4Editors' Choice (Best of 2015 Publications) lNew for 2015 HPepper Basic Library Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
14
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Blues & Swing medium-easy
l Kool Kat BluesLes Sabina. Kool Kat Blues is
an effective medium-tempo minor blues chart.
Whether your ensemble has some experience
or is in the developmental stages, this chart
is suitable for all performance situations. All
instruments have interesting parts to play, the parts
are well articulated, the ranges are reasonable,
and the rhythm section parts are notated with
chords symbols provided. Due to the accessible
minor blues progression, the alto sax soloist is
encouraged to improvise, although a suggested
solo is provided. Playable with optional reduced
or expanded instrumentations, this one is sure to
become a favorite!
10515806 Jazz Ensemble . . . . . . . . . . 45.00
n Lester Leaps InLester Young/arr. Rich Sigler.
This great tune by legendary saxophonist Lester
Young makes the perfect jazz chart! It's a simple
and familiar riff melody on rhythm changes that
lends itself to many familiar jazz quotes and
licks everybody knows. Arranger Rich Sigler
incorporates some clever musical devices to create
an interesting yet accessible chart. A tenor sax
solo is written out and the lead trumpet range is to
written G on top of the staff. Highly recommended!
Optional expanded instrumentation.
10071890 Jazz Ensemble . . . . . . . . . . 46.00
n Let's Keep a Good Thing Goin'Paul Clark.
At around 152 bpm, here's a swinging, happy toe
tapper in the Basie tradition that just won't quit,
and is a great concert or contest selection for mid
level bands! A written piano solo starts things out,
followed by one, or all of the saxes introducing the
melody. Then the brass join in and the full ensemble
plays to a basic 12-bar blues solo section for any
instrument. The ensemble sections, solis and
dynamics that follow are first rate and provide lots
of contrast and excitement. There's even more than
one shout chorus. Just when you think it's over, it
keeps a good thing goin'!
10369392 Jazz Ensemble . . . . . . . . . . 48.00
n Li'l DarlinNeal Hefti. Composed and arranged
by Neal Hefti, this is the original chart that says just
about everything there is to say about relaxed, laid-
back swing! No good jazz library is complete without
this incredibly good chart!
279364 Jazz Ensemble . . . . . . . . . . 52.00
4 Minor ChantStanley Turrentine/arr. Terry
White. This arrangement of a Stanley Turrentine
signature tune is not difficult at all, but it sounds
very sophisticated! The swingin' melody is initially
handled by tenor 1 and trombone 1 and the tempo
is around 140 bpm. There are written or improvised
solos for alto, tenor, trumpet, and trombone, great
dynamic contrasts and a nice shout chorus that
begins softly and builds. This is a chart that is solid
throughout and makes excellent use of the full
ensemble. Optional parts are included for expanded
instrumentations. Highly recommended!
10513877 Jazz Ensemble . . . . . . . . . . 46.00
n Mr. GK (A Tribute to Gene Krupa)Mike
Carubia. Drum features have always been a big
crowd pleaser in the jazz idiom. This outstanding
tribute to the original big band drum star, Gene
Krupa, features a short, written trumpet solo with
plunger, but this exceptional chart is primarily a
drum feature with solid big band ensemble sections
to drive it along. Full of audience appeal, it's a big
band extravaganza set in the style of the famous
Krupa swing tunes of yesteryear. An optional flute
part is included and the written ranges are: Trumpet
1 to A; Trombone to G; Alto Sax to E.
10311507 Jazz Ensemble . . . . . . . . . . 47.00
n The Mudbug StrutPaul Baker. A New Orleans
street parade comes to life with this chart! A
2nd line snare drum beat drives the Dixie-based
ensemble, complete with tailgate trombone. There
are written solos for trombone, alto sax, plunger
trumpet, and bass, and tuba may be substituted for
the bass for even more authenticity. An additional
clarinet part is included as well. An exchange
between the drums and ensemble leads to a roll
off that launches the shout section and traditional
ending. The trumpet range goes to written high G
and trombone to F. Highly recommended!
10458467 Jazz Ensemble . . . . . . . . . . 40.00
NardisMiles Davis/arr. Paul Murtha. The
definitive recording of this jazz classic is by Bill
Evans, with other notable recordings by Cannonball
Adderley and Joe Henderson. Paul Murtha's
arrangement for developing groups features a Latin
style on the head then switches to swing on the
bridge. This really nice chart also includes very
effective writing for all sections of the band as well
as written or improvised solo space for alto sax.
