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Concert
Music
Sacred Concert easy / medium-easy
Jazz CantateAndy Beck. The brief Latin text
"Cantate canticum novum" means "Sing a new
song." Set at an easy jazz-waltz tempo, this is a
marvelous blend of Latin and English text, canonic
verses and jazz sonorities. A fresh, creative
approach to a work based on a Latin text, it is an
excellent choice for concert, contest or festival!
Highly recommended!
10068193 SATB . . . . . . . . . . . . . . . . . . 1.75
10068194 SAB. . . . . . . . . . . . . . . . . . . 1.75
10068195 Two-Part . . . . . . . . . . . . . . . 1.75
10068196 P/A CD . . . . . . . . . . . . . . . 27.99
10068197 Instrumental Parts . . . . . . . 25.00
4 KyrieAntonin Dvorak/arr. Jay Rouse. Jay Rouse
has beautifully paired the melody from Dvorak's
"New World Symphony" with the classic text,
Kyrie eleison, Christe eleison. The setting features
rich harmonic color, pristine vocal writing, and a
distinctive piano accompaniment.
10425045 SATB . . . . . . . . . . . . . . . . . . 2.05
10425080 P/A CD . . . . . . . . . . . . . . . 26.95
Kyrie CanonAndy Beck. This is perfect for
young singers! It's an original two-part canon,
with a third part in the optional flute, and Kyrie
eleison, Christe eleison is the only text. Easy,
beautiful, and with great educational value, it is
an exceptionally rewarding work for young choirs!
Highly recommended!
10303498 Two-Part . . . . . . . . . . . . . . . 1.85
10308648 Multi-Song Accomp. CD . . . 39.99
4 Laudate DominumRuth Morris Gray. A
haunting harmonic progression lays the framework
for a descending chromatic line, which is sung by
Part II and played on the bells. The arpeggiated
piano part gently supports the delicate melody,
providing a lovely accompaniment for this exquisite
2-part Latin setting. Visit alfred.com/choralparts to
download the free bell part.
10453216 Two-Part . . . . . . . . . . . . . . . 1.85
10453431 Multi-Song Accomp. CD . . . 44.99
Ht Lift Thine EyesFelix Mendelssohn. Mendel-
ssohn's lovely trio from "Elijah" has become a
standard for women's choral groups everywhere.
G. Schirmer edition.
408609 SSA . . . . . . . . . . . . . . . . . . . 1.80
Ht The Lord Bless You and Keep YouPeter
Lutkin. Excellent as a benediction or closing
number, this is a piece you're sure to pick up often.
May be done with or without accompaniment.
368100 SATB . . . . . . . . . . . . . . . . . . 1.75
n Misty MorningCarl Nygard. Light, delicate, and
with a gentle bounce, this piece conveys introspective
thoughts about the glories of God's universe.
1521780 SAB. . . . . . . . . . . . . . . . . . . 1.70
A Mozart CanonW. A. Mozart/arr. Moore. This
is exactly what young and developing choirs need
and want to sing! Based on the melody Alleluia
from the Exsultate Jubilate motet, A Mozart Canon
is voiced comfortably and embellished with optional
flute obbligato. Your singers will really shine on this!
Highly recommended!
10355340 Three-Part Mixed . . . . . . . . . 1.85
3300913 Two-Part . . . . . . . . . . . . . . . 1.85
3300914 P/A CD . . . . . . . . . . . . . . . 27.99
4 Pie JesuVictor Johnson. This luscious and
sensitive setting of the traditional Latin text exudes
a gentle simplicity with soaring melodic lines and
a fluid accompaniment. A pronunciation and
translation guide is provided.
10443059 Three-Part Mixed . . . . . . . . . 1.95
10443060 Two-Part . . . . . . . . . . . . . . . 1.95
10457512 P/A CD . . . . . . . . . . . . . . . 26.95
n SanctusSandra Howard. If you have a young
SATB choir, consider this attractive setting of the
traditional Latin text, scored for three-part mixed
voices with optional baritone. Light, melodic and
easy to learn, it's very pretty and is an excellent
choice for festivals and adjudications.
10086537 Three-Part Mixed or SATB. . . 1.65
l Sing Together! Psallite!J.S. Bach/arr. Patrick
Liebergen. This Baroque gem offers a wonderful
opportunity to teach one of Bach's timeless
melodies to your young singers. The expertly written
vocal lines make part-singing achievable, as both of
the partnering melodies are introduced to everyone
before splitting into two parts. Use two optional
flutes to add an even greater depth to the piece.
