J.W. Pepper Music Catalog
Issue link: https://read.jwpepper.com/i/403081
123 Order Toll-Free! Call 1-800-345-6296 / FAX 1-800-260-1482 / Internet jwpepper.com / E-mail [email protected] Alphabetical Index 21 Guns—arr. Bob Phillips. . . . . . . . . . . . . . . . . . . 53 221B Baker Street—Jeffrey Bishop . . . . . . . . . 49, 64 1812 Overture—Tchaikovsky/arr. Brubaker . . . 82, 87 1812 Overture—Tchaikovsky/arr. Dackow . . . . 24, 30 1812 Overture—Tchaikovsky/arr. Gruselle . . . . . . . 26 A la Media Noche (At Midnight)—Bob Lipton . . . . . 71 Abandoned Treasure Hunt—Rob Grice . . . . . . . . . . 39 Abduction from the Seraglio (Overture)— W.A. Mozart/arr. Hoffman . . . . . . . . . . . . . . . . . . 26 Ablaze—Chris M. Bernotas . . . . . . . . . . . . . . . . . . 44 Aboriginal Rituals—Elliot Del Borgo . . . . . . . . . 49, 83 Academic Festival Overture— Brahms/arr. McCashin. . . . . . . . . . . . . . . . . . . . . 35 Academic Festival Overture—J. Brahms/ed. Leidig . . 82 Accidental March—Alan Bernstein . . . . . . . . . . . . . 39 Across the Wind—Doug Spata. . . . . . . . . . . . . . . . 44 Adagietto—Gustav Mahler/arr. Gruselle . . . . . . . . . 26 Adagietto—Gustav Mahler/arr. Keiser. . . . . . . . . . . 30 Adagio—Thomaso Albinoni/arr. Hoffman . . . . . . . . 30 Adagio and Allegro—G. F. Handel/arr. Seiving . . . . 30 Adagio and Canzona— Henry Purcell/arr. Bob Lipton . . . . . . . . . . . . . . . . 30 Adagio and Presto—F.J. Haydn/arr. Robert Sieving . . 35 Adagio Cantabile—Beethoven/arr. Gruselle . . . . . . 26 Adagio for Strings—Samuel Barber . . . . . . . . . . . . 35 Adagio for Strings—Samuel Barber/arr. Hoffman . . 30 Adagio from "Spartacus"— Aram Khachaturian/arr. Longfield. . . . . . . . . . . . . 26 Addams Family—Vic Mizzy/arr. Moore . . . . . . . 53, 62 Adventure on the High Seas—Lorie Gruneisen . . . . 44 Adventures of Stringman—Richard Meyer . . . . 44, 63 Aethelinda—Jeffrey S. Bishop . . . . . . . . . . . . . . . . 84 African Adventure—Robert Sheldon . . . . . . . . . . . . 68 African Bell Carol—Robert W. Smith. . . . . . . . . . . . 73 African Blessing—Deborah Baker Monday . . . . . . . 66 After the Rain—Susan H. Day . . . . . . . . . . . . . . . . 44 Afterburn—Brian Balmages . . . . . . . . . . . . . . . . . . 44 Afterburn— Randall Standridge/ed. J. Cameron Law. . . . . . . . 44 Aftershock—Larry Clark. . . . . . . . . . . . . . . . . . . . . 37 Afterthoughts—Brian Balmages . . . . . . . . . . . . . . . 39 Aggressivo— Randall Standridge/ed. J. Cameron Law. . . . . . . . 44 Agincourt—Doug Spata . . . . . . . . . . . . . . . . . . . . . 44 Air on the G-String—J. S. Bach/arr. Gazda. . . . . . . 24 Airborne Heroes—Steven J. Campbell . . . . . . . . . . 69 Airplane—Michael Hopkins . . . . . . . . . . . . . . . . . . 