4 Gracearr. Jason Krug. Combining three well-
known hymns into one powerful anthem, this is
a wonderful selection for any season of worship!
Although accessible for smaller ensembles, this
arrangement has opportunities for big bass bells
to really ring out. Interesting techniques like echo,
martellato lift, shake, and LV combine with dynamic
contrast for musicality and meaningful performance.
Includes Grace Greater than Our Sin; Guide Me, O
Thou Great Jehovah; and Amazing Grace.
10462095 2/6 Octaves . . . AGEHR-L2+ 4.50
Great is Thy FaithfulnessWilliam M.
Runyan/arr. Helman. An expressive arrangement
with seamlessly flowing eighth note patterns is
supported by LV, followed by a slower and softer
middle section enhanced by echoes in this reverent
and thoughtful treatment of the well-loved timeless
hymn. This selection then builds in intensity to a
breathtaking affirmation of faith. Destined to be a
staple in your music library, this arrangement is one
you will reach for over and over again!
10313107 3/5 Octave . . . . . AGEHR-L3 4.25
Great Is Thy FaithfulnessWilliam M. Runyan/
arr. Cathy Moklebust. Cathy Moklebust offers
a sensitive arrangement of William Runyan's
beloved hymn tune
FAITHFULNESS that begins with a
simple original melody and progresses to a tender,
reverent treatment of the tune. The pleasant
nature of the hymn's harmonization turns serious
and somber, then peaceful and comforting, before
building to a joyful and triumphant final verse. This
entrancing hymn setting is suitable for worship,
concerts or festivals.
10424177 3/5 Octave . . . . AGEHR-L2+ 5.25
Guide Me, O Thou Great Jehovah (God of
Grace and God of Glory)arr. Michael Helman.
This exciting arrangement of Guide Me, O Thou
Great Jehovah includes handbell techniques
such as mallets, martellatos, shakes, echoes and
a mallet roll, making it a dynamic and glorious
declaration of faith. A great choice for festivals,
concerts, and worship settings.
10424970 3/5 Octave . . . . . AGEHR-L2 4.95
HallelujahLeonard Cohen/arr. Joel Raney.
Known around the globe, this Leonard Cohen title
has become a standard inspirational song, leading
Joel Raney to set it for 3-5 octave handbells and
optional handchimes and synthesizer. In this
wonderfully emotional and moving rendition, ringers
will enjoy the serenity and beauty of the steady
eighth note patterns that accompany the familiar
melody. Its status as a "secular hymn" makes it a
cross-over piece that is highly recommended for any
concert or worship setting. The optional synthesizer
part enhances the overall haunting atmosphere.
10424209 3/5 Octave . . . . . AGEHR-L3 5.25
10424210 Instrumental Parts Synthesizer 5.00
Hallelujah, Praise Ye the Lordarr. Ron Mallory.
This lively setting of the familiar children's song
presents the melody four times in a variety of
styles, from bouncy jazz to a driving rhythm with
mallets. Mallet clicks and optional choreography
add to the sense of childlike celebration and fun.
Smiles all around!
10366193 3/5 Octave . . . . AGEHR-L2+ 4.50
He Is ExaltedTwila Paris. Incorporating the
hymn tune
ST. DENIO, this spirited and fun setting is
a great choice for the young handbell choir. Using
no subdivisions of the beat, yet with rich supporting
harmony, this contemporary praise and worship title
would also be perfect for any handbell choir with
limited time to prepare.
10294974 2/3 Octave . . . . AGEHR-L1+ 4.95
Here I Am to WorshipTim Hughes/arr. Victor
Labenske. Delight your congregation and your
beginning ringers with this popular worship chorus.
Echoes, LV and a shake at the end provide interest,
and are a great way to introduce new techniques.
An accessible, lovely setting appropriate for any
worship service.
10317902 2 Octave . . . . . . AGEHR-L1 4.25
Here I Am, LordDaniel Schutte/arr. D. Wagner.
Your ringers will be singing along in their hearts
when they play this graceful setting of Dan Schutte's
heartfelt Missionary song. A soothing arrangement
that is even more effective when played on hand
chimes, this features ample harmonic doubling and
the melody scored prominently in the top voice. It
begins in D major with a half-step modulation to a
resolved and finally a quiet repose. Very well done!
10089580 2/3 Octave . . . . . AGEHR-L2 4.95
l His Eye Is on the Sparrowarr. John Atteberry.
Clever use of the flute enhances a beautifully
written arrangement of the esteemed gospel hymn.