10416031 Unison/Two-Part
with 2 opt. Flutes . . . . . . . . . 2.10
Sacred Concert
All Voicings
Medium-Easy
t Adoramus TeG.P. da Palestrina/arr. John
Leavitt. The expressiveness of the Renaissance is
richly portrayed in this clean edition of Palestrina's
classic masterwork. At only one and a half minutes
in duration, this is an excellent choice for young a
cappella choirs. It belongs in every choral library!
3289840 SATB . . . . . . . . . . . . . . . . . . 1.90
10092184 TTBB . . . . . . . . . . . . . . . . . . 1.80
4 Agnus DeiJohn Leavitt. Opening andante
espressivo over a ground bass, this deeply
emotional setting of the Agnus Dei is infused
with hopefulness and warmth. One of the three
movements of "Petite Mass" (including Kyrie and
Gloria), this beautiful work will enhance any concert
program. Perform with keyboard or the optional
chamber orchestra.
10456313 SATB . . . . . . . . . . . . . . . . . . 1.90
10456337 SSA . . . . . . . . . . . . . . . . . . . 1.90
10456338 P/A CD . . . . . . . . . . . . . . . 26.99
10456340E Instrumental Parts ePrint. . . 55.00
Agnus DeiVictor C. Johnson. This flowing,
melodic setting of the traditional Latin text is
absolutely gorgeous! The marvelous part writing,
luscious harmonies and rich accompaniment are
so gentle and graceful, the work is pure liquid
expression. Highly recommended!
10044094 Two-Part or SA. . . . . . . . . . . 1.95
10047774 P/A CD . . . . . . . . . . . . . . . 26.95
H All Things Bright and BeautifulJohn Rutter.
The delicate melody befitting this familiar text gains
gentle momentum by a continual movement in the
keyboard. A quintessential piece for spring from
renowned composer John Rutter.
1673078 SATB . . . . . . . . . . . . . . . . . . 1.90
1484310 SA . . . . . . . . . . . . . . . . . . . . 1.70
4535720 Orchestration . . . . . . . . . . . 50.00
t AlleluiaMark Repasky. Beautifully interwoven
choral lines, all derived from the single ancient
Greek word of praise ("Alleluia"), create a stunning
tapestry of wonderfully warm harmonies. Written for
SATB divisi voices a cappella, this heavenly choral
is suitable for both concert and worship use.
10366266 SATB . . . . . . . . . . . . . . . . . . 1.95
t AlleluiaWilliam Boyce/arr. Robinson. Every part
has a chance to sing the simple melody in this
flexible arrangement of the classic canon. Singable
a cappella, it includes a piano part that is a real
accompaniment, not just a keyboard reduction,
so your SAB choir can learn the piece with
accompaniment and have the option of performing
it either way. A bright tempo, stunning dynamic
contrasts and plenty of repetition make it easy to
learn and fun to perform!
10086605 SAB. . . . . . . . . . . . . . . . . . . 1.95
Alleluia, Alleluia!Amy F. Bernon. Jubilant and
rhythmic, this original will energize any secular
or sacred program. The only accompanying
instruments are percussion, which add exciting
momentum and feature opportunities for
improvisation. The creative use of vocal ostinatos
and vocal layering will engage your singers and
provide a unique listening experience for your
audience! Highly recommended!
10047778 SATB . . . . . . . . . . . . . . . . . . 1.95
10275714 SSAB. . . . . . . . . . . . . . . . . . 1.95
10275715 SSAA. . . . . . . . . . . . . . . . . . 1.95
10047779 P/A CD . . . . . . . . . . . . . . . 24.95
H Amazing Gracearr. Jack Schrader. Absolutely
inspired! Jack's perspective on this beloved melody
is to use a slow, gospel style. The authentic piano
accompaniment has all the piano licks you could
possibly want, and supports the arrangement just as
well as the marvelous orchestral track. In a creative
twist, the last verse features the instruments on the
melody as the choir acts as "back-up singers" to
the piano. Part of our American heritage, Amazing
Grace is a hymn everyone knows, and this
arrangement adds a richness to the melody that
you simply must hear to appreciate.
3133154 SATB . . . . . . . . . . . . . . . . . . 2.05
3133162 P/A CD . . . . . . . . . . . . . . . 26.95
8020711 Orchestration . . . . . . . . . . . 55.00
H Amazing Grace/Pachelbel's Canonarr. Jean
Anne Shafferman. Here is a marvelous pairing
of Amazing Grace with the beloved baroque
classic, Pachelbel's Canon! The baroque canon
accompanies as the voices sing Amazing Grace in
4/4. Opening with unison voices, it flows easily to
rich part writing, closing in inventive counterpoint
with the canon bass line, the Amazing Grace
melody, and a soaring soprano descant Alleluia.
Inventive and very creative!
