4Editors' Choice (Best of 2014 Publications) lNew for 2014 HPepper Basic Library Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
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Jazz
Ensemble
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Jazz Ensemble with Vocal Solo
n I Get a Kick Out of YouCole Porter/arr. Dave
Wolpe. Here's a staple of every jazz singer's
repertoire! Arranger Dave Wolpe delivers another
great chart with plenty of musical space for the
vocalist. He knows how to arrange better than just
about anyone for vocal with big band. This chart
proves it with perfect ensemble writing, an alto sax
solo and two key choices for vocalist flexibility. It
includes two scores and reversible parts...just flip
the page for the key that suits your vocalist. Vocal
solo ranges in two keys: female key (low) key of Bb,
G below middle C to 3rd space C; male key (high)
of Eb, middle C to top line F, treble clef. You'll get a
kick out of this chart!
10049776 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 58.00
4 I Just Called to Say I Love YouStevie Wonder/
arr. Michael Mossman. Originally recorded in 1984
by Stevie Wonder, here is a smooth version in a
cha-cha style that provides a very appealing setting
for vocalist. Mossman uses some harmonic twists
and turns, interesting and creative background
figures, and includes solo space for trumpet. Vocal
key: B-flat
10427394 Jazz Ensemble
& Vocalist . . . . . . . . . MA 60.00
4 I Thought About Youarr. Mark Taylor. This
tuneful Jimmy Van Heusen and Johnny Mercer
ballad from 1939 has remained popular through
the years and is a particular favorite among jazz
musicians. Beautifully set for vocalist and jazz
ensemble in a medium swing style, Mark Taylor
places just the right background lines in just the
right places. This may also be used as a tenor sax
solo feature. Vocal key: B-flat
10461360 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 50.00
n I've Got You Under My SkinCole Porter/arr.
Dave Wolpe. Dave Wolpe delivers a classic swing
vocal feature chart in the Sinatra style. Arranged
in two keys for flexibility, this one features a
full band interlude in the middle and a
trombone solo in the shout chorus. High key is
Eb (range is Bb below middle C to top line F), low
key is Bb (range is F below middle C to third line
Bb). There is an alternate tenor saxophone solo
part included that substitutes for the vocal solo.
Highly recommended!
10028161 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 58.00
n It Don't Mean a Thing (If It Ain't Got That
Swing)Duke Ellington/arr. Victor Lopez.
Swingin' and singin' with big band! This vocal
feature chart with a hard swing feel practically plays
itself. The key is F minor, the vocal range is middle
C to 3rd space C, and the lead trumpet range is
to written F top line. The solo space is for tenor,
trombone, alto, and trumpet, or optional vocal scat,
all written out. It's Ellington, it's Lopez, it's great!
Highly recommended!
10310223 Jazz Ensemble
& Vocalist . . . . . . . . . ME 52.00
4 It Had Better Be Tonight (from "The Pink
Panther")Henry Mancini/arr. Scott Ragsdale.
Heres's a great vocal feature chart on this Henry
Mancini favorite! Scott Ragsdale gives it a samba
treatment with the vocal range of G below the staff to
middle line B. With great horn parts, a lead trumpet
range to written A and a tempo around 104 bpm in
cut time, this is an outstanding vocal chart. Optional
solo parts are included for B-flat, E-flat and Bass Clef
instruments to be used in place of the vocal solo part.
10452142 Jazz Ensemble & Vocalist or
Any Solo Instrument . . . M 52.00
It Had Better Be Tonight (from "The Pink
Panther")Henry Mancini/arr. Mark Taylor.
Originally composed for the 1963 film "The Pink
Panther," this unique tune has enjoyed renewed
popularity thanks to the energetic samba version
recorded by Michael Buble. This one is fun for
vocalist and band! Key: G minor - A minor.
10283014 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
H It's Only a Paper MoonHarold Arlen/
arr. Jerry Nowak. Natalie Cole's Unforgettable
album met with incredible popularity and acclaim,
and this great old standard is hot! Jerry Nowak's
solid, medium swing chart cooks all the way,
and is a fantastic feature for your vocal soloist!