The lovely, expressive hymn alludes to the Sermon
on the Mount, when Jesus reminds us of God's
loving guidance and care - a timeless message of
faith suitable for most worship services. The flute
part is included in the handbell score.
10486823 3/5 Octave
opt. Flute . . . . . . AGEHR-L2 5.25
His Eye Is on the SparrowCharles H.
Gabriel/arr. Anna Laura Page.
his eye is on the
sparrow is based on a well-known, beloved
gospel hymn that found wide use during the early
to mid-twentieth century. This engaging setting
for handbells is harmonically rich, with flowing
accompaniment that builds into an exciting,
full statement of happiness that comes from
knowing that God watches over us, just as He
watches over the sparrow. This thoughtful setting
offers opportunities for ringing musically while
using precise ringing and damping skills, and is
appropriate for any occasion.
10424223 3/5 Octave . . . . . AGEHR-L3 4.50
l HolyFranz Schubert & John B. Dykes/arr. Bill
Ingram. This flowing, expressive medley of two
wonderful worship hymns,
holy is the lord and holy,
holy, holy will be appropriate for any season of the
church year. Although easily accessible, it has a
full, rich sound and a lovely, lyrical melody. Scored
for 3, 4, or 5 octaves of handbells with optional
handchimes, this one will be useful for many choirs
and will be used over and over again!
10490002 3/5 Octave . . . . . AGEHR-L2 4.50
Holy MannaWilliam Moore/arr. Susan E.
Geschke. This arrangement is played entirely with
mallets and mallet clicks, yet it remains rhythmically
easy with only a sprinkling of eighth notes.
Alternatively titled A Merry Mallet Melody, it may
be also rung entirely on handchimes, substituting a
percussion instrument for the mallet clicks. Bursting
with energy, this setting is an excellent choice for
secular, sacred, or festival use.
10356670 3/5 Octave . . . . . AGEHR-L2 4.50
Holy, Holy, Holyarr. Anna Laura Page. Set
against a syncopated and malleted backdrop,
the well-known hymn tune
NICAEA is given a new
perspective that is refreshing and upbeat. A lilting
section of the familiar hymn Take Time to Be Holy is
also introduced for extra interest and a special touch.
10316450 3/5 Octave . . . . . AGEHR-L3 4.50
l How Can I Keep from SingingRobert Lowry/
arr. Cathy Moklebust. Particular attention is paid to
the word "singing" through rhythmic and chordal
punctuation, and through use of the Singing Bell
technique, in this perfect choice for any worship
service. Both versions of the tune are used:
Robert Lowry's original lyric version in 3/4 meter,
which uses plenty of LV and the optional use of
handchimes; and the more contemporary version
which is written in a rhythmic, energetic 4/4 meter,
employs the use of malleted bells, and features
the hymn tune played in a round. Editions for 2-3
octaves and 3-5 octaves are available, and they are
compatible for massed ringing.
10452276 2/3 Octave opt.
Handchimes . . . . AGEHR-L3 4.50
10452277 3/5 Octave opt.
Handchimes . . . . AGEHR-L3 4.50
How Great Thou Artarr. Michael Helman.
Incorporating This Is My Father's World, this
exciting, carefully edited setting of the timeless
hymn is a strong choice for 2-3 Octave handbells or
handchimes! This is appropriate for general worship
services and young ringers festivals.
5957642 2/3 Octave . . . . . AGEHR-L1 3.95
How Great Thou ArtStuart K. Hine/arr. Joel
Raney. Considered to be one of the greatest sacred
texts and tunes from the 20th century, this classic
hymn gives rise to the greatness that it invokes in
worshiping God. This arrangement makes elaborate
use of the optional handchimes, both melodically
and harmonically, to add remarkable interest. The
masterful transitions and modulations provide awe-
inspired moments of grandeur that are worthy of
this hymn of praise.
10275820 3/5 Octave opt. 3/5 oct.
Handchimes . . . . AGEHR-L3 5.25
l Hymn of PromiseNatalie Sleeth/arr. Janet
Linker & Jane McFadden. Combining handbells,
keyboard and chimes, Janet Linker and Jane
McFadden have created a contemplative and gentle
arrangement of this lovely Natalie Sleeth tune. The
introduction features bells and piano antiphonally,
bringing a lovely depth to the work. Optional
handchimes introduce the hymn melody with quiet
accompaniment for contrast. The second verse has
more motion with the hymn melody in octaves. The
antiphonal theme returns and leads into Amazing
Grace with chimes on the melody accompanied by
malleted suspended handbells. After a modulation
to C major, the final statement of Hymn of Promise
returns as a handbell solo and crescendos with
piano to a brilliant declaration of faith.
