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142
Latin Selections | Medium-Advanced & Advanced
Latin Selections
Medium-Advanced
& Advanced
Alianza—Erik Morales. Alianza, the
Spanish word for "alliance," is represented
here through the high-energy blending
of Latin and swing styles. The main
melody seamlessly integrates the two
styles. There is a written-out jazz solo
for trumpet 2, and every section of the
band is featured at some point. The
lead trumpet range is to written A above
the staff. Optional parts are included for
flute, horn in F, baritone/tenor sax, tuba,
and percussion. A refreshing challenge!
Highly recommended!
10049724 Jazz Ensemble . . .MA 52.00
Armando's Rhumba—Chick Corea/
arr. Mike Tomaro. From Chick Corea's
My Spanish Heart album, this tune is not
really a "rhumba," but rather an extremely
energetic samba. This chart features
dynamic and challenging passages for the
entire ensemble and also ample room for
soloists. Nice chart!
10283046 Jazz Ensemble . . .MA 65.00
Black Orpheus—Luiz Bonfa/arr. Eric
Richards. Here's a super high-energy
Latin samba arranged by Eric Richards
that is the perfect opener or closer for any
performance. There are solo opportunities
for tenor sax, baritone sax, 2nd trombone
and drums. This is a powerhouse chart
that features tons of cookin' rhythm,
a melody that floats above great
counterpoint and a magnificent trumpet
section soli that really brightens things up.
Exciting festival chart!
10011985 Jazz Ensemble . . . . A 62.00
Blue Rondo a la Turk—Dave Brubeck/
arr. Kris Berg. The essence of the original
is captured here with this updated version
of Dave Brubeck's classic tour de force in a
big-band setting! The meter alternates from
a 9/8 straight Afro-Cuban feel to a more
relaxed 12/8 swing style, and they blend
perfectly with Brubeck's rhythmic patterns.
There's solo space for alto 1, trumpet 2 and
drums, and lead trumpet goes up to written
C above the staff. This is an exceptional
chart for festival or concert!
2480796 Jazz Ensemble . . .MA 60.00
Brincando com Fogo (Dancing with
Fire)—Drew Zaremba. Here is a fiery
Latin baiao chart that works as a great
opener to any program. Full of nonstop
action and driving percussive energy, this
chart will leave audiences speechless.
Optional written solos for tenor sax 1 and
trumpet 2, plus space for drum solos and
auxiliary percussion.
11400494 Jazz Ensemble . . .MA 52.00
Caravan—Duke Ellington/arr. John
Wasson. Recently featured in the motion
picture "Whiplash," this barnburner by
outstanding arranger John Wasson is pure
Latin fire from start to finish! This chart will
have your students begging to practice.
With the opportunity for an extended
alto sax solo, this Rolls Royce of an
arrangement is definitely top-notch!
2402725 Jazz Ensemble . . .MA 62.00
Cat 'n' Mouse—Lachlan Davidson.
Playful, fast-paced, and bursting with
personality, this high-energy jazz chart
places the alto saxophone section squarely
in the spotlight. Two altos trade lines, echo
motives, and weave around each other in
a spirited musical chase, blending close
duet interplay with punchy full-ensemble
hits. Influenced by classic 1970s television
themes, the music mixes swagger, virtuosic
bursts, and driving rhythm section support
into a lively feature that celebrates mischief,
motion, and the thrill of pursuit.
11686074 Jazz Ensemble . . .MA 60.00
Clair de Lune—Claude Debussy/arr. Bob
Turner. Opening with a classically styled
piano solo, this jazz band arrangement
gradually transforms Debussy's familiar
material into a driving Latin groove while
placing the piano in a central featured
role. The hybrid approach rewards stylistic
contrast, ensemble control, and rhythmic
precision. The writing suits experienced
high school groups and is a strong choice
for highlighting a pianist and expanding
students' stylistic vocabulary in a
concert setting.
11686531 Jazz Ensemble . . .MA 50.00
Clairvoyant Notion—Joey Stempien. A
contemporary samba fuses smooth jazz
sophistication with the energy and color of a
modern big band. Drawing inspiration from
groove-driven icons like the Rippingtons,
Spyro Gyra, and Pat Metheny, this piece
channels their unmistakable sound into a
playable ensemble experience. It captures
the vastness of a clear blue sky, the
introspection of an overcast morning, and
the electrifying rush of an approaching
storm to create an engaging selection for
advanced high school performers.
11686205 Jazz Ensemble . . .MA 60.00
Deliberation—John Wasson. A driving
bossa groove sets the tone for this
challenging jazz ensemble work built
around syncopation and Latin rhythms.
Open solo sections create ample room for
strong improvisers before the chart shifts
into an energized double-time feel in the
second half. A strong chart for ensembles
ready to balance groove, solo expression,
and rhythmic precision within a modern
jazz context.
11684608 Jazz Ensemble . . .MA 65.00
El Abrazo—Alan Baylock. The beautiful
ballad beginning and ending in this Alan
Baylock original will bring tears to your eyes.
The chart then moves to an exciting samba
around 110 bpm for the half note with
occasional swing sections interspersed.
