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Concert & Festival
4 The Tide Rises—Cynthia Gray. Cynthia Gray's
sinuous vocal lines mirror the distinguished text in
this piece. Well suited as a contest ballad selection,
The Tide Rises offers numerous teaching moments
for phrase shaping and dynamic contouring.
You'll even hear the sounds of ocean waves in
the accompaniment. Tastefully done!
10498670 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.25
4e To Love Again—Audrey Snyder. Through words
and music, this simple, lovely original portrays the
personal experience of losing a loved one and
ends with the hope of future love and happiness.
Set in a gentle, expressive folk-like style, it will
surely resonate with your choir. "When time has
passed, and only then, will I be loved, and love
again." Highly recommended!
10506649 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.90
10506653 Teaching P/A CD . . . . . . . . . . . 22.99
4t Tongo—arr. Greg Gilpin. This traditional canoe
e song from Polynesia sounds very impressive with
just two voice parts, hand claps, and percussion
instruments. The echoing voice parts suggest
people communicating from canoe to canoe as
they travel between islands. The Polynesian text
is simple, with a pronunciation guide. This is a
refreshing change of pace in the multicultural
category! Highly recommended!
10515746 Two-Part. . . . . . . . . . . . . . . . . . . 1.90
10514270 TB . . . . . . . . . . . . . . . . . . . . . . . . 1.90
4t Tshepa Thapelo—arr. Ruth Morris Gray. Here
e is an irresistible a cappella arrangement of an
authentic Sotho folk song. Solid choral harmonies
and infectious rhythms, supported by optional
percussion patterns, create a backdrop for lead
parts sung by the basses and sopranos. With
a rarely-heard slow African groove, this really
creates a tribal atmosphere!
10515782 SATB. . . . . . . . . . . . . . . . . . . . . . 1.90
10515783 Three-Part Mixed . . . . . . . . . . . . 1.90
10515784 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.90
4e Tu Lo Sai—Giuseppe Torelli/arr. Thomas
Juneau. This gentle art song is as appropriate for
choral singing as it is for vocal solo or duet. Use
this setting with your high school girls to work on
breathing and support of tone and you'll have
a stunning performance piece. In Italian, with
translation and pronunciation guide.
10500872 SA . . . . . . . . . . . . . . . . . . . . . . . . 1.90
4 Turn the World Around—arr. Mark Hayes.
Harry Belafonte cowrote and recorded this feel-
good Jamaican-style piece which is based on
the idea that humanity is derived from the three
basic elements: fire, water and earth. Set in
simple 5/4 meter, it's catchy and fun, especially
for younger choirs!
10511031 SATB. . . . . . . . . . . . . . . . . . . . . . 2.25
10511033 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.25
10511034 Two-Part. . . . . . . . . . . . . . . . . . . 2.25
10511036 P/A CD . . . . . . . . . . . . . . . . . . . 26.99
10511038E Instrumental Parts ePrint . . . . . 25.00
4 Ubi Caritas—Victor C. Johnson. A beautiful,
tender setting of the traditional Latin text that
features delicate melodic lines and a fluid
accompaniment. The contrasting middle section
provides interest and movement, and the echoed
phrases, independent vocal lines, and limited
ranges allow for it to be easily mastered for
concert or festival. A pronunciation guide and
translation are included.
10512921 Three-Part Mixed . . . . . . . . . . . . 2.10
10512922 Two-Part. . . . . . . . . . . . . . . . . . . 1.95
10512923 P/A CD . . . . . . . . . . . . . . . . . . . 27.95
4 Usiku Mwema (Goodnight)—Ceej Oliver.
Ceej Oliver has done it again! Last year, Sisi Ni
Afrika was a hit. This year he has written this
original African lullaby for two-part with optional
three-part voices. There's plenty of rhythmic
interest, and your singers will enjoy singing in
Swahili. While the percussion is optional, it will
add another dimension to your performance. The
rhythmic title phrase, "Usiku Mwema," is a terrific
hook throughout the piece!
10501208 Two-Part or Three-Part . . . . . . . 2.50
4t Veni Creator Spiritus (Come, Creator
Spirit)—Anthony Bernarducci. This is a great
a cappella piece! Easy-to-feel mixed meters,
djembe, and very effective drone chords create
a medieval feeling. When the chant-like section
occurs, the effect is absolutely stunning. This
has tremendous educational value, offering
many teaching moments and a memorable
performance experience for everyone involved!
Highly recommended!
10479645 SSAATTBB . . . . . . . . . . . . . . . . . 2.00
te Viva La Musica!—David Brunner. Now available
for women's voices, Viva La Musica! is a wonderful
theme for any concert. This exuberant work
opens with a strong, bold, unison exclamation,
vividly expressing the text and musical idea.
10345063 SATB. . . . . . . . . . . . . . . . . . . . . . 1.95
10495645 SSAA . . . . . . . . . . . . . . . . . . . . . 2.10
4 Wade in the Water—arr. Larry Shackley. Larry
Shackley treats the timeless spiritual with an
infectious gospel-swing style in this delightfully
accessible piece for use throughout the year.
Passages of call and response create a colorful
texture that your choir will love to sing.