37 Aladdin (Medley)—Alan Menken/arr. John Moss. . . 56 Alegria—Janelle Zook Cunalata . . . . . . . . . . . . . . . 39 Alice in Wonderland—Danny Elfman/arr. Kazik . . . . 56 All Glory, Laud and Honor—arr. David Winkler . . . . 87 All Is Calm—arr. Robert W. Smith . . . . . . . . . . 73, 88 All Is Well/Silent Night—arr. Keith Christopher . . . . 73 All Star (from "Shrek")—Michael Story . . . . . . . . . . 56 Alla Tchaikovsky—arr. Richard Meyer . . . . . . . 26, 63 Allegretto—Ludwig van Beethoven/arr. Longfield . . 26 Allegretto— Ludwig van Beethoven/arr. Rick England . . . . . . . 30 Allegretto—Beethoven/arr. McCashin. . . . . . . . . . . 27 Allegretto— Franz Schubert/arr. Robert D. McCashin . . . . . . . 30 Allegretto Grazioso—Antonin Dvorak/arr. Sieving . . 30 Allegro—J.C. Bach/arr. McCashin . . . . . . . . . . . . . 30 Allegro Barbaro—Bela Bartok/arr. Lipton . . . . . . . . 30 Allegro con Brio— Ludwig van Beethoven/arr. John O'Neill . . . . . . . . 27 Allegro for Cello and String Orchestra— Antonio Vivaldi/arr. Fishburn . . . . . . . . . . . . . . . . 27 Allegro from "Quinten" Quartet— F.J. Haydn/arr. McBrien. . . . . . . . . . . . . . . . . . . . 30 Allegro Giocoso—Brahms/arr. Monday. . . . . . . . . . 27 Allegro Giocoso—Michael Senturia. . . . . . . . . . . . . 44 Allegro Gustoso—Jeremy Woolstenhulme . . . . . . . 39 Allegro in D—Vivaldi/arr. Frackenpohl. . . . . . . . . . . 30 Allegro in G—Antonio Vivaldi/arr. Frackenpohl . . . . 27 Allegro Moderato— W.A. Mozart/arr. Robert D. McCashin. . . . . . . . . . 35 Allegro Molto— W.A. Mozart/arr. Douglas E. Wagner . . . . . . . . . . 30 Allegro Molto—W.A. Mozart/arr. John O'Neill . . . . . 35 Allegro Molto from Symphony No. 1— Charles Gounod/arr. McCashin . . . . . . . . . . . . . . 30 Allegro Vivo—G. F. Handel/arr. McCarrick . . . . . . . 31 Alleluia—Ralph Manuel/arr. LaBrie. . . . . . . . . . . . . 49 Amadare (Raindrops)—Keiko Yamada . . . . . . . . . . 44 Amadeus—W. A. Mozart/arr. Hoffman . . . . . . . 27, 82 Amazing Grace—arr. J. Cameron Law . . . . . . . . . . 70 Amazing Grace—Traditional/arr. Sean O'Loughlin . 24 America—Leonard Bernstein/arr. Bulla. . . . . . . 31, 59 America the Beautiful—Samuel A. Ward & Katharine Lee Bates/arr. Turner . . . . . . . . . . . . . . 69 America, the Beautiful— arr. Carmen Dragon & Douglas E. Wagner . . . . . . 69 American Fiddle Medley—arr. Bob Phillips . . . . 62, 66 American Fiddle Triptych—arr. Tim McCarrick . . 63, 68 American Folk Song Suite—Jack Jarrett. . . . . . . . . 69 American Idiot - The Musical—arr. Eric Gorfain . . . 59 American in Paris Suite— George Gershwin/arr. Whitney . . . . . . . . . . . . . . . 82 American Landscape—Soon Hee Newbold. . . . . . . 44 American Salute—Morton Gould . . . . . . . . . . . . . . 