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Jazz
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Jazz Ensemble with Vocal Solo
H Christmas Time Is HereVince Guaraldi/arr.
Roger Holmes. Vince Guaraldi's touching ballad
from "A Charlie Brown Christmas" will feel as
familiar as an old friend. This feature for vocal
soloist makes a simply wonderful addition to your
holiday concert! (Vocal in C.)
2470804 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
H
Come Fly with MeJimmy Van Heusen/arr.
Quincy Jones/ed. Tomaro. The swingin' Quincy
Jones arrangement of this standard was a Frank
Sinatra signature tune. Here's the authentic version
edited and adapted for today's bands by Mike
Tomaro. Key: B-Flat.
10072767 Jazz Ensemble
& Vocalist . . . . . . . . . MA 60.00
4 Cry Me a RiverArthur Hamilton/arr. Victor
Lopez. Featuring a vocalist with big band, this
gorgeous ballad is played around 74 bpm.
The vocal range is G below middle C to third
space C, and the lead trumpet range is to F-sharp
top line. Included are optional solo parts for B-flat,
E-flat, and Bass Clef instruments to be used in
place of the vocal feature. It's an accessible chart
for the band and a great way to feature a vocalist
or instrumentalist!
10452150 Jazz Ensemble & Vocalist
or Any Solo
Instrument . . . . . . . . . ME 52.00
4 The Days of Wine and RosesHenry Mancini/
arr. Dave Wolpe. Dave Wolpe gives us a fine vocal
feature chart on this wonderful Henry Mancini
standard treated in a moderate swing style.
Arranged in two keys for flexibility, the low female
key is C and the vocal range is G below middle
C to third line B. The high male key is F and the
range is middle C to top space E treble clef. The
lead trumpet range is to written B above the staff.
An optional written tenor sax solo is included if you
want to use this as a tenor sax feature instead of a
vocal feature.
10452144 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 60.00
Do Nothin' till You Hear from MeDuke
Ellington/arr. John Clayton. Adapted from the
arrangement that John Clayton did for Dianne
Reeves and the WDR radio big band in Cologne,
Germany, here is a moderately slow and sultry swing
version of the Duke Ellington favorite. According to
John, "it's about grooving and having fun."
10186679 Jazz Ensemble
& Vocalist . . . . . . . . . MA 60.00
Don't Get Around Much AnymoreDuke
Ellington/arr. Dave Wolpe. Duke Ellington's great
chart really swings in this potent Dave Wolpe
arrangement! The vocal solo is backed by all sorts of
tasty little fills, and the full band gets to shout a bit,
too. Ad lib fills can be handled by the vocalist or the
pianist. Either way, this is sure to be a hit! (Vocal in F)
2381952 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
H Don't Know WhyJesse Harris/arr. Paul Murtha.
Award-winning pop singer Norah Jones made this
tune climb the charts, and it's easy to see why so
many people like it. The haunting, beautiful melody
and smooth harmonies make it an incredibly
appealing chart to use with either vocal, trumpet or
tenor sax soloist. (Vocals in Bb.)
2473701 Jazz Ensemble & Vocalist or Tenor
Sax or Flugelhorn . . . . ME 50.00
Embraceable YouGeorge Gershwin/arr. Dave
Wolpe. Dave Wolpe has done a masterful job with
Gershwin's romantic favorite, setting it in two keys
for both male and female vocal solo, including a
lyrical trombone feature, even building it up to a
big band shout before the lovely closing. This will
be a highlight in any performance! (Male vocal in F,
female vocal in C.)
2468031 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 58.00
n Every Day (I Have The Blues)Pinetop Sparks/
arr. Roger Holmes. Diane Schurr's recording of this
tune with the Count Basie Orchestra is a knock-
out! Roger has captured that original feel in a chart
that's perfect for whenever your vocalist has an
urge to sing the blues. (Vocal in F.)
