . . . . . . . . . . 2.50
Holy Spirit, Living Breath of God—Keith
Getty & Stuart Townend/arr. Lloyd Larson.
Useful anytime of the year, and especially
for Pentecost Sunday, this masterful
setting features an elegant piano
accompaniment and optional cello part.
Set in three verses, the first is a prayer for
personal renewal, the second is a prayer
for the gifts of the Spirit "to show Christ in
all I do," and the third is for the universal
church to "hunger for your ways." Also
available are vocal solo and duet versions,
plus a 3-5 octave handbell setting that can
serve as the accompaniment for any of
the choral or vocal versions.
10554521 SATB . . . . . . . . . . . . . . 3.25
10672956 SAB . . . . . . . . . . . . . . . 3.25
11165082 Two-Part Mixed . . . . . . 3.25
11165083 TTBB . . . . . . . . . . . . . . 3.25
10554522 P/A CD . . . . . . . . . . . .29.95
Holy, Holy, Holy, Lord God Almighty—
John Dykes/arr. Robert Sterling. This
anthem is a significant presentation of
one of the most significant hymns in
Christendom. Ideal for most of the year,
set for traditional SATB choirs, and certain
to leave a lasting impression on its singers
and its listeners. (This is a revised and
updated version of the original release
from Word Music in 1999.)
11639686 SATB . . . . . . . . . . . . . . 2.50
11665115 Orchestration . . . . . . . 85.00
How Can I Keep from Singing?—
Gwyneth Walker. This Robert Lowry hymn
dates back to the 1800s in the United
States. References to persecution, once
thought to refer to early Quakers, may be
heard in the modernized lyrics – yet faith
and courage prevail. This arrangement
emphasizes the celebratory and life-
affirming aspects of the song.
3062221 SATB . . . . . . . . . . . . . . . . . 3.20
3270741 SSAA . . . . . . . . . . . . . . . . . 4.00
10036808 TTBB . . . . . . . . . . . . . . . . . 3.20
10355556 Full Score Brass SATB . . 12.00
10355557 Full Score
Chamber Orchestra
for SATB. . . . . . . . . . . . . . 19.90
10355558 Full Score Brass SSAA . . 12.00
10355559 Full Score
Chamber Orchestra
for SSAA . . . . . . . . . . . . . 24.00
10291339 Full Score Brass Quintet
for TTBB. . . . . . . . . . . . . . 12.00
10097661 Full Score
Chamber Orchestra
for TTBB. . . . . . . . . . . . . . 19.45
10291338 Instrumental Parts:
Brass Quintet & Perc. . . . 16.80
10355560 Chamber Orchestra
for All Voicings . . . . . . . . . 73.45
How Can I Keep from Singing?—Robert
Lowry/arr. Matt & Adam Podd. In what
has become a viral YouTube virtual
choir sensation, the Podd brothers have
carefully crafted an exceptionally artistic
arrangement of this classic song that has
a contemporary vibe. A flowing piano
accompaniment anchors the setting,
and the traditional choral harmonies float
above as they effortlessly shift between
triple and quadruple meter. A stirring
testament to the power of singing!
11317443 SATB . . . . . . . . . . . . . . 2.95
11427468 SSA . . . . . . . . . . . . . . . 2.95
11333191E Orchestration:
Full Orch. ePrint . . . . . 86.30
How Firm a Foundation—arr. Charles
McCartha. Perfect for services focusing on
God's faithfulness, church anniversaries,
dedication services, or any occasion
celebrating the certainty of God's promises.
The strength and dignity of this arrangement
make it particularly effective as a service
opener or closing statement of faith.
11621574 SATB . . . . . . . . . . . . . . . . 2.95
How Firm a Foundation—arr. Tom
Trenney. The tune FOUNDATION is put
through its paces with five verses that
includes unison, two-part women then men,
a three-part round, and concludes with full
forces including descant. The congregation
may be involved in all verses, supported
by a vigorous organ accompaniment with
suggested registrations. Hymn singing at
its finest!
11316654 SATB . . . . . . . . . . . . . . . . 3.00
How Great Thou Art—arr. Dan Forrest.
A compelling arrangement for choir and
piano brings new life to this beloved hymn
with the power to bring your congregation
to its feet in spontaneous praise. A strong
opening declaration settles into a calm but
decisive movement through the verses
and modulations, building to the final verse
and ending with an explosion of joy. Don't
miss this opportunity to declare "How Great
Thou Art!"
10094707 SATB. . . . . . . . . . . . . . . . . . 2.95
10458767 SSAA . . . . . . . . . . . . . . . . . 2.95
10458768 TTBB. . . . . . . . . . . . . . . . . . 2.95
10291373 Orchestration for SATB . . 90.00
10458769 Orchestration for SSAA . . 90.00
10458771 Orchestration for TTBB . . 90.00
Hymn to the Creator—arr. Sean Paul.
The presence of God revealed in His
creation forms the heart of this paean of
praise and thanksgiving. A well-known tune
is surrounded by a delicate, artful piano
accompaniment. Lush harmonies, beautiful
lyrics, and a pleasing arrangement make
this a fabulous choice for spring services.
11642435 SATB . . . . . . . . . . . . . . . . 2.50
I Am Coming Home—arr. Earlene Rentz.
This arrangement is a moving fusion of two
beloved gospel hymns, I Hear Thy Welcome
Voice and Softly and Tenderly. Thoughtfully
intertwined, this heartfelt setting brings new
emotional depth and spiritual resonance to
these familiar melodies.
11640730 SATB . . . . . . . . . . . . . . . . 3.20
I Am Not My Own—Skye Peterson, Ben
Shive, Bryan Fowler & Thomas Anderson/
arr. Lloyd Larson. This modern hymn has
been arranged with breathtaking musicality.
Theologically rich metaphors abound
throughout the lyrics, and the memorable
melody pairs well with the sensitive piano
accompaniment. An optional orchestration
is also available.
11565464 SATB . . . . . . . . . . . . . . . . 3.20
11565467E Instrumental Parts
ePrint . . . . . . . . . . . . . . . 79.95
I Heard the Voice of Jesus Say—arr. Kyle
Pederson. This is a beautiful treatment of
the traditional English
KINGSFOLD tune. The
composer is known for his creative ability
to set traditional tunes in a way that feels
fresh and modern. With the addition of cello
and flute, the modal character of the tune is
accentuated in a lovely way. Instrumental
parts are available separately.
11618253 SATB . . . . . . . . . . . . . . . . 3.00
11618254 Instrumental Parts:
Flute & Cello . . . . . . . . . 11.50