84 American Sketches—Joshua Reznicow . . . . . . 52, 69 American Suite Selections— Antonin Dvorak/arr. McBrien . . . . . . . . . . . . . . . . 82 Anchors Aweigh— Charles A. Zimmermann/arr. Paul W. Whear . . . . 87 Ancient Aires and Dances— Respighi/arr. Brubaker. . . . . . . . . . . . . . . . . . 27, 80 Ancient Flower—Yukiko Nishimura. . . . . . . . . . . . . 44 Ancient Legends—Gary Fagan. . . . . . . . . . . . . . . . 44 And So It Goes—arr. Larry Moore. . . . . . . . . . . . . . 56 Andante—G.F. Handel/arr. Robert Sieving . . . . . . . 31 Andante Cantabile—Charles Gounod/ arr. Matt Moreno & J. Cameron Law . . . . . . . . . . 35 Andante con Moto from "Symphony No. 5"— Ludwig van Beethoven/arr. Caputo. . . . . . . . . . . . 31 Andante from "Symphony No. 4"— Felix Mendelssohn/arr. Frost . . . . . . . . . . . . . . . . 31 Andante from "Symphony No. 6"— P. I. Tchaikovsky/arr. Longfield. . . . . . . . . . . . . . . 31 Andante from "Symphony No. 94"— F.J. Haydn/arr. Janet Farrar-Royce. . . . . . . . . . . . 31 Andante Moderato—Antonio Vivaldi/arr. Yale . . . . . 27 Angels Bach Has Heard on High—Owen Goldsmith. . 71 Angels in Royal David's City—Carrie Lane Gruselle . . 70 Angels in the Bleak Midwinter—Larry Clark . . . . . . 71 Angels on Parade—Carl Strommen . . . . . . . . . . . . 70 Antagonist—Larry Clark. . . . . . . . . . . . . . . . . . . . . 37 Anvil Chorus—Giuseppe Verdi/arr. Stroud . . . . . . . 82 Anvil Chorus—Giuseppe Verdi/arr. Dabczynski . . . . 24 Any Way You Want It—arr. Michael Story . . . . . . . . 53 Apocalypse—Adrian Gordon . . . . . . . . . . . . . . . . . 49 Apollo Suite—Merle Isaac . . . . . . . . . . . . . . . . . . . 37 Apotheosis—Austin Wintory/arr. Phillips . . . . . . . . . 59 Appalachian Hymn—Soon Hee Newbold . . . . . . . . 37 Appalachian Sunrise—Doris Gazda . . . . . . . . . . . . 39 Applause—Lady Gaga/arr. Larry Moore . . . . . . . . . 56 Arabian Dreams—Soon Hee Newbold . . . . . . . 49, 69 Aragonaise from "Carmen"— Georges Bizet/arr. Meyer . . . . . . . . . . . . . . . . . . . 80 Aria—Christoph W. Gluck/arr. Mark D. Hellem . . . . 27 Arioso—G.F. Handel/arr. Wagner . . . . . . . . . . . . . . 24 Arioso—Michael Hopkins . . . . . . . . . . . . . . . . . . . . 49 Arizona Sun—Mark Wood . . . . . . . . . . . . . . . . . . . 62 Arlington Sketches—Elliot Del Borgo . . . . . . . . . . . 49 Armada—Victor Lopez . . . . . . . . . . . . . . . . . . . . . . 37 Armed Forces Tribute—arr. Andrew Dabczynski . . . 69 As Twilight Falls—Robert Sheldon . . . . . . . . . . . . . 44 Ash Grove—Michael Hopkins. . . . . . . . . . . . . . . . . 66 Ashokan Farewell—arr. Calvin Custer. . . . . . . . 63, 68 Ashokan Farewell—arr. Bob Cerulli . . . . . . . . . 84, 87 Aspen Glow—Susan H. Day. . . . . . . . . . . . . . . . . . 