4Editors' Choice (Best of 2014 Publications) lNew for 2014 HPepper Basic Library Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
52
Jazz
Ensemble
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Ballads medium-easy
4 Bridge Over Troubled WaterPaul Simon/
arr. Paul Baker. Paul Simon's soulful, rock ballad
is set here at 88 bpm, and as arranged by Paul
Baker is sure to please! The melody is first stated
by trumpet 2 and tenor sax, there are no improvised
solos, and the trumpet 1 range is to written G on top
of the staff. This chart also features great dynamic
contrasts and a satisfying vamp toward the end.
Optional wind and vibes parts are included for
expanded instrumentations. Highly recommended!
10452102 Jazz Ensemble . . . . . . . . . . 46.00
Cerulean BlueGregory Yasinitsky. Here's a
playable feature for your trombone soloist! The
lyrical melody, rich harmonies, double time solo
section, and roaring shout chorus make it a juicy
number any young soloist would be proud to
play. The soloist may choose to ad lib or use the
suggested solo.
2415321 Jazz Ensemble . . . . . . . . . . 45.00
H A Child Is BornThad Jones/arr. John Denton.
This wonderful jazz standard by Thad Jones moves
smoothly through a few styles - first as a ballad, then
as a moderate jazz waltz, then as a bossa in four,
and back to the jazz waltz feel - all the while keeping
the beauty and integrity of the original. Written or
ad lib solos are for alto sax and trumpet. Gorgeous
chord voicings and tasty contrapuntal lines support
this beautiful tune in a very tasteful way!
2701948 Jazz Ensemble . . . . . . . . . . 48.00
n A Child Is BornThad Jones/arr. Mike Carubia.
Thad Jones' most popular and unforgettable
composition will provide your players with a
great ballad experience. Mike Carubia's tasteful
arrangement captures all the charm of the original
without the difficulty, and features a written piano
and optional flute melody to start the second
chorus. Also appropriate for holiday performances,
A Child is Born will capture the hearts of your
audiences and the young musicians who play this
soulful tune. Highly recommended!
10280869 Jazz Ensemble . . . . . . . . . . 50.00
H
Don't Stop Believin'arr. Paul Murtha. From the
group Journey, this powerful rock ballad from 1981
has enjoyed renewed popularity thanks to the hit TV
series Glee as well as multiple uses in film and even
on Broadway. Sure to be a hit with audiences and
players alike!
10083822 Jazz Ensemble . . . . . . . . . . 45.00
n Don't Stop Believin'arr. Paul Baker. Hey rock
fans, here's a powerful rock ballad made famous
by Journey, arranged for young jazz ensemble.
From the opening line, this chart is magical
to the band and the audience. It has no jazz
solos, but if you have a guitar player, the
arrangement has an optional written guitar
melodic line that's also written for trumpets.
A great classic and highly recommended!
Optional expanded instrumentation.
10093155 Jazz Ensemble . . . . . . . . . . 46.00
Embraceable YouGeorge Gershwin/arr. Roy
Phillippe. Gorgeous, simply gorgeous! This tender,
sweet arrangement captures the essence of the
Gershwin ballad. Your students can get some
good experience recognizing the diminished chords
found here. Stylistically it's right on the money, yet
it's very playable. A stunning chart!
2443166 Jazz Ensemble . . . . . . . . . . 48.00
n Europa (Earth's Cry, Heaven's Smile)Santana
& Coster/arr. Victor Lopez. Europa is a terrific
rock ballad for your tenor sax soloist with no
improvisation, and is all written and they just don't
get any better than this. The features include a lead
trumpet range to written D fourth line, lots of unison
ensemble passages plus optional flute, clarinet,
auxiliary percussion and vibes parts. A fail-safe
tenor showcase that is a huge confidence builder.
Our highest recommendation!
10355586 Jazz Ensemble . . . . . . . . . . 44.00
H A Gentle TouchPaul Clark. This just might
be the best laid-back jazz ballad to come along
since Li'l Darlin'! After a short intro, the melody is
played by a quartet made up of your best players...
trumpet, alto, tenor and trombone. The whole
band joins in for some great ensemble work (with
the trumpets never leaving the staff) which leads
to an easy, but very cool written piano solo. Then
more great ensemble and finally the piano is again
featured at the end. The piano part is completely
written out and the right hand has a single note
line throughout. On top of all this, it will even
sound great with reduced instrumentation. There's
nothing high, loud or fast here, but what a great
way to impress an audience by showcasing your
band's ability to play with A Gentle Touch! Our
highest recommendation!
