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Just a Closer Walk—arr. Jack Schrader.
This fun and uplifting arrangement of the beloved
hymn shines with gospel glory. The classic
melody and words are all there, only updated in
a lazy gospel feel that seems to put a smile on
everyone's face. Filled with energy, this expressive
setting creates an enjoyable atmosphere that
encourages heartfelt, soulful singing.
11682983 SSA. . . . . . . . . . . . . . . . . . . . . . . 3.25
Keep Yo' Lamps—arr. Rosephanye Powell.
A traditional field shout, singers will enjoy
learning this spiritual presented with care and
authenticity. Percussive part writing supports the
powerful melody, creating a driving rhythm that
will keep audiences on the edge of their seats.
It's a wonderful programming option at any time
of year.
10067917 SSAA . . . . . . . . . . . . . . . . . . . . . 2.65
Keep Your Lamps!—arr. André Thomas.
This exciting spiritual, with accompaniment
for high, medium, and low conga drums, is an
unusually appealing number suitable for a wide
variety of uses, from smaller choirs to massed
choir performances.
3303462 SSA with Piano. . . . . . . . . . . . . . 3.05
Let There Be Peace on Earth—
arr. Craig Courtney. Few songs ever composed
have had the breadth of appeal as this iconic
text and melody. The cry for "peace on earth" is
undoubtedly a timeless one, and this setting unites
vocalists and instrumentalists of all ages. Revisit
this melody in your church or concert hall with this
monumental setting during the Christmas season,
at memorial services, or at patriotic events for a
completely unforgettable experience.
10667384 SSAA . . . . . . . . . . . . . . . . . . . . . 2.75
The Lord Is My Shepherd—Allen Pote.
This is one of the most elegant settings of Psalm
23. Allen Pote's use of unison, two-part and
four-part voices, as well as harmonic structure,
complements the text perfectly. It's easily learned
and very effective. Young and old alike will not
only emotionally connect with the music but will
quickly internalize this important psalm as their
faith develops. It's simply beautiful!
8060334 Two-Part . . . . . . . . . . . . . . . . . . . 3.15
Lord of All Hopefulness—
arr. David M. Cherwien. This inspired setting
of the beloved hymn for treble voices features
melodic sensitivity and rich harmonies that
offer a fresh perspective on the timeless text.
The optional violin obligato weaves an elegant
counterpoint to elevate the entire arrangement.
11640740 SSA w/ Organ. . . . . . . . . . . . . . . 2.90
Love, Come Down—
Ralph Vaughan Williams, Karen Marrolli. Love
is the common thread in this refreshing pairing of
original music and text with the traditional Come
Down, O Love Divine text and the
DOWN AMPNEY
tune. Lilting syncopation, well-crafted vocals,
pretty harmonies, and a brief a cappella passage
combine to breathe calm into our stress-filled lives.
Appropriate for general worship or Pentecost.
11593419 SSA. . . . . . . . . . . . . . . . . . . . . . . 3.00
Non nobis, Domine—Reuben A. Burrows.
Accessible to the developing choir but enjoyable
for school, church, and community choirs of
all levels, this setting of the traditional Latin
text is lyrical, expressive, and easy to learn. A
supportive yet contrasting piano accompaniment
adds just the right touch to the musical texture.
11681590 SA or SAA . . . . . . . . . . . . . . . . . 2.30
Nothin' Gonna Stumble My Feet—
Greg Gilpin. Brimming with dynamic
contrasts, rhythmic nuances, and textual
percussiveness, this spiritual is an absolute thrill
to sing and hear. "When I go to walk that golden
street, nothin' gonna stumble, stumble my feet!"
10274237 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.65
O Love—Elaine Hagenberg. This beautiful
setting of George Matheson's familiar hymn text
works equally well in sacred or secular settings.
Here, it's given a fresh new melody with equally
refreshing and gorgeous harmonies. You will not
want to miss this for use as a sacred meditation
in a worship service or in a concert setting as a
tribute to the glory of love itself. Simply stunning!
10954544 SSAA . . . . . . . . . . . . . . . . . . . . . 2.50
Panis Angelicus (Bread of Angels)—
arr. Alexander Barkoskie IV. This a cappella
SSA setting opens freely with a unison chant in
Latin before blossoming into a harmonically lush,
metered arrangement of Aquinas' beloved text.