(Vocal in Eb.)
2262590 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 50.00
H Jingle Bellsarr. John Clayton. Adapted from
the chart he did for Diana Krall, and recorded
with the Clayton-Hamilton Jazz Orchestra on her
CD Christmas Songs, here is John Clayton's
joyous, up-tempo swing chart on this holiday
favorite. These jinglin' bells never sounded so
good! (Vocal in Bb.)
10052515 Jazz Ensemble
& Vocalist . . . . . . . . . MA 60.00
n Just FriendsJohn Klenner/arr. Dave Wolpe.
Dave Wolpe's superb chart on this great jazz
standard is for vocalist and jazz ensemble and it
is arranged in two keys for flexibility. The low key
is C and the high key is F...just flip the page for
the preferred key! In addition, an optional part is
provided for tenor sax as an alternative to the vocal.
A terrific stop-time sax soli and a jazz solo for 2nd
trumpet are more highlights of this swinger. The
low key vocal range is Gb below middle C to second
space A. The high key range is B below middle C to
fourth line D treble clef. A great vocal feature that
swings all the way home!
10028165 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 58.00
The Lady Is a TrampRichard Rodgers/arr.
Mark Taylor. Made popular recently thanks to a
recording by Tony Bennett and Lady Gaga on the
Duets II album, this wonderful jazz standard from
the '30s has also been featured on the TV show
Glee. This up-tempo swing chart can be used as a
vocal solo, duet, or as a feature for tenor sax. Vocal
key: B-flat
10297510 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
n Let It Snow! Let It Snow! Let It Snow!Jule
Styne/arr. Roger Holmes. With the vocal part in the
key of Db and modualting to the key of Eb, this great
holiday standard works super in a swing feel and is
a perfect choice for your holiday concert!
2249704 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 50.00
l Let's Call the Whole Thing OffGeorge
Gershwin/arr. Nelson Riddle. This is one of a series
of arrangements written by Nelson Riddle for Ella
Fitzgerald focusing on the Gershwin songbook.
This arrangement of the classic Let's Call the
Whole Thing Off features a rubato introduction with
vocalist and guitar before breaking into the melody
in a medium swing setting. This chart includes
only one trumpet with the part being just a soloist
behind the vocals, though the part is largely written
out. The melody, clever lyrics, and outstanding
arrangement make this a chart you must have!
Vocal Key: B-flat.
10458208 Jazz Ensemble
& Vocalist . . . . . . . . . . M 65.00
n The Look of LoveBurt Bacharach/arr. Mark
Taylor. This well-known Latin classic has been
recorded by many jazz artists and lends itself to
an easy relaxed feel. Written in a very comfortable
range for vocalist, this exceptional chart by Mark
Taylor will be a joy to perform. (Vocal in C minor.)
2476956 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
Love Is Here to StayGeorge Gershwin/arr.
Dave Wolpe. Here's a superb Gershwin tune in a
really great chart for your band and vocal soloist!
Arranged in two keys, this flexible chart is offered
in the key of Bb for a female vocalist, and Eb for a
male vocalist. Just flip the page to play the key you
need. A classic! (Vocals in Bb or Eb.)
2472231 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 58.00
n Mack the KnifeKurt Weill/arr. Dave Wolpe.
Look out, old Mackie is back! This fabulous vocal
chart modulates four times, up a half-step each
time and has a written tenor sax solo and a big
shout chorus. Arranged in two keys, the high key
begins in B-flat and the vocal range is from middle
C to F top line, treble clef. The low key begins in
E-flat and the range is from low F below middle C
to B-flat, second space. A "must-have" vocal chart!
Highly recommended!
10277802 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 60.00
The Man I LoveGeorge Gershwin/arr. Dave
Wolpe. Sultry and romantic! Your female vocalist
will love digging into one of the all time great torch
songs made famous by Billie Holiday. With a one
octave vocal range, the singer can kick back to
really sell it. An optional substitute solo is written
for tenor sax. (Vocal in Ab.)