10032020 Jazz Ensemble . . . . . . . . . . 45.00
Goodbye My HeartMike Smukal. A haunting
lyrical melody, lush voicings and dynamic
contrasts are but a few of the winning features
of this alto sax feature. This ballad at an
accessible grade level also has some spots
where the full band really sparkles and a chorus
where the lead trumpet shines and gives the
soloist a little break. The solo is entirely notated
and changes are provided for embellishment or
improvisation if desired. This chart is a winner!
Highly recommended!
10011928 Jazz Ensemble . . . . . . . . . . 44.00
I Dreamed a Dream (from "Les Miserables")
arr. Roger Holmes. Here's the touching ballad
from the landmark musical and recent motion picture
"Les Miserables" in a nicely paced and solidly scored
arrangement for younger jazz ensembles. With
no solos, it's a beautiful change of pace for any
performance occasion. Highly recommended!
10374174 Jazz Ensemble . . . . . . . . . . 45.00
n I Remember CliffordBenny Golson/arr. Mike
Vax. One of, if not the most tasteful jazz ballads
ever written, this is a superb showcase for your
flugelhorn or trumpet soloist. Exceptionally nice!
2086288 Jazz Ensemble . . . . . . . . . . 45.00
H
If I Could FlyMike Smukal. Feature your tenor
sax soloist on this lush ballad that has a hint of
Latin. This chart weaves and contrasts minor
and major harmonies and is a superb chart for
developing players with the lead trumpet range only
to top line written F. Additionally, it's playable with
optional reduced or expanded instrumentation. The
tenor solo is all written out and the rhythm section
parts are very clear. An excellent vehicle for your
tenor sax player. Highly recommended!
10028079 Jazz Ensemble . . . . . . . . . . 44.00
n In a Sentimental MoodDuke Ellington/arr.
Mark Taylor. No one handles Ellington for younger
ensembles better than Mark Taylor, and this
well-crafted arrangement shows why. Although
Mark uses a written trumpet solo on the bridge,
the main theme is handled by the full ensemble
playing primarily tutti rhythms. Included are solos
for trumpet and tenor (written or ad lib.) then a
brief double time swing section featuring the entire
ensemble. We think the Duke himself would have
liked this one. Highly recommended!
2702198 Jazz Ensemble . . . . . . . . . . 45.00
l Is That All There Is?Daryl McKenzie. At around
72 bpm, Is That All There Is? is a beautifully melodic
ballad solo feature for tenor saxophone. The solo
part is fully written with chord symbols provided
for improv opportunities as desired. Throughout
the chart the ensemble alternates sections with the
soloist providing rest for the soloist and exposure for
the ensemble. There are optional parts for expanded
instrumentations, the rhythm section parts are
notated, and an optional vibes part is included.
Here's a nice ballad at an accessible grade level!
10459310 Jazz Ensemble . . . . . . . . . . 45.00
n JamieSammy Nestico. Recorded by Count Basie
on the album Have a Nice Day, this expressive
ballad is a study in subtle ensemble textures and
colors, with muted brass, delicate piano fills, and
a directed ending that closes in a whisper. The
rhythm section parts are partially notated with
chords cued.
544957 Jazz Ensemble . . . . . . . . . . 45.00
4 LaurieCarl Strommen. This Carl Strommen
ballad is written as an alto sax solo feature, but also
includes solo parts to allow a trumpet or trombone
to play the solo part. This classy rock ballad allows
you to feature one of your best players and provide
a delightful change of pace to any performance.
The brass ranges and technical requirements are
quite modest and an optional flute part is included.
Tasteful, tuneful and very nice!
10458684 Jazz Ensemble . . . . . . . . . . 47.00
Living in a DreamDoug Beach. With a haunting
melody and lush ensemble voicings, here is the
perfect showcase for your trumpet, alto sax or
trombone soloist. This beautiful ballad will also
provide a perfect change of pace at your next concert
and will be a perfect feature chart for developing
soloists. The solos and the rhythm section parts are
completely notated. Highly recommended!
10068887 Jazz Ensemble . . . . . . . . . . 52.00
n MistyErrol Garner/arr. Mike Lewis. You'll want to
have this timeless standard in your library! A gentle
opening builds to an unforgettable climax, with your
alto and trumpet soloists getting to share the solo
spotlight. Powerful ensemble scoring makes the
big band sound come alive. Great for working on
phrasing and style.