3073350 Two-Part . . . . . . . . . . . . . . . 1.85
H And the Glory of the LordG. F. Handel/arr.
Emerson. This masterwork arrangement from "The
Messiah" has been created to meet the needs
of smaller or less experienced ensembles, while
maintaining the integrity of the Handel original.
1710623 SAB. . . . . . . . . . . . . . . . . . . 2.25
H At the RiverAaron Copland. Powerful and
rhythmic, this number also serves as a classic example
and introduction to contemporary craftsmanship.
153999 SSA . . . . . . . . . . . . . . . . . . . 1.95
154088 SATB . . . . . . . . . . . . . . . . . . 1.95
4t Ave MariaJacob Arcadelt/arr. John Leavitt.
Attributed to the Franco-Flemish Renaissance
composer Jacob Arcadelt, this a cappella work for
men's voices will be a joy to rehearse and perform.
Not difficult, this is excellent serious literature for
male choirs!
10442476 TTBB . . . . . . . . . . . . . . . . . . 1.90
l Ave MariaJacques Arcadelt/ed. Mike Ware.
In this edition of the time-honored Renaissance
classic, stressed syllables have been underlined
and bar lines and time signatures are grouped
according to the natural metric and syllabic stress
of the Latin text, to aid the conductor and singer.
10443571 SATB . . . . . . . . . . . . . . . . . . 1.80
l Ave MariaThomas Juneau. The simple, serene,
and haunting melody of this original work employs
polyphonic imitation in which each vocal line is
equal in importance. The harp part is available as a
free download from the publisher's website.
10443535 SSA with opt. Harp . . . . . . . . 1.95
n Ave Maria (Motet)Julio Dominguez. Here is
a flexibly voiced setting of the traditional Latin text
that is accessible to a wide range of choirs: SAB,
SA, or unison, accompanied or unaccompanied. At
just over three minutes in duration, this is simply
beautiful, the perfect way to get your students
singing in Latin!
10356992 SAB or SA or Unison . . . . . . . 2.00
4 Awake My Soul and Sing!Victor C. Johnson.
This celebratory work is solid and rhythmic,
featuring a driving accompaniment that helps to
fuel the excitement. With options to feature a small
ensemble or solo throughout its development, this
piece will make an outstanding concert opener!
10457447 SATB . . . . . . . . . . . . . . . . . . 1.95
10457448 SSA . . . . . . . . . . . . . . . . . . . 1.95
H The AwakeningJoseph Martin. If you are
looking for a dramatic concert/festival work, be sure
to look at this one! The glory of music is treated
with great depth and musical-textual imagery in
this deeply moving selection, which offers a rare
opportunity to showcase your choir's musicianship.
"Let Music Live!" This will make a lasting impression
on your singers and audiences. Stunning!
3027786 SATB . . . . . . . . . . . . . . . . . . 1.90
10299072 SSAA. . . . . . . . . . . . . . . . . . 1.95
1995612 TTBB . . . . . . . . . . . . . . . . . . 2.05
10049275 P/A CD . . . . . . . . . . . . . . . 26.99
3066867 Instrumental Parts . . . . . . . 70.00
H Battle Hymn of the Republicarr. Peter
Wilhousky. The Wilhousky setting of this 19th
century hymn is possibly the most heartfelt musical
pronouncement of American patriotism. Divisi
sections in all parts are accessible and still richly
expressive with harmonic colors and sweeping
dynamic contrasts. Emotional and highly effective, it
is a truly magnificent setting that may be performed
with band or orchestral accompaniment. It's also the
one chosen most often by U.S. military ensembles.
245076 SATB . . . . . . . . . . . . . . . . . . 1.95
10443554 SAB. . . . . . . . . . . . . . . . . . . 2.25
244988 SSA . . . . . . . . . . . . . . . . . . . 1.80
244897 TTBB . . . . . . . . . . . . . . . . . . 1.95
945436 Concert Band . . . . . . . . . . . 90.00
258038 Full Orchestra . . . . . . . . . . 85.00
The Battle Hymn of the Republicarr. Lon
Beery. Now developing choirs can thrill to the
dramatic impact of this most important sacred
patriotic work! Optional baritone notes for changing
voices and optional notes for high sopranos
guarantee a big, full choral sound. You'll want to
use the recorded track or parts for two trumpets,
trombone and timpani (available separately) to add
sparkle to your performance of this outstanding
arrangement! Highly recommended!
10274314 Three-Part Mixed . . . . . . . . . 1.90
10274315 SSA . . . . . . . . . . . . . . . . . . . 1.80
10274316 P/A CD . . . . . . . . . . . . . . . 26.99
10274317 Instrumental Parts
Brass & Timpani. . . . . . . . . 25.00