39 Aspire (A Dream Fulfilled)—Bob Phillips . . . . . . . . . 44 Assemble the Minions!—Jeffrey S. Bishop . . . . . . . 44 Asturias—Isaac Albeniz/arr. Lopez . . . . . . . . . . . . . 82 At Last—Harry Warren/arr. Roszell. . . . . . . . . . . . . 59 Attack!—Jeffrey Frizzi . . . . . . . . . . . . . . . . . . . . . . 37 Attila—William Owens . . . . . . . . . . . . . . . . . . . . . . 37 Auld Lang Syne—arr. Jan Farrar-Royce . . . . . . . . . 71 Auld Lang Syne—arr. Sandra Dackow . . . . . . . 66, 71 Auld Lang Syne—Chip Davis/arr. Longfield. . . . . . . 73 Aurora Borealis—Michael Hopkins . . . . . . . . . . . . . 44 Autumn—Antonio Vivaldi/arr. Wagner . . . . . . . . . . 24 Autumn from "The Four Seasons"— Vivaldi/arr. Meyers. . . . . . . . . . . . . . . . . . . . . . . . 27 Autumn Vows—Susan H. Day . . . . . . . . . . . . . . . . 39 Avatar—Doug Spata . . . . . . . . . . . . . . . . . . . . . . . 39 Avengers—Alan Silvestri/arr. Moore . . . . . . . . . 56, 59 Away in a Manger—Chip Davis/arr. Longfield. . . . . 76 Baboquivari—Doris Gazda . . . . . . . . . . . . . . . . . . . 49 Bacchanale—Camille Saint-Saens/arr. Isaac . . . . . 82 Bacchanale—Camille Saint-Saens/arr. Porter. . . . . 31 Bach Country Fiddles—J.S. Bach/arr. Meyer . . 24, 62 Bach Fest— Johann Sebastian Bach/arr. Bob Phillips . . . . . . . 24 Bach to Rock—Mark Wood . . . . . . . . . . . . . . . . . . 64 Bach: Two Joyous Chorales— J. S. Bach/arr. McGinty . . . . . . . . . . . . . . 24, 70, 71 Bachaneer—Jeffrey E. Turner . . . . . . . . . . . . . . . . 44 Back to the Future— Alan Silvestri/arr. Sean O'Loughlin . . . . . . . . . . . . 56 Backcountry Ramble—Bob Lipton . . . . . . . . . . . . . 61 Badinerie—J. S. Bach/arr. Woolstenhulme . . . . . . . 27 Bagatelle—Anotonin Dvorak/arr. Seiving . . . . . . . . 31 Bailes Para Orquesta—Richard Meyer . . . . . . . . . . 49 Balletto from "Ancient Airs and Dances"— Ottorino Respighi/arr. McCashin. . . . . . . . . . . . . . 31 Band of Brothers— Michael Kamen/arr. Phillipe . . . . . . . . . . . . . . 85, 87 Barber of Seville—Rossini/arr. Gruselle . . . . . . . . . 31 Barber of Seville Overture— Gioacchino Rossini/arr. Meyer . . . . . . . . . . . . . . . 80 Barcarolle—Jacques Offenbach/arr. Longfield . . . . 23 Barcarolle— Jacques Offenbach/arr. Richard Meyer . . . . . . . . 23 Baroque Bouree—Gary Fletcher/arr. Andy Clark . . . 39 Baroque Fanfare—Jean Mouret/arr. Rigg . . . . . . . . 23 Bashana Haba 'ah—arr. Lloyd Conley . . . . . . . . . . 73 Basses Loaded—Carrie Lane Gruselle . . . . . . . . . . 64 Batman: The Dark Knight Rises— Hans Zimmer/arr. Ford . . . . . . . . . . . . . . . . . . . . 85 Batman Theme—Neal Hefti/arr. Cerulli. . . . . . . . . . 53 Bats 'n Bones—Susan H. Day . . . . . . . . . . . . . . . . 