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Blues & Swing | Medium
Sweet Georgia Brown—Ben Bernie
& Maceo Pinkard/arr. Mark Taylor.
There are some jazz standards that just
never seem to go out of style. Here's
an exceptional arrangement for vocal
soloist in a medium swing style. The chart
features inventive accompaniment figures
from the band, a brief sax soli, and a shout
chorus filled with dramatic contrasts in
dynamics. This one is fun for the band as
well as the singer.
11571828 Jazz Ensemble
& Vocalist . . . . . . . . M 55.00
Sweet Tea—Paul Baker. Based on the
chord changes from Stanley Turrentine's
classic tune Sugar, this bluesy swing chart
shows off the full range of your ensemble's
style, dynamics, and swagger. Opening
with a powerful ensemble statement,
the melody follows with an alto/trumpet
unison when the ante is abruptly upped
by the brass announcing their presence.
Sixteen bars of sax soli are followed
by solos (written solos provided). A
powerful shout section is followed by
a group improvisation section, which
leads to a recap of the intro and a strong
finish. Trumpet range to written high C.
Trombone to G. Piano and bass parts are
written out.
11621731 Jazz Ensemble . . . . M 50.00
Swingin' Shaker Tune—arr. Anthony Susi.
This swing arrangement of Simple Gifts
begins as a slow Count Basie-style ballad
featuring the lead trumpet before shifting
gears into a lively tempo. Every section
gets a piece of the melody before a call-
and-response passage sets up a solo
section containing optional written solos
or improvisation using the chord changes
provided in the sax and trumpet parts. The
stop-time Dixieland that follows allows your
lead players from each section to share the
spotlight before the rousing group finale.
11686194 Jazz Ensemble . . . . M 48.00
Switch in Time—Sammy Nestico.
Sammy Nestico wrote this classic chart
for the Count Basie Orchestra and it was
recorded on the album Basie – Straight
Ahead. An approachable chart for
advancing groups, this minor blues outing
features attractive chord changes and a
brilliant finale. Classic Basie!
546390 Jazz Ensemble . . . . M 55.00
Take Five—Paul Desmond/arr. Rich
DeRosa. Perhaps the most famous time
chart of all, Take Five is in 5/4 – but the
rhythmic pattern is clear and consistent
throughout. You'll find this arrangement
very accessible, with easy alto sax and
drum solos plus modest brass ranges.
This chart features a more laid-back style
than the original and is sure to be just as
important today as was in the 1960s.
Recommended for every jazz enthusiast!
10049802 Jazz Ensemble . . . . M 52.00
Terminally Hip—Gordon Goodwin. Yes,
it's hip! A clever, swinging treatment of a
catchy tune played around 150 bpm. Lead
trumpet range is to written B above the staff,
the solo section includes suggested solos
written for C, B-flat, E-flat, and trombone
players: your choice. The shout chorus
features drums trading with the ensemble.
Optional parts include flute and vibes. (5:20)
11570903 Jazz Ensemble . . . . M 55.00
That's How It's Done—Erik Sherburne.
A swing chart with that special something.
11621971 Jazz Ensemble . . . . M 50.00
That's Life—arr. Gordon Goodwin. Gordon
Goodwin's medium-slow treatment of this
familiar standard swings hard right from
the top! This expertly crafted chart features
plenty of tutti ensemble writing, solo space
for trumpet and piano, and a short but
potent sax soli. Silky smooth!
2286565 Jazz Ensemble . . . . M 55.00
There Will Never Be Another You—arr.
Mark Taylor. Here's a great chart on the
familiar Harry Warren jazz standard that
features the drummer on brushes and tasty
figures from the full ensemble. Also featured
are wonderful sectional and full ensemble
passages that display your band's ability for
cohesive playing. There's a suggested or
improvised solo for trombone supported by
excellent background writing. Here is a highly
creative and tasteful chart that exemplifies
this arranger's skill. Developing groups will
find it ideal for festivals, concerts and casual
occasions. Highly recommended!
10667344 Jazz Ensemble . . . . M 45.00
Things Ain't What They Used to
Be—Mercer Ellington/arr. Alan Baylock.
Mercer Ellington's classic blues shuffle
gets the Baylock treatment! The style is
down home and the solos are for alto,
trumpet, trombone, and tenor sax. Also
included is a powerful Baylock-style shout
chorus and optional parts for expanded
instrumentations. It's a fun chart and it gets
our highest recommendation!
