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The Blessed and Broken—Tony Ward.
Ideal for Communion, Holy Thursday, or Corpus
Christi, this reflective SAB setting explores what
it truly means to receive Christ. A straightforward
refrain contrasts with the verses' gently
syncopated melody, mirroring divine perfection
meeting human imperfection. With keyboard,
guitar, solo instrument in C, and downloadable
parts for string quartet, it offers a prayerful,
expressive moment of Eucharistic devotion.
11675529 SAB. . . . . . . . . . . . . . . . . . . . . . . 3.55
Build My Church—Lorraine Hess. Inspired by
Christ's call to St. Francis to "rebuild my Church,"
this piece affirms that renewal begins with lives
rooted in Christian virtue and caring for one
another. The gentle accompaniment and simple
melody allow the text to shine and encourage
assembly participation. Focused on forgiveness,
mercy, peace, love, and welcome, it is especially
fitting for church dedications or general use.
11675502 Three-Part Treble . . . . . . . . . . . . 3.25
The Chalice of Blessing—
M. Roger Holland. From the Honey from the
Rock collection of entrance and Communion
antiphons, this Communion antiphon is for the
24th Sunday in Ordinary Time. The antiphon
is accessible to the assembly to sing when
supported by the choir. Playing exactly what is
printed on the page will guarantee an authentic
rendering of the Black gospel idiom for the
seasoned and enthusiastic pianist. Improvisation
is encouraged.
11684679 SATB . . . . . . . . . . . . . . . . . . . . . 2.90
Communion Song—M. Roger Holland.
From the Honey from the Rock collection
of entrance and communion antiphons, this
antiphon is designated for the feast of the
Solemnity of the Most Holy Body and Blood
of Christ and is appropriate for any liturgy in
which the Eucharist is celebrated. The piece is
set in a swinging 3/4 but can easily be felt as a
slower 6/8. The recurring refrain is accessible
to the choir or assembly, and the verses are
straightforward. The piece is intended to
accompany the Eucharist and may be shortened
or extended as needed.
11684658 SATB . . . . . . . . . . . . . . . . . . . . . 2.90
God Is Love—M. Roger Holland. From the
Honey from the Rock collection of entrance and
communion antiphons, this Communion antiphon
is designated for the tenth Sunday in ordinary
time. With text from 1 John 4:16, it is sung in
unison while the verses may be sung by a cantor,
soloist, or a small group. They need to have a
rhythmic groove, while the antiphon is smooth
and even.
11684660 SATB . . . . . . . . . . . . . . . . . . . . . 2.90
Hail, Holy Mother—M. Roger Holland.
From the Honey from the Rock collection
of entrance and communion antiphons, this
entrance antiphon is for the Solemnity of Mary or
for any Marian celebration. The refrain is taken
from the Roman Missal, and the verses are from
Psalm 45. The recurring refrain is accessible to
the assembly to sing and can be supported by
the choir. A majestic setting, this piece should be
played and sung with energy and exaltation.
11684662 SATB . . . . . . . . . . . . . . . . . . . . . 2.80
Here and Now—Craig Colson,
Francesca LaRosa, David Rohrer &
Curtis Stephan. Reflect on the mystery and
beauty of the Mass as the sacred meeting place
where heaven and earth unite. Solo-led verses
and a call-and-response refrain invite heartfelt
participation, with a flexible bridge for soloist
or choir. Easy to learn for three-part choir, this
hopeful piece suits themes of light, healing, and
eternal life. Optional flute and oboe parts enrich
this contemporary setting.
11675510 Three-Part Treble . . . . . . . . . . . . 3.55
Jerusalem, Arise—M. Roger Holland.
From the Honey from the Rock collection
of entrance and communion antiphons, this
Communion antiphon is designated for the
second Sunday of Advent but may be used
throughout the season. This antiphon, with text
from Baruch for the refrain and Psalm 147 for
its verses, speaks of God's care for the exiled
children of Israel, encouraging them to have
joy as the children return to Jerusalem. The
antiphon is accessible to choir and assembly,
and improvisation is encouraged.
11684667 SATB . . . . . . . . . . . . . . . . . . . . . 2.80
The Jesus Song/Un Canto a Jesus—Tom
Booth. This text, rooted in the traditional Orthodox
Jesus Prayer and the Chaplet of Divine Mercy,
is set in a gentle, contemporary ballad style.