Highly recommended!
10072801 Jazz Ensemble . . . . . . . . . . 45.00
A Nasty Bit of BluesDoug Beach. You'll feel
nasty but sound great on this cookin' blues number!
A straight ahead swing tempo drives some really
great licks, including a really hot unison band line
that sounds much harder than it really is. A big
shout chorus and a short drum solo at the end
round things out, and there's an open solo section
with room for any of your players to stretch out. Also
includes a separate solo sheet for guidance.
2425007 Jazz Ensemble . . . . . . . . . . 52.00
New York State of MindBilly Joel/arr. John
Berry. First recorded by Billy Joel in 1976, this
timeless classic was never a hit on the charts,
but over the years has become a fan favorite and
boasts countless covers from a diverse range
of artists including Frank Sinatra, Tony Bennett,
Barbra Streisand, The Muppets, and the cast
of Glee. Here is a terrific medium swing setting
playable by young jazz ensembles that is sure to be
a hit with audiences everywhere!
10343804 Jazz Ensemble . . . . . . . . . . 45.00
On Green Dolphin StreetBronislau Kaper/arr.
Frank Mantooth. A funky bass line leads into this
terrific arrangement of the famous standard, which
shifts between Latin and swing in a delightfully
funky way! This chart takes the tune where it has
never gone before, and it really likes going there!
Faithful to the original yet creative and fresh, it's a
great way to feature your ensemble, with written-
out or ad lib solo space for trumpet, tenor and
trombone. Highly recommended!
2701950 Jazz Ensemble . . . . . . . . . . 52.00
H Orange SherbertSammy Nestico. Originally
recorded in 1975 by Count Basie and titled
because Basie loved orange sherbert, this fresh
setting features easy registers, strong jazz figures,
and a bright, free swinging style. A written or ad lib
trumpet solo in the midsection and an ensemble
shout before the final chord are highlights. The
rhythm section parts are notated with chords cued,
and a guitar chord chart is included.
2341741 Jazz Ensemble . . . . . . . . . . 45.00
H Pennsylvania 6-5000Jerry Gray/arr. John
Berry. Here's a perfect touch of swing era nostalgia
with this signature tune from the Glenn Miller
Orchestra. All the elements of the original are here
in this more accessible version including the famous
sax melody, written trumpet and alto solos and, of
course, full band vocals. A real crowd pleaser!
10028094 Jazz Ensemble . . . . . . . . . . 45.00
n PerdidoJuan Tizol/arr. Dallas Burke. Here's
an updated treatment of the Ellington favorite that
features great ensemble writing. This straight-
ahead arrangement features an open solo section,
a medium tempo, a traditional swing style, and a
very nice sax section soli passage. No surprises...it
ends strong and swings hard!
10094892 Jazz Ensemble . . . . . . . . . . 65.00
4 Pretty Cool HatKen Booker. Pretty Cool Hat is a
fresh, "Brubeckish" jazz waltz that's got some great
licks throughout and opens up for some strong
solos. The features include improvisational solo
space, an alto and trumpet duet melody section,
a nice build after the solos, and a colorful ending.
Optional parts for flute, clarinet, horn in F and tuba
are included. Yes, this chart is pretty cool!
10509067 Jazz Ensemble . . . . . . . . . . 62.50
4 Robbin's Nestarr. Rick Stitzel. Carefully utilizing
every section of the ensemble, here is a skillfully
arranged setting of this jazz favorite recorded most
notably by Illinois Jacquet and also Count Basie.
Featuring a medium swing style and phrases
traded between sections, this is a very attainable
swing chart for developing players. Short solos
are included for tenor sax, trumpet and trombone,
along with a chorus for the full ensemble. Written
solos are included along with scale/chord sheets in
all keys, and the bass lines and piano voices are
written out. You don't want to miss this great chart
on a great jazz standard! Highly recommended!
10522940 Jazz Ensemble . . . . . . . . . . 45.00
n Roll with the PunchesPaul Baker. Solidly
in the Basie/Nestico tradition, this swing chart
exemplifies the title's instructions...stay positive
and Roll with the Punches. Written solos are
provided for trombone, or optional trumpet, and
alto sax. Every section gets a chance to shine in the
full shout section, with the drummer adding some
tasty fills, which leads to the final ending "punch."
Trumpet range is to written G. Trombone range is
to written F. Highly recommended!
10369417 Jazz Ensemble . . . . . . . . . . 40.00
Herb Alpert Collection (Trumpet Artist Transcription)—Herb Alpert.