2230837 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 50.00
Everybody's Waitin' for the Man with the
Bagarr. Rick Stitzel. Composed in the '50s,
this entertaining holiday tune has been recorded
notably by Kay Starr, and more recently by the Brian
Setzer Orchestra. For vocalist and big band, this is
a dynamic and swingin' addition to any holiday
performance! Vocal key: A-flat.
10283028 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
H EverythingBuble, Chang & Foster/arr. Scott
Ragsdale. Michael Buble sang this hit song
and now it's time for your vocal soloist and jazz
ensemble. Arranger Scott Ragsdale captured the
essence of the Buble arrangement with his terrific
adaptation at an easier level of this great tune. The
vocal range is from F below middle C up to third
space C, treble clef, and the vocal part has some
easy scat lines with vocal syllables. Lead trumpet
range is to written A above the staff. A wonderful
chart on a neat tune!
10071937 Jazz Ensemble
& Vocalist . . . . . . . . . ME 52.00
n Falling in Love with LoveRichard Rodgers/
arr. Dave Wolpe. Here's a wonderful arrangement
for vocal soloist with jazz ensemble of this classic
Rodgers and Hart favorite. Set in a swinging style, it
includes plenty of space for the singer to be heard.
Arranged in two keys for flexibility, the low key is F
with vocal range from G below middle C to 3rd line
B-flat, and the high key is B-flat, with vocal range
from middle C to top space E-flat. The lead trumpet
range is to written high D. Also featured is a written
alto sax solo and a substitute tenor sax melody part
in the event you don't have a vocalist. Very tasty and
highly recommended!
10311451 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 58.00
4 Fascinating RhythmGeorge Gershwin/arr.
Dave Wolpe. Here's a great Dave Wolpe vocal
chart! It features a samba treatment of this iconic
Gershwin classic, and the vocal range is G below
the staff to middle line B. With great wind parts,
a lead trumpet range to written A, and a tempo
around 104 bpm in cut time, this is an excellent
arrangement. Also included is an optional tenor sax
solo part to be used in place of the vocal solo.
10452148 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 60.00
Feeling GoodBricusse & Newley/arr. Roger
Holmes. From the Broadway musical "The Roar
of the Greasepaint - The Smell of the Crowd," this
fabulous standard is popular again with a stunning
rendition by Michael Buble. Capturing the bluesy
flavor of this version, here is a vocal solo feature
sure to bring down the house. It can also be used
as a tenor sax feature. Highly recommended! Vocal
key: C minor
10297513 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
H FeverCooley & Blackwell/arr. Roger Holmes.
Peggy Lee made this sizzler famous. Make sure
you have enough fire extinguishers on hand just in
case. (Vocal in A minor/C minor.)
2212082 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 50.00
H Fly Me to the MoonBart Howard/arr. Sammy
Nestico. Written with comfortable ranges and at a
moderate tempo, this vocal feature will be at home
on any concert. (Vocal in Ab.)
2249415 Jazz Ensemble
& Vocalist . . . . . . . . . . M 50.00
n A Foggy Day (In London Town)George
Gershwin/arr. Scott Ragsdale. Arranger Scott
Ragsdale nailed this swing chart styled after the
Michael Buble version! It's set at about 148 bpm
in a swing style, in the key of B-flat modulating to
C, with a vocal range from F below middle C to 3rd
space C, treble clef. The lead trumpet range is to
written A above the staff and there are optional solo
instrumental parts for B-flat, E-flat and bass clef
instruments in lieu of the vocal. This is an excellent
chart on a great Gershwin standard!
10355566 Jazz Ensemble & Vocalist
or Solo Instrument . . . . M 50.00
H The Girl from IpanemaAntonio Carlos Jobim/
arr. Roger Holmes. Made famous by Astrud Gilberto
and Stan Getz, this laid back Latin favorite features
a great groove and tasty ensemble writing to back
your singer, either male or female.
2314219 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
n God Bless the USALee Greenwood/arr.
