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CONCERT SELECTIONS
Creation's Song
Jill Friedersdorf & Melissa Malvar-Keylock.
Here is a beautiful original composition based on an ancient sacred text,
in English, from the ninth century. The work offers many good teaching
opportunities and is an uplifting, joyful performance piece - an excellent way to
showcase your treble choir! "A song upraise of joy and praise, oh, hear creation
sing all glory to their King... alleluia!"
10498696 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10498696E SSA ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
Cumbia del Sol (Cumbia of the Sun)
arr. Audrey Snyder.
With alternate Spanish and English words, this vibrant Colombian folk song
accompanies a popular folk dance, the Cumbia. With hand claps, a "la la la"
descant and a "Hey!" at the end, the arrangement is very cute and fun! There
are only two Spanish phrases; a translation and pronunciation guide is included.
10495819 Three-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10495819E Three-Part Mixed ePrint. . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10495821 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10495821E Two-Part ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10495829 Teaching P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.99
Curiosity
Amy F. Bernon.
Pique your choir's curiosity with this inquisitive original piece that abounds
with delightful nature-inspired imagery: "And the beauty of all that sky
above, and the wonders here below make me curious about this world of
ours." Repeated melodic material and intervals of a perfect fifth or less
ensure accessibility and success.
10519895 Unison/Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Dancin' at the Rock
Donald Moore.
Your audience or congregation will love hearing your choir sing "Dancin' at the
Rock of Jerusalem!" Donald Moore's driving, rhythmic original spiritual is loads
of fun! The ranges for either SAB or SSA choir are very accessible, and are
supported by the syncopated, jazzy accompaniment. Highly recommended!
10443550 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10509894 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Deo Dicamus Gratias
Brian Lewis.
Voices fan out from a unison pitch and blossom into rich choral sonorities
during the hushed introduction of this resplendent work. Next, an intense
compound-meter exposition is energized by the percussive piano part. In the
flowing middle section, the tension of dissonance is beautifully resolved through
each sequential phrase. A terrific concert and festival piece!
10512549 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10515003 Multi-Song Accomp. CD . . . . . . . . . . . . . . . . . . . . . . . . 44.99
Dere's No Hidin Place Down Here
arr. Stacey V. Gibbs.
This is another fabulous piece by Stacey Gibbs, an amazing arranger of
Spirituals. It is primarily written for 4-part male voices but does break into some
divisi near the end. Some rockin' parts appear in this setting and some play on
words as well, making it a great concert or festival piece. For high school aged
choirs and older.
10513655 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Come to the Music
Joseph Martin.
Commissioned for a premiere performance at the Texas Music Educators
Association 2000 convention, Joseph Martin's Come to the Music is alive and
electric with driving rhythm, memorable melodies, mixed meter, and joyful text.
Optional percussion and piccolo accompaniment (parts included) enhance the
medieval dance quality of this exciting piece.
3293529 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
3293529E SATB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
10453564 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
10453564E SAB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
10510924 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
3296613 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
3293537 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
10453568 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.99
10453569 Orchestration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69.95
Come, Ye Sons of Art
Henry Purcell/arr. Russell Robinson.
From Purcell's "Birthday Ode for Queen Mary," which also includes other well-
known odes, such as Sound the Trumpet and Strike the Viol, this setting of
Come, Ye Sons of Art has been made accessible for three-part mixed voices
with optional baritone, transposed from the original D Major to A-flat Major.
Your singers will have fun exploring and learning how to sing in the rhythmic
and exciting style of the Baroque period.
10509874 Three-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Come, Let's Begin
Thomas Weelkes/arr. John Leavitt.
This sprightly, dance-like madrigal is a great teaching piece! A delightful
concert opener, it lends itself well to a processional with voices, hand drum
and tambourine. At just under two minutes' duration, it is short and very sweet!
Highly recommended!
10513597 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10513597E SAB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
Comfort, Comfort Ye My People
arr. Howard Helvey.
Thoughtfully arranged for church and school settings, Comfort, Comfort Ye My
People offers many teaching opportunities. This Howard Helvey arrangement
provides a madrigal feel, mixed meter, rhythmic challenges, a meaningful
tambourine part and a tasteful accompaniment. Highly recommended!
10513794 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10513795 Instrumental Parts Tambourine. . . . . . . . . . . . . . . . . . . . . 2.95
Confitemini Domino
Greg Gilpin.
Lush harmonies and beautiful melodies distinguish this strong concert or
festival work. An "Alleluia" section is both lyrical and dynamic and the optional
baritone part adds depth in the final section. This is expressive writing from
Greg Gilpin and an excellent venue for developing choirs.
3250966 Three-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10510055 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Count on It!
Kevin A. Memley.
Here's an exciting, energizing tune that teaches singers how to write counts
in music. With a supportive piano accompaniment, it makes rhythm fun for
students of all ages, from elementary through high school!
10454440 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10454441 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10454442 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10512714 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