10513911 Jazz Ensemble . . . . M 55.00
Third Stone from the Sun—arr. Mike
Tomaro. Jimmy Hendrix meets big band
jazz? Absolutely! This up-tempo swing
arrangement brilliantly crafted by Mike
Tomaro is a hip setting of groundbreaking
fusion hit. Solo changes for Tenor Sax and
Trumpet. Lead Trumpet plays high B nat.
Lead Trombone plays high A.
11678482 Jazz Ensemble . . . . M 55.00
This Could Be the Start of Something Big
—Steve Allen. This one burns! With clever
shifts from swing to samba, trombone
section features, hard swinging figures, a
hip sax soli, and huge ensemble shouts,
this one is the perfect showcase for your
top-level jazz ensemble. Solos for alto sax,
tenor sax, trombone, and drums.
11593025 Jazz Ensemble . . . . M 55.00
Tune Up—arr. Mike Mossman. Shifting
between a straight-eighth groove and
swing, this medium-level jazz ensemble
arrangement explores the harmonic
language of a Miles Davis classic.
Demanding writing across sections
strengthens technique, balance, and
stylistic flexibility while highlighting
ensemble unity. A strong high school
selection when you want students to stretch
rhythmically and sonically while performing
sophisticated jazz material with confidence.
11678483 Jazz Ensemble . . . . M 55.00
The Upsweep—Alan Baylock. This very
hip, funky rock chart has a driving groove
played around 92 bpm. Solos are provided
for trombone 1 and alto 1. Lead trumpet
range is to written G on top of the staff. This
chart will really work best with electric bass
and piano. The band will dig it! (4:15)
11570902 Jazz Ensemble . . . . M 55.00
Uptown Swing!—Mark Taylor. Designed
as a flashy showpiece that features every
section of the band, this uptempo burner
is the perfect opener! After the attention-
getting intro, the rhythm section gets
things going and then passes the baton
to the trombone section. A short interlude
separates each feature spot, so plug in
an announcer if you like! The sax section
shows its stuff, followed by the trumpets. A
short drum solo leads to the final full-band
chorus where everything comes together.
This gets any concert off to an exciting start!
11571823 Jazz Ensemble . . . . M 55.00
The Ususal Suspects—Roger Schmidli.
Cool, moody, and stylish, this chart gives
developing jazz ensembles a chance to
step into the world of classic mid-century
jazz writing. Drawing on the blues-infused
melodies inspired by iconic detective
themes like Peter Gunn, the music balances
atmosphere and groove with accessible
technique. The result is a boost of confidence
while offering young players an engaging
introduction to a timeless jazz aesthetic.
11686076 Jazz Ensemble . . . . M 55.00
Wag Your Tail and Walk On By—Dan
Adams. Take an optimistic look at life from
a dog's perspective through this jazz band
tune with an optional vocal feature. An
easy swing style complements the chart's
whimsical lyrics. "Don't let the cats and the
rabbits get you rattled, wag your tail and
walk on by." A joyful, unique addition to
your next concert program that is equally
effective with or without the vocalist.
11686200 Jazz Ensemble . . . . M 52.00
When You Wish Upon a Star Vocal Solo
with Jazz C Major—Ned Washington &
Leigh Harline/arr. Chuck Israels. Using
a comfortable moderate swing style,
this masterful setting opens with the full
ensemble, then gives way to solo space
for tenor sax. A key change announces the
entrance of the vocalist who takes us the rest
of the way out. Tender and very effective!
11571827 Jazz Ensemble
& Vocalist . . . . . . . . M 55.00
Sonny Rollins
Celebrate the legacy of Sonny Rollins with
these arrangements of his classic standards
Doxy—Sonny Rollins/arr. Michael Sweeney.
10461404 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . VE 45.00
Jazz Combo Pak No. 29 (Sonny Rollins)—
arr. Frank Mantooth.
2470825 Combo w/ Online Audio-
3+ Horns & Rhythm Section . . . . . . . . . . . . . . . . . M 50.00
Sonnymoon for Two—Sonny Rollins/arr. Paul Murtha.
10681403 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . VE 45.00
St. Thomas—Sonny Rollins/arr. Mark Taylor.
10909028 Combo w/ Online Audio-
4 Horns & Rhythm Section. . . . . . . . . . . . . . . . . . M 40.00
St. Thomas—Sonny Rollins/arr. Mark Taylor.
10098775 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
St. Thomas—Sonny Rollins/arr. Mark Taylor.
2423630 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
Tenor Madness—Sonny Rollins/arr. Michael Sweeney.
10914012 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40.00
Tenor Madness—Sonny Rollins/arr. Mark Taylor.
2433860 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