2443364 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 48.00
n MistyErroll Garner/arr. Jerry Nowak. One of the
great ballads of all time! This timeless Erroll Garner
classic, sensitively arranged by Jerry Nowak,
belongs in any good jazz book. You'll use this one
year after year! (Vocal in C).
2167898 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 50.00
Each year Pepper's Editors review hundreds of new releases and choose
the cream of the crop to bear the name, Editors' Choice! You can buy any of
these titles with confidence!
Cry Me a River—Arthur Hamilton/arr. Victor Lopez.
Featuring a vocalist with big band, this gorgeous ballad is played around 74 bpm. The vocal range
is G below middle C to third space C, and the lead trumpet range is to F-sharp top line. Included
are optional solo parts for B-flat, E-flat, and Bass Clef instruments to be used in place of the vocal
feature. It's an accessible chart for the band and a great way to feature a vocalist or instrumentalist!
10452150 Jazz Ensemble & Vocalist or Any Solo Instrument. . . . . . . . . . . . . . . . . . . ME 52.00
The Days of Wine and Roses—Henry Mancini/arr. Dave Wolpe.
Dave Wolpe gives us a fine vocal feature chart on this wonderful Henry Mancini standard treated in
a moderate swing style. Arranged in two keys for flexibility, the low female key is C and the vocal
range is G below middle C to third line B. The high male key is F and the range is middle C to top
space E treble clef. The lead trumpet range is to written B above the staff. An optional written tenor
sax solo is included if you want to use this as a tenor sax feature instead of a vocal feature.
10452144 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
Fascinating Rhythm—George Gershwin/arr. Dave Wolpe.
Here's a great Dave Wolpe vocal chart! It features a samba treatment of this iconic Gershwin classic,
and the vocal range is G below the staff to middle line B. With great wind parts, a lead trumpet range
to written A, and a tempo around 104 bpm in cut time, this is an excellent arrangement. Also included
is an optional tenor sax solo part to be used in place of the vocal solo.
10452148 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
I Just Called to Say I Love You—Stevie Wonder/arr. Michael Mossman.
Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that
provides a very appealing setting for vocalist. Mossman uses some harmonic twists and turns,
interesting and creative background figures, and includes solo space for trumpet. Vocal key: B-flat
10427394 Jazz Ensemble & Vocalist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 60.00
I Thought About You—arr. Mark Taylor.
This tuneful Jimmy Van Heusen and Johnny Mercer ballad from 1939 has remained popular
through the years and is a particular favorite among jazz musicians. Beautifully set for vocalist and
jazz ensemble in a medium swing style, Mark Taylor places just the right background lines in just
the right places. This may also be used as a tenor sax solo feature. Vocal key: B-flat
10461360 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
It Had Better Be Tonight (from "The Pink Panther")—Henry Mancini/arr. Scott Ragsdale.
Heres's a great vocal feature chart on this Henry Mancini favorite! Scott ragsdale gives it a samba
treatment with the vocal range of G below the staff to middle line B. With great horn parts, a lead
trumpet range to written A and a tempo around 104 bpm in cut time, this is an outstanding vocal
chart. Optional solo parts are included for B-flat, E-flat and Bass Clef instruments to be used in
place of the vocal solo part.
10452142 Jazz Ensemble & Vocalist or Any Solo Instrument. . . . . . . . . . . . . . . . . . . . M 52.00
Willow Weep for Me—Ann Ronnel/arr. Vince Norman.
Vince Norman's arrangement on this wonderful jazz standard is a vocal solo feature set as a slow
swing ballad at about 70 bpm. The vocal range is G below middle C to A-flat second space. The
lead trumpet range goes to written A and included is a written solo for trombone 2. Optional solo
parts are included for B-flat, E-flat, and Bass Clef instruments to be used in place of the vocal solo.
Great tune, fine chart!
10452146 Jazz Ensemble & Vocalist or Any Solo Instrument. . . . . . . . . . . . . . . . . . . . M 52.00
All Levels
Jazz Ensemble with Vocal Solo