Lasting just two minutes and of medium difficulty, it
offers a radiant, compact burst of beauty. Ideal as
a post-Communion anthem, it highlights purity of
line, expressive harmony, and elegant simplicity.
11675523 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.95
Sanctus—Michael John Trotta. The final
installment of the Missa Brevis, this peaceful
work features opportunities for unison
singing and the development of independent
part singing. With conservative ranges and
opportunities to focus on pure vowels and text
accentuation, this is an elegant addition to any
concert or service. Combine with Trotta's other
Latin works Kyrie, Gloria and Agnus Dei to
create the full Missa Brevis.
10990284 SA . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Shalom—Dan Forrest. This tender and
comforting work "passes the peace" as its simple
yet elegant melody washes over the listener,
gently unfolding its text with increasing texture:
"Peace I leave with you, my peace I give to you,
not as the world gives; do not be afraid." The
Hebrew word "shalom" forms the refrains, and
whispers of the word "peace" further paint the
spirit and promise of the text. With piano and
optional violin, this piece is equally at home in
worship or concert settings.
11314188 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.75
Singabahambayo—rr. Victor C. Johnson.
aFun to sing and surprisingly rehearsal-friendly,
this South African musical celebration of freedom
and hope is sure to have instant appeal. Lending
itself to simple stage choreography and with an
exciting, driving beat throughout, it will enthrall
choirs and audiences alike.
11348337 SSA. . . . . . . . . . . . . . . . . . . . . . . 3.20
The Star-Spangled Banner—
John Stafford Smith/arr. David Angerman.
The American national anthem, reverently set for
a cappella treble voices, and tenor bass voices,
is arranged with sensitivity to vocal ranges.
This restrained approach provides moments of
harmonic delight without overt vocal pyrotechnics.
This will be a wonderful opening for a patriotic
concert or athletic event.
11620240 SSA or SSAA . . . . . . . . . . . . . . . 2.50
Then Sings My Soul (How Great Thou
Art)—arr. Mary McDonald. With altered melody
and lush harmonies, this fresh treatment awakens
a new breadth and splendor into this timeless
hymn, giving rise to the greatness that it invokes
in worshiping God, our Creator. The gorgeous
orchestration by Michael Lawrence is a true
complement to Mary's splendid choral writing.
10750789 SSA. . . . . . . . . . . . . . . . . . . . . . . 3.25
This Little Light of Mine—
arr. Sonny Willis. A dynamite closer for treble
choirs, this gospel-style arrangement of a
traditional spiritual is easily learned and can work
effectively for concerts, festivals, or services.
The driving piano accompaniment and call-and-
response sections will make this piece a favorite
among your singers. Kick it up a notch by adding
handclaps, movement, bass guitar, and drum set.
11614311 SA or Two-Part. . . . . . . . . . . . . . 3.25
Wade in the Water—arr. Dan Davison.
Written specifically with young developing choirs
in mind, this exciting spiritual arrangement
features comfortable vocal ranges and easy-to-
learn two-part harmonies. The rhythmic setting
abounds with solo opportunities for a variety of
voice types and presents outstanding teaching
opportunities for style and historical context.
Equally appropriate for the concert stage or
worship service.
10990226 SA . . . . . . . . . . . . . . . . . . . . . . . . 2.50
We Are Singing, for the Lord Is Our
Light—arr. Hal Hopson. This is just plain fun
to sing! Arranged from a traditional Zulu song,
this has the feel and rhythm you would expect.
Primarily in English (one phrase of Zulu is used)
and taken from Psalm 27:1-4. The congregation
is invited to sing the chorus when it repeats.
Exciting for both choir and congregation, optional
small drum or other percussion can be used,
with the piano providing the foundation. For
world missions, for songs of praise, or at any
time, this song will be the high point of your
church music year.
11682986 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.95
The Word Was God—Rosephanye Powell.
What an impact this august anthem will have on
both choir and listeners! Its rhythmic structure
develops from the superb interplay between the
voices, and the layering of sound upon sound
creates a musical tapestry. Written in an almost
spiritual style, but definitely not a spiritual, this will
make a stunning choice for larger church choirs!
10055030 SSAA A Cappella . . . . . . . . . . . . 3.55