10520082 SATB. . . . . . . . . . . . . . . . . . . . . . 2.05
4e The Waterfall—Mark Patterson. A waterfall is
one of the most beautiful sights in the natural
world, a kaleidoscope of light and sound, carrying
an ever-changing pulse of energy and motion.
This easy original work highlights that beauty and
mystery through text and melody, and the effect
is simply stunning! Highly recommended!
10495638 Three-Part Treble Equal. . . . . . . 1.90
n The Wayfaring Stranger—arr. Greg Gilpin. This
popular spiritual sings of a plaintive soul on the
journey through life. Now available for SATB, this
best-selling arrangement has been beautifully
set with striking vocal writing, a haunting piano
accompaniment and a mournful solo violin. A
unique and fresh approach to the traditional folk
hymn, it will be a stunning addition to any concert
or festival program!
10503338 SATB. . . . . . . . . . . . . . . . . . . . . . 1.95
10363443 SAB. . . . . . . . . . . . . . . . . . . . . . . 1.95
10363444 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.95
10369750 Multi-Song Accomp. CD . . . . . 44.99
4e We Are the Music-Makers—Andy Beck. Book-
ended by a majestic choral fanfare, this
contemporary work is a vivid realization of
O'Shaughnessy's famous poem. A dynamic
piano accompaniment fully supports the soaring
melodies and rich harmonies. A brilliant concert
opener or festival selection! "...we are the journey-
takers, the bound'ry-breakers, we are the makers
of song!"
10501266 SATB. . . . . . . . . . . . . . . . . . . . . . 1.90
10501268 SAB. . . . . . . . . . . . . . . . . . . . . . . 1.90
10501269 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.90
10515003 Multi-Song Accomp. CD . . . . . 44.99
4 We Are the Voices—Jim Papoulis. "In every
heart there is a place that shows us who we are."
The opening phrase presents the challenge that
unfolds in this significant song: bringing our inner
voice to expression. Bound to be the highlight of
a program, this piece builds to a grand ending
with the rhythmic beat of a djembe adding to the
excitement.
10500447 SSAA . . . . . . . . . . . . . . . . . . . . . 2.35
4 When the First Trumpet Sounds—arr. Susan
Brumfield. Your singers will feel like they are in
a New Orleans jazz parade while learning and
singing this arrangement of a traditional spiritual.
Commissioned by the Florida Music Educators
Association All-State Elementary Chorus, it is
also appropriate for middle and high school
treble choirs. One of the unique features of the
arrangement, besides the varied rhythms and
melodies, is that the second soprano and alto
get equal time singing melodies. The trumpet is
not optional.
10487772 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.25
4 Who Has Seen the Wind?—Edwin T. Childs.
Christina Rossetti's intriguing poem about the
mysteriousness of the wind provides the text
for this engaging, gentle concert offering for
young and developing choirs. The flute provides
interesting color and a distinctive third part when
both vocal parts unite in an effective partner song
format. A learning resource page is included.
10512918 Two-Part. . . . . . . . . . . . . . . . . . . 2.10
10512919 P/A CD . . . . . . . . . . . . . . . . . . . 27.95
4t Will There Really Be a Morning?—Dan Camp-
olieta. "Will there really be a 'Morning?' Is there
such a thing as 'Day?' Could I see it from the
mountains if I were as tall as they?" This gentle
and poignant musical setting focuses on the
hope inherent in Emily Dickinson's famous poem.
It conveys the poet's timeless words with great
sensitivity and beauty for a cappella voices.
10514606 SATB. . . . . . . . . . . . . . . . . . . . . . 2.25
10514607 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.25
4 Will There Really Be a Morning?—Ruth Morris
Gray. This delightfully fresh, creative setting of the
beloved Emily Dickinson poem is joyful, hopeful
and dramatic with anticipation. Complemented
by a bright, driving accompaniment and
accessible ranges, this is an exceptional choice
for concert or festival use. A learning resource
page is included.
10512796 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.10
10512797 Two-Part. . . . . . . . . . . . . . . . . . . 2.10
10512798 P/A CD . . . . . . . . . . . . . . . . . . . 27.95
4e With a Song—Sally K. Albrecht & Jay Althouse.
"We come from many places. We come with many
dreams..." Sally and Jay's heartfelt text reminds
us of the impact of singing together, which serves
as a symbol of our unity. The memorable hook
and important message will engage and inspire
your singers from the first rehearsal to the final
performance. Sign language is featured on the
With a Song! DVD.
10514963 SATB. . . . . . . . . . . . . . . . . . . . . . 1.90
10514964 SAB. . . . . . . . . . . . . . . . . . . . . . . 1.90
10514965 Two-Part. . . . . . . . . . . . . . . . . . . 1.90
10514966 P/A CD . . . . . . . . . . . . . . . . . . . 27.99
10514967 DVD Choral Movement . . . . . . 39.99
4 Yo Puedo—Jim Papoulis. The composer's
strong commitment to the power of belief in
oneself is reflected in the strength and conviction
of this music. Opening as a subtle ballad,
the music creates a sense of how important
imagination and listening are within one's journey.
Then there is a distinct style change to a more
rhythmic and accented style that builds to an
uplifting conclusion.
10519400 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.50