62 Battle Hymn of the Republic— arr. Peter Wilhousky . . . . . . . . . . . . . . . . . . . 87, 88 Battle of the Ancient Dragons—Rob Grice . . . . . . . 39 Battle Quest—Mike Forbes . . . . . . . . . . . . . . . . . . 37 Bayou Self—Cathy Morris . . . . . . . . . . . . . . . . . . . 63 Bazaar—George Sweet . . . . . . . . . . . . . . . . . . . . . 52 Be Thou My Vision—arr. Robert Frost. . . . . . . . 66, 70 Beach Boys Medley—arr. John Moss . . . . . . . . . . . 56 Beale Street Strut—Doug Spata . . . . . . . . . . . . . . . 44 Beast—Michael Story . . . . . . . . . . . . . . . . . . . . . . 37 Beatles Forever—arr. Larry Moore . . . . . . . . . . . . . 56 Beatles Suite—arr. Jack Bullock . . . . . . . . . . . 56, 84 Beauty and the Beast—arr. Bruce Chase . . . . . . . . 53 Beethoven, Inc.—Beethoven/arr. Meyer . . . . . . 27, 63 Beethoven Lullaby—Brian Balmages . . . . . . . . . . . 23 Beethoven's Symphony No. 6 "Pastoral"— Ludwig van Beethoven/arr. Vernon Leidig. . . . . . . 80 Believe—arr. Mike Story . . . . . . . . . . . . . . . . . . . . 71 Bella's Lullaby—Burwell and Wilson. . . . . . . . . . . . 56 Bells! (Les Cloches)—Jean Fery Rebel/arr. Gazda . . 27 Bells and Pizzicato—Lloyd Conley . . . . . . . . . . . . . 71 Bells of Christmas—arr. Bob Krogstad . . . . . . . 88, 89 Berceuse and Finale—Igor Stravinsky/arr. Isaac . . . 82 Best of Bach—J S Bach/arr. Jerry Brubaker . . . 27, 80 Best of Green Day— Billy Joe & Green Day/arr. Wagner . . . . . . . . . 56, 84 Best of Queen—arr. Larry Moore . . . . . . . . . . . . . . 56 Best of the Beatles— John Lennon & Paul McCartney/arr. Custer . . . . . 85 Beyond the Forest— Howard Shore/arr. Bob Phillips. . . . . . . . . . . . . . . 85 Billy Tell Overture— Gioacchino Rossini/arr. Richard Meyer . . . 31, 64, 69 Bio Rhythms—Richard Meyer . . . . . . . . . . . . . . . . 39 Bird—F.J. Haydn/arr. Moreno . . . . . . . . . . . . . . . . 27 Black Diamond—Robert Longfield . . . . . . . . . . . . . 39 Black River Ballad—Doris Gazda . . . . . . . . . . . . . . 39 Black Sea—Gary Gackstatter/ed. Dillon-Krass . . . . 49 Blackberry Blossom—Gary Gackstatter . . . . . . 63, 68 Blazing Bows of the West!—arr. Michael Story. . 56, 63 Blessing—arr. Robert Longfield . . . . . . . . . . . . . . . 56 Bluebell—Yukiko Nishimura . . . . . . . . . . . . . . . . . . 44 Blue Fire Fiddler—Soon Hee Newbold . . . . 44, 63, 68 Blue Rhythmico—Kirt N. Mosier . . . . . . . . . . . . 44, 63 Blue Ridge Run—Alan Lee Silva. . . . . . . . . . . . . . . 39 Blue Water—Yukiko Nishimura . . . . . . . . . . . . . . . 44 Bluegrass Fiddle Frenzy— Bill Monroe/arr. Phillips . . . . . . . . . . . . . . . . . 63, 68 Blunderbuss Battles—Ralph Ford. . . . . . . . . . . . . . 83 Blurred Lines—arr. Larry Moore . . . . . . . . . . . . . . . 