The music legend who founded the "Ameriachi" movement as well as A&M
Records, Herb Alpert gave the world A Taste of Honey and other catchy hits in
the '60s that are still enjoyed today. He's sold well over 70 million records in his
illustrious career. This collection offers note-for-note trumpet transcriptions for
18 of his best: Theme from Casino Royale; The Lonely Bull; Mame; Rise; Spanish
Flea; A Taste of Honey; This Guy's in Love with You; Tijuana Taxi; What Now My
Love; Theme from Zorba the Greek and more.
10084732 Trumpet Solo Collection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14.99
H
Jamey Aebersold Jazz, Volume 7 (Miles Davis)—Jamey Aebersold.
Here are eight jazz originals written by Miles Davis, many recorded twice with
one slower track for easier learning, and another track at a common performance
tempo. This is a unique way to learn eight of the most popular songs of the 50s.
Most are considered jazz classics because most jazz musicians have learned
them, and all are interesting vehicles for improvising. The interesting chord
changes, altered bridges, and logical melodies have been quoted in many
compositions throughout the music world. Here is a way to gain an insight into
early Miles and gain an understanding of the transitional bop to post-bop period.
Titles include: Four; Solar; Tune Up; Dig; Vierd Blues; Milestones; The Theme and
Serpents' Tongue. Level: Intermediate/Advanced.
2240109 Flexible Instrumentation Book/CD . . . . . . . . . . . . . . . . . . . . . . .15.90
Jamey Aebersold Jazz, Volume 126 (Randy Brecker)—Jamey
Aebersold.
This is a wonderful collection of 13 original jazz songs by the
masterful artist/composer Randy Brecker, comprising a wide variety of modern
and straight-ahead styles. The book includes the lead line and harmony parts
transposed for all instruments. Although notably most famous for his work as
one-half of the Brecker Brothers, Randy is regarded as one of the best jazz
trumpeters in the world. Randy played on the first Blood, Sweat & Tears album,
was a charter member of Larry Coryell's seminal jazz fusion band The Eleventh
House in 1973 and is currently a part of the GRP All-Star Big Band. Unique to
this exciting play-along is a separate CD of Randy playing the melodies with the
rhythm section so that you can hear exactly how the songs should be played.
Titles Include: There's a Mingus Amonk Us; Shanghigh; Some Skunk Funk;
Marble Sea; Thrifty Man; Incidentally; Free Fall; Hit or Miss; The Sleaze Factor;
You're in My Heart; Moontide; Dirty Dogs and Tokyo Freddie. Level: Advanced.
10073626 Flexible Instrumentation Book/2 CDs . . . . . . . . . . . . . . . MA 19.95
Jazz Play-Along Volume 127-Chuck Mangione—Chuck Mangione.
Practice and learn the signature tunes of Chuck Mangione with this Book/
CD pack. With musician-friendly lead sheets, melody cues, and other split-
track choices on the included CD, this first-of-a-kind package will help master
improvisation while playing some of the greatest tunes of all time. For study,
each tune includes a split track with: melody cue with proper style and inflection;
professional rhythm tracks; choruses for soloing; removable bass part and
removable piano part. For performance, each tune also has: an additional full
stereo accompaniment track (no melody); additional choruses for soloing.
Contents: Bellavia; Chase the Clouds Away; Children of Sanchez; Doin'
Everything with You; Feels So Good; Give It All You Got; Hill Where the Lord
Hides; Journey to a Rainbow; Land of Make Believe and Love Bug Boogie.
10204777 Flexible Instrumentation Book/CD . . . . . . . . . . . . . . . . . . . . . . .16.99
Jazz Trumpet Solos—ed. David Cooper. This stellar trumpet collection
features 11 transcriptions of outstanding performances by jazz trumpet icons
Chet Baker, Woody Shaw, Tom Harrell and Freddie Hubbard. Includes: Autumn
in New York; The Blue Room; Greene St. Caper; Hub-Tones; I Remember You;
I Waited for You; I'm Old Fashioned; Lament for Booker; My Funny Valentine;
Some Day My Prince Will Come and The Touch of Your Lips.
5556543 Trumpet Unaccompanied Solo Collection . . . . . . . . . . . . . . . . . .9.95
SOLO JAZZ
FOR TRUMPET
ese trumpet and play-along collections
are great for studying jazz styles, learning
tunes and more.
Going to contest
or festival?
Don't forget judges copies.