10488685 3/5 Octave opt. 3 oct.
handchimes . . . AGEHR-L2+ 4.50
10488686 Keyboard/Full Score . . . . . . . . 7.95
I Am Bound for the Kingdomarr. Anna Laura
Page. Stopped sounds, mallets, mart lifts, shakes,
and a driving tempo all come together in this vibrant
setting that combines the Sacred Harp Warrenton
tune Come Thou Fount of Every Blessing and the
American folk hymn On Jordan's Stormy Banks I
Stand. Both melodies are given their own time in
the spotlight before they combine as partners in a
more reflective verse. Very well done!
10095914 3/5 Octave . . . . . AGEHR-L3 4.25
l I Bowed on My Knees and Cried, "Holy"
E. M. Dudley Cantwell/arr. Ronnie Hendricks. Ronnie
Hendricks expresses the tender emotion of this old
gospel favorite and makes it sound as if it were
originally written for handbells. Sensitive ringing is
key to bringing out the expression and emotion that
builds into a phrase from
holy, holy, holy before a
triumphant declaration of faith at the end.
10489116 3/5 Octave . . . . . AGEHR-L3 4.50
l I Surrender AllWinfield S. Weeden/arr. Dan
R. Edwards. Featuring dynamic changes and
extended techniques, this gentle arrangement
offers your ringers many opportunities to play with
great sensitivity and expression. The sixteenth notes
before phrases and in the melody make this title
sing, showing great attention to detail. With the
melody presented in both treble and bass bells in
turn, all of your ringers will have a reason to love
this piece as much as the audience will.
10490146 3/5 Octave . . . . AGEHR-L2+ 4.50
I Want Jesus to Walk with Mearr. Tammy
Waldrop. This popular spiritual is given a
rhythmic, soulful treatment, with staccato sections
contrasting with smooth, sustained passages, and
featuring optional chimes. Performance should take
into account the dynamic visual aspect of the piece,
with its gyros, pluck lifts, martellato lifts, mallets,
shakes and vibrato. It will be a memorable musical
and visual event!
10341864 3/6 Octave . . . . AGEHR-L2+ 4.50
l I Want Jesus to Walk with Mearr. Benjamin
Tucker. This accessible setting makes extensive
use of the singing bell technique to support a
single handbell melody line and create a very
lyrical treatment of this tune. Suitable for Lent or
general use, this arrangement is a great teaching
opportunity as well.
10490003 2/3 Octave . . . . . AGEHR-L2 4.50
I Want to Walk as a Child of the LightKathleen
Thomerson/arr. Cathy Moklebust. The latest addition
to the Flexible Favorites series for bells and optional
instruments, Kathleen Thomerson's popular hymn
tune
HOUSTON has been treated simply and delicately
with minimal bell changes and techniques, making
this a very accessible arrangement. A short original
melody comprises the introduction, interludes and
ending. In the second stanza, the upper treble bells
are played with mallets, while the hymn tune is
played by the lower treble and bass. The optional C
or Bb instrument makes a lovely addition and adds
a complementary warmth and depth to the whole
performance, and since 2-3 and 3-5 octave editions
are available, this piece is perfect for festival use as
well as for worship.
10424232 2/3 Octave . . . . . AGEHR-L2 4.95
10424233 3/5 Octave . . . . . AGEHR-L2 4.95
I Will Arise and Go to Jesusarr. Cathy
Moklebust. The Southern Harmony tune,
RESTORATION is arranged here for a double choir of
two to three and three, four or five octaves, with
percussion, but may also be played by a single
choir. Light thumb-damping, malleting or plucking
accompany the melody, which is presented in two
slightly different versions. This short arrangement
includes no accidentals, except for the final chord,
and is appropriate year-round for worship and
concert use.
10307324 2/3 Octave . . . . . AGEHR-L2 4.50
10307325 3/5 Octave . . . . . AGEHR-L2 4.50
10307326 Keyboard/Full Score . . . . . . . . 9.95
I Will Arise and Go to Jesusarr. Matthew
Compton. Based on the hymn tune
RESTORATION, this
multi-seasonal arrangement sends the listener on a
marvelous journey through beautifully contrasting
and expressive interpretations of each stanza of the
hymn. At times energetic, at others reflective, this
compelling anthem features echo rings, mallets,
contrasting bells and chimes, and martellatos,
making it a delight for ringers and listeners alike.
10340407 3/5 Octave . . . . . AGEHR-L3 4.95
Make a joyful noise
Handbell Music
108
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