59 Boccherini Minuet—arr. Robert Longfield . . . . . . . . 24 Bogdan's Castle—Robert Sieving . . . . . . . . . . . . . . 52 Bolero—Maurice Ravel/arr. Ricketts . . . . . . . . . . . . 31 Bolero de Strings—Thom Sharp. . . . . . . . . . . . . . . 39 Bonanza—arr. Longfield . . . . . . . . . . . . . . . . . 53, 62 Bond... James Bond—arr. Robert Longfield . . . . . . 56 Boomwhacker Christmas—arr. Richard Meyer . . . . 71 Boreas—Todd Parrish . . . . . . . . . . . . . . . . . . . . . . 44 Born This Way—arr. Patrick Roszell . . . . . . . . . 59, 85 Born This Way—Lady Gaga/arr. Moore . . . . . . 53, 56 Bossa Rojo—Bert Ligon . . . . . . . . . . . . . . . . . . . . . 65 Boulevard of Broken Dreams— Green Day/arr. Phillips . . . . . . . . . . . . . . . . . . . . . 56 Bows on the Bus—arr. Bob Phillips . . . . . . . . . 23, 61 Brandenburg Concerto No. 1 in F Major— J.S. Bach/arr. Brook . . . . . . . . . . . . . . . . . . . . . . 31 Brandenburg Concerto No. 3— J. S. Bach/arr. Isaac . . . . . . . . . . . . . . . . . . . . . . 31 Brandenburg Concerto No. 3— Johann Sebastian Bach/arr. Meyer . . . . . . . . . . . 24 Brandenburg Concerto No. 4— J. S. Bach/arr. Jasinski . . . . . . . . . . . . . . . . . . . . 27 Brandenburg Concerto No. 5— J. S. Bach/arr. Isaac . . . . . . . . . . . . . . . . . . . . . . 27 Brandenburg Sinfonia—Bach/arr. Isaac . . . . . . . . . 82 Branding Iron!—James Meredith . . . . . . . . . . . . . . 49 Brave (Music from)—Patrick Doyle/arr. Longfield . . 56 Brindisi—Giuseppe Verdi/arr. John Caponegro . . . . 24 Bring a Torch Jeannette Isabella— Chip Davis/arr. Longfield . . . . . . . . . . . . . . . . . . . 73 Bring Him Home—arr. Richard Tutobene . . . . . . . . 56 Brook Green Suite—Gustav Holst . . . . . . . . . . . . . . 31 Brother James' Air—Douglas Wagner . . . . . . . . . . 87 Bugler's Holiday for Three Violins— Leroy Anderson/arr. Bullock. . . . . . . . . . . . . . . . . 63 Burgundian Carol—arr. Sandra Dackow . . . . . . . . . 70 Burst!—Brian Balmages. . . . . . . . . . . . . . . . . . . . . 40 C Serpents—Andrew H. Dabczynski. . . . . . . . . . . . 40 Caissons Go Rolling Along— Edmund L. Gruber/arr. Bob Cerulli . . . . . . . . . . . . 70 Call Me Maybe—arr. Larry Moore . . . . . . . . . . . . . 56 Calypso Coupe—Carrie Lane Gruselle . . . . . . . 40, 62 Calypso Jam—Barrage . . . . . . . . . . . . . . . . . . 65, 69 Calypso Sea—Soon Hee Newbold . . . . . . . . . . . . . 44 Campbells Are Coming—arr. Sandra Dackow. . . . . 66 Camptown Races— Stephen C. Foster/arr. Keith Christopher . . . . . . . 66 Can-Can—Jacques Offenbach/arr. Meyer . . . . 24, 80 Can Can Basses—Jacques Offenbach/arr. Meyer. . 23 Cancion del Amor—Tim McCarrick . . . . . . . . . 40, 62 Canon in D—Johann Pachelbel/arr. Caponegro . . . 24