Scored simply for two-part voices with keyboard
and guitar, it now includes a Spanish translation,
increasing its appeal and reach. Calming and
devotional, it is ideal for Lent, Reconciliation
services, and times of personal prayer.
11675530 Two-Part . . . . . . . . . . . . . . . . . . . 3.55
Lord, Make Me an Instrument—
Francesca LaRosa & Sarah Hart.
Scored for piano, guitar, and two-part choir,
this contemplative, stately setting of St. Francis'
beloved prayer offers a fresh, contemporary
option for soloists and choirs. Its flexible yet clear
structure is easy to follow. The melody outlines
an ascending triad and subsequent stepwise
descent, sits in a comfortable range, and creates
an inviting, memorable tune. It is comfortably
paced to allow time to absorb the depth and
meaning of the lyrics.
11675516 Two-Part . . . . . . . . . . . . . . . . . . . 3.25
Lord, We Receive You—Katie Wills.
This gentle, singable song centers on Christ
embodied in the Eucharist, helping the faithful
prepare their hearts to receive this great gift.
Scored simply for three-part choir, keyboard, and
guitar, its easy melodic range encourages quick
learning. A graceful bridge adds energy without
disturbing the overall feeling of calm. The final
verse's question offers a quiet call to become
what we receive.
11675517 Three-Part Treble . . . . . . . . . . . . 3.25
May the Lord Bless You/Que el Señor
Te Bendiga—Ivan Diaz. Inspired by Numbers
6:24-26, this bilingual blessing reminds people
how much they matter. With dedicated wedding
verses and flexible uses in many settings, it
features a flowing, memorable melody that is
easily learned. Scored for SAB choir, keyboard,
and guitar, it offers a warm, uplifting message
that resonates in both English and Spanish.
11675518 SAB. . . . . . . . . . . . . . . . . . . . . . . 3.55
O Come and Follow Me—Rick Modlin.
Topically rich and musically invigorating, this
lively 6/8 song is ideal for gathering or sending
forth. Its energetic melody, dotted rhythms, and
striking minor modal color support lyrics calling
the Church to discipleship, faith, stewardship,
peace, and global solidarity. Scored for two-part
choir with piano and guitar, it offers a joyful,
uplifting call to live the gospel.
11675521 Two-Part . . . . . . . . . . . . . . . . . . . 3.25
The Table of the Lord—Dana Catherine
& Sarah Hart. A finalist for the 2024 ACP Song
of the Year, this contemporary crossover song
features a largely pentatonic Appalachian-
inspired folk melody that seems instantly familiar.
Its stately, soaring refrain with SATB harmonies
contrasts beautifully with the verses' speech-like
dotted rhythms, offering an accessible song
that speaks to discipleship, welcome, unity,
evangelization, and hope.
11675531 SATB . . . . . . . . . . . . . . . . . . . . . 3.25
We Believe—Lourdes C. Montgomery.
With its lyrical, gently syncopated melody, this
setting proclaims Christ's promise and invites
believers to trust in the Resurrection. Ideal for
Divine Mercy Sunday, worship throughout the
Easter season, or liturgies of Christian life and
discipleship. It is appropriate for ensembles of
easy to medium skill level and is scored for choir,
piano, guitar, and assembly, with optional string
parts available as a separate download.
11675534 SATB . . . . . . . . . . . . . . . . . . . . . 3.25
You Alone/Solo Tu—Sarah Hart &
Dwight Liles. This well-known anthemic song of
praise gains even broader appeal with a Spanish
translation by Santiago Fernandez. Strongly in
unison or enhanced by the SATB choral parts
included over the guitar accompaniment, it
has themes of mercy, God's love for us, and
forgiveness through grace. Ideal for smaller
choirs, it can be used throughout the liturgical
year and is also appropriate for retreats and
penance services.
11675537 SATB . . . . . . . . . . . . . . . . . . . . . 3.25
You Are God!—Keith Hampton. This exciting
and innovative anthem brings gospel style to life
with an energetic piano accompaniment and jazz-
inflected rhythms. A Mighty Fortress is creatively
woven throughout, led primarily by soloists.
A recurring chorus provides structure and
accessibility. Uplifting and joyful, it is well suited to
Reformation celebrations or as a spirited anthem
of praise throughout the church year.
11680533 SATB . . . . . . . . . . . . . . . . . . . . . 3.00
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