2442994 Jazz Ensemble . . . . . . . . . . 44.00
n A Moment Like ThisLarry Neeck. For that
special moment in your concert, show off the
lyrical style of your jazz band with Larry Neeck's
A Moment Like This. Feature your developing alto
saxophone or trumpet star with this tasty rock
ballad. Lush ensemble sections provide the perfect
complement to the lovely solo theme and provide a
solid foundation for your young soloist. This chart
will sound full and complete with optional reduced
instrumentation. Highly recommended!
10369385 Jazz Ensemble . . . . . . . . . . 48.00
n My Funny ValentineRichard Rodgers/arr.
Sammy Nestico. Feature either trumpet or flugel on
this creative arrangement of a timeless standard.
Written in ballad style, there's some nice ensemble
scoring and a brief, easy section in 3/4. Definitely a
top choice for younger bands!
2328144 Jazz Ensemble . . . . . . . . . . 45.00
H My Funny ValentineRichard Rodgers/arr. Mike
Smukal. Richard Rodgers and Lorenz Hart gave the
jazz world this beautiful ballad, and arranger Mike
Smukal sets it as a lush trumpet or flugelhorn
solo feature. The entire solo is notated and can
effectively be performed with no improvisation.
It also features a wonderful double-time section
with everything written out, easy ranges, some
nice substitute chords and lush harmonies. This
arrangement includes optional parts for flute, horn
in F, baritone and tuba. This is an exceptional chart
at an accessible level! Highly recommended!
10049705 Jazz Ensemble . . . . . . . . . . 46.00
Ballads
Medium-Easy
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
Europa (Earth's Cry, Heaven's Smile)—
Santana & Coster/arr. Victor Lopez.
10355586 Jazz Ensemble . . . . . . . . . . . . 44.00
I Dreamed a Dream (from "Les Miserables")—
arr. Roger Holmes.
10374174 Jazz Ensemble . . . . . . . . . . . . 45.00
10374174E Jazz Ensemble ePrint. . . . . . . 45.00
After Sunset—Larry Neeck.
10280821 Jazz Ensemble . . . . . . . . . . . . 45.00
A Moment Like This—Larry Neeck.
10369385 Jazz Ensemble . . . . . . . . . . . . 48.00
The Shadow of Your Smile—
Johnny Mandel/arr. Roy Phillippe.
2467744 Jazz Ensemble . . . . . . . . . . . . 44.00
2467744E Jazz Ensemble ePrint. . . . . . . 44.00
Afternoon—Pat Metheny/arr. Bob Curnow.
10162086 Jazz Ensemble . . . . . . . . . . . . 52.00
Don't Stop Believin'—arr. Paul Baker.
10093155 Jazz Ensemble . . . . . . . . . . . . 46.00
A Child Is Born—Thad Jones/arr. John Denton.
2701948 Jazz Ensemble . . . . . . . . . . . . 48.00
A Child Is Born—Thad Jones/arr. Mike Carubia.
10280869 Jazz Ensemble . . . . . . . . . . . . 50.00
Misty—Errol Garner/arr. Mike Lewis.
2442994 Jazz Ensemble . . . . . . . . . . . . 44.00
New Jazz Combo Paks!
Set in a three-plus horns and rhythm
section format, these paks each
include four iconic jazz classics.
Jazz Combo Pak No. 38 (Charlie Parker)—arr. Mark Taylor.
Mark Taylor sets these four complete Charlie Parker classics in a three-plus horn
and rhythm section format. The titles include: My Little Suede Shoes; Now's the
Time; Ornithology and Scrapple from the Apple. With performance flexibility in
mind, parts are included for B-flat, E-flat, and C instruments plus Piano, Guitar,
Bass and Drums. Highly recommended!
10461408 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45.00
Jazz Combo Pak No. 39 (Tin Pan Alley)—arr. Mark Taylor.
Flexibility abounds in this combo set including four complete songs from the
days of Tin Pan Alley. Including parts for B-flat, E-flat, C instruments and Piano,
Guitar, Bass and Drums, the instrumentation can accommodate almost any
combination of horns and rhythm section. Titles include: The Darktown Strutters'
Ball; Toot, Toot, Tootsie; While Strolling Through the Park One Day and You
Made Me Love You.
10461410 Combo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45.00
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