The lead trumpet range is to written high
C and there is an extended tenor sax
solo with chord changes. You won't forget
this chart, it's special in every way. A truly
stunning chart, this one will provide plenty of
opportunities for your band to shine – it's the
perfect festival chart. Highly recommended!
10593791 Jazz Ensemble . . .MA 62.00
Furioso!—Michele Fernandez. Composed
in a flashy merengue style, this brief blaze
of glory is a perfect hair-on-fire opener or
rousing encore for mature ensembles. It
features simmering sax lines, open solo
possibilities, and carefully notated rhythm
section parts. Stunning!
11518964 Jazz Ensemble . . .MA 65.00
Gibraltar—Freddie Hubbard/arr. Mike
Kamuf. Gibraltar is a Freddie Hubbard
jazz standard recorded by many jazz
giants. It's a very hip samba that cooks
at around 180 bpm with written-out solos
provided for trumpet 2 and tenor sax 2,
plenty of action for the drummer, and
a lead trumpet range to written A. Also
included are a few snippets of Freddie
Hubbard licks throughout. Playable with
optional expanded instrumentations, this is
a smokin' chart in every way!
10593775 Jazz Ensemble . . .MA 52.00
Gregory Is Here—Horace Silver/arr.
Michael Phillip Mossman. Even though
the sax section gets the bragging rights
in this outstanding arrangement of this
classic mambo chart, the entire ensemble
gets a chance to flex some muscle. Lead
trumpet plays to high D, and lead bone
plays to high C.
11617944 Jazz Ensemble . . . . A 65.00
Iluminada—Michele Fernandez. Get
ready to move! Opening with a warm and
sultry flute solo (optional alto or flugelhorn),
this chart transitions into a burning son
montuno with an infectious melody full of
lots of syncopations. Meticulously marked
percussion will teach your rhythm section
authentic interpretations of the cascara,
campaneo, and songo grooves. Your
bass player is also in for a treat. Open
solo section. Lead trumpet plays up to high
B-flat, and lead bone plays up to high A-flat.
11617945 Jazz Ensemble . . .MA 55.00
La Fiesta—Chick Corea/arr. Michael
Mossman. Here is a sizzling Afro-Cuban
version of this Chick Corea classic that is
sure to be an impressive addition to any
concert or festival program for mature bands.
Perfect as a feature for your pianist, but the
flexible solo section allows other players to
be featured as well. Highly recommended!
10098727 Jazz Ensemble . . .MA 65.00
La Suerte de los Tontos—Johnny Richards/
Richards/arr. Victor Lopez. Victor Lopez,
who knows the Latin idiom inside and out,
has given us a powerhouse 6/8 Latin chart
that will make your ensemble sound like the
Kenton Band. It's majestic, powerful and
noble and includes written solo space for
tenor sax and an optional Latin percussion
part. Optional parts are included for flute,
horn in F, baritone/tenor sax and tuba. This
is a "must-have" chart with pure excitement
from beginning to end!
10049728 Jazz Ensemble . . .MA 52.00
A Night in Tunisia—Gillespie & Paparelli/
arr. Michael Mossman. A great showcase
for the entire ensemble, this Latin jazz
classic is now available for your advanced
jazz ensemble! Arranged for and recorded
by Mario Bauza, Michael Philip Mossman
adds his own unique flair to this Dizzy
Gillespie tune that exudes excitement from
beginning to end. The featured soloists
include trumpet (of course), as well as
trombone and alto. An ideal festival chart!
2481613 Jazz Ensemble . . .MA 65.00
El Ritmo del Malecon—Jamie Roth. An
original salsa chart brings authentic style
to the jazz ensemble stage. Written at a
Grade 3 or 4 level depending on setup,
it features a true-to-style groove with
montuno and tumbao patterns supported
by additional percussion to enhance the
rhythmic depth. Alternate bass and piano
parts allow ensembles to approach the
chart at a more accessible level or step into
a more advanced, fully realized salsa feel.
This chart balances authenticity, flexibility,
and educational value.
11687429 Jazz Ensemble . . .MA 50.00
Rumba en Fuego—Michele Fernandez.
A fiery Afro-Cuban rumba with woodwind
features and a driving rhythm section, carefully
notated for an authentic performance that
keeps the audience moving.
11640146 Jazz Ensemble . . . . A 65.00
Sofrito—Mongo Santamaria & Neal
Creque/arr. Michael Philip Mossman.
This Latin jazz classic was made famous
by legendary percussionist Mongo
Santamaria. This smoldering arrangement
features a moderate cha-cha groove and
plenty of ensemble excitement throughout.
With feature spots for the rhythm section,
space for open solos, and even optional
band vocals, this one churns from beginning
to end!
11571821 Jazz Ensemble . . .MA 65.00
Song for Kate—John Wynn/arr. John
Wasson. Smooth bossa nova style
defines this jazz ensemble chart built on a
relaxed, syncopated groove. Lush scoring
requires flute and bass clarinet doubles,
with optional flugelhorns adding color and
featured solos for guitar, flute, and drums
highlight individual voices. The polished
sound feels sophisticated while remaining
approachable by advanced high school or
collegiate groups.
11683731 Jazz Ensemble . . .MA 65.00