Mark Taylor. A patriotic anthem for the ages, this
contemporary ballad has already established itself
as a standard! Beautifully scored for vocal soloist
and jazz ensemble, this arrangement makes a
powerful statement for singer and band alike. It's
the ultimate patriotic chart! (Vocal in Bb.)
2481657 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 40.00
Have Yourself a Merry Little Christmasarr.
Dave Wolpe. This sentimental Christmas favorite
will never go out of style, and Dave Wolpe's
satisfying arrangement is a great way to feature
your vocalist during the holidays. (Vocal in G.)
2188910 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 45.00
n Haven't Met You YetBuble, Chang & Foster/arr.
Scott Ragsdale. Michael Buble sang this hit song and
now it's time for your vocal soloist and jazz ensemble!
Arranger Scott Ragsdale captured the essence of the
Buble arrangement with his terrific adaptation of this
familiar tune. The vocal range is from F below middle
C up to third line B, and the lead trumpet range is to
written A above the staff. A wonderful chart on a cool
tune! Highly recommended!
10277798 Jazz Ensemble
& Vocalist . . . . . . . . . . M 50.00
n How About You?Burton Lane/arr. Dave Wolpe.
This swingin' standard is arranged by the great
Dave Wolpe in two keys...your choice of key of F
(high) or C (low) depending on the vocalist's range.
The band also gets some time to stretch out on
this outstanding chart. This arrangement includes
two scores and the different key versions are on
the reverse side of the parts, so just flip the page.
Vocal range in two keys: female (low) key range is
A below middle C to second space A. Male (high)
key range is D below the staff to fourth line D, treble
clef. An optional tenor sax solo part is included if
there is no vocalist featured.
10071935 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 58.00
How High the MoonMorgan Lewis/arr. Dave
Wolpe. All jazz students should know this great
tune! Dave's straight-ahead, swingin' vocal solo
feature is written in two keys to accommodate both
female and male voices. There are also brief solos
for trombone and trumpet. The version in C has
an optional shout chorus with the ensemble. (Low
vocals in C, high vocals in F.)
2701962 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 58.00
l I Can't Believe That You're in Love with Me
arr. Nelson Riddle. In 1960 Dean Martin
recorded the album This Time I'm Swingin'
with studio orchestra arrangements supplied by
Nelson Riddle. Here is the arrangement of I Can't
Believe That You're in Love with Me as recorded
by Martin on that album. The ensemble gets their
chance to shine in a section that swings hard and
a tenor sax solo adds to the spirit of the chart. This
arrangement features a full big band with a string
section; however, an optional synthesizer part
is included so that it may be played without the
strings. Vocal Key: A-flat.
10458215 Jazz Ensemble & Vocalist
with Strings . . . . . . . . MA 65.00
100 jazz standards for vocal,
piano or guitar!
The Great
American
Songbook - Jazz
Various Composers. A great
resource of 100 classics of American
songwriting arranged for piano and
voice with guitar chord frames.
Songs include: All Blues; Almost Like
Being in Love; As Time Goes By;
Between the Devil and the Deep Blue
Sea; Billie's Bounce (Bill's Bounce);
Bluesette; Cherokee (Indian Love
Song); Days of Wine and Roses;
Django; Embraceable You; Ev'ry
Time We Say Goodbye; Fascinating
Rhythm; Fly Me to the Moon (In Other
Words); Giant Steps; How Deep Is
the Ocean (How High Is the Sky);
How Long Has This Been Going
On?; I Got Rhythm; It Had to Be You;
Laura; Love Walked In; Mack the
Knife; Nice Work If You Can Get It;
Night and Day; Oh, Lady Be Good!;
On Green Dolphin Street; Over the
Rainbow; The Shadow of Your Smile;
Summertime; Waltz for Debby; Wave
and more. 400 pages!
10449093 Piano/Vocal/Guitar . . . 24